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Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
This is one of those special books that made me think, “Oh my…I want to write like this.” The blend of old-world atmosphere, 1950s glamor, and gorgeously descriptive, suspenseful writing is magical. Linda Martin, a young Englishwoman with a secret of her own to guard, takes the post of governess to the small heir of a French chateau—a fairytale setting, but disturbing tensions run beneath its surface, and before long Linda finds herself caught up in a desperate attempt to foil a dangerous plot.
A tense thrillerabout an English girl who becomes governess to a young French heir to great estates in Savoy. Having deceived her employers about her ability to speak French, she discovers that they are trying to kill her young charge.
When former police detective Michael McLaren is given an old photograph and newspaper article, an inquiry begins that seems straight forward enough: a deadly accident fifteen years ago in a millpond. But when it’s apparent that other deaths in the area are not only similar in their method but also…
Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
I enjoy all varieties of Ellis Peters’ mysteries, but I favor this one because it’s the most similar thing I’ve found to Mary Stewart’s signature style of engrossing suspense combined with a richly evoked foreign setting. Among a group of English students on holiday in the mountains of Czechoslovakia is one girl with a secret, ulterior motive for being there: to investigate her stepfather’s recent suspicious death in a mountain-climbing accident. Peters is so good at getting inside the heads of youthful characters and exploring their emotions and inner conflicts as they navigate the perilous process of unraveling a crime, and this book is no exception.
In the mountains of Czechoslovakia, a possible murder has Dominic Felse suspicious of everyone—including his friend, the dead man’s beautiful stepdaughter.
Theodosia Barber had been planning to spend her summer vacation in Europe in any case, so what could be simpler than persuading her travel companions to make a minor detour to the scene of the crime?
Bewitched by Theodosia’s beautiful brown eyes and blissfully unaware of her real motives, Dominic Felse cannot refuse her plea for a change of plan. And he’s certainly not prepared for their innocent touring holiday to become a murder investigation, with Theodosia in grave…
Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
Traveling across Europe by train, Iris Carr re-enters her compartment to find that a friendly, talkative spinster who had befriended her has disappeared—and no one else will admit she was ever there at all. Why? The answer must be found before the train reaches its destination, and Ethel Lina White crafts a nail-biting race against time while also delving deep into the motivations of a tight cast of characters—exploring what leads some people to lie, and how an initially isolated and self-centered heroine becomes someone desperate to uncover the truth.
Oldtown is a historic place where rich people live. The sisterhood also lives there. The group, known as the ""Black Nuns"", had healing powers. But in Oldtown, the killer works, and a series of murders plunged the inhabitants into blind, reckless horror.
Former police detective Michael McLaren is looking forward to spending Christmas at his grandfather's ancient Hall with his grandfather, uncle, and his lady love, Melanie. But McLaren’s holiday plan gets snowed under when a dead man is discovered outside his grandfather’s house--in circumstances similar to an older murder. And it’s…
Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
Whitney is one of the best-known American writers of romantic suspense, and her debut novel in the genre leans more strongly into the mystery side of the equation, kicking off with the narrator discovering her jilting ex-fiancee's body in the elaborate display window of the department store where she works. The plot may be a tad melodramatic but the vintage 1940s glamor is fun as she hunts clues and flees danger amid the lavish evening gowns and jewelry, the echoing elevators and corridors of the store.
A Chicago department store is the scene of gruesome crime in this mystery by a New York Times–bestselling Edgar Award winner.
Linell Wynn, copywriter for Chicago department store Cunningham’s, knows how to put a clever spin on everything. But she’s at a loss for words when, after closing time, she finds a corpse in a window display. There he is, as cold and lifeless as a mannequin, his skull pulverized with a golf club: valued store manager Michael “Monty” Montgomery. And while red might be the color for the new spring season, Linell never expected to see quite so much…
My interest in serial killers began when I was a teen watching horror movies with my mom. I learned all I could about them—even became a horror special-effects makeup artist. Eventually, I had to quit due to my connective tissue disorder (Hypermobile Ehlers-Danlos Syndrome). It put me on a path of writing. I love digging into the darker side of humanity—murder or mental illness. The story of a serial killer who could challenge the reader to see disability in a new light came to me, and I had to write her story, if not just so I could dive into the psyche of another serial killer.
The biggest strength of this book is a large spoiler, which is a shame. I’d love to gush about it. You (should you choose to read it) get to learn about it as the work unfolds, though. For that, I’m jealous. Who doesn’t love to enjoy something so fun for the first time? The choice of victims and the reason for the kills makes the serial killer so compelling I rooted for the detective to always be one step behind. I loved him, don’t get me wrong. He is flawed and damaged, and I wanted him to succeed eventually. Thomas Holgate makes it easy to do that—want them both to “win”—as both have a point-of-view. The book was fun, interesting, and just a little brutal.
A thrilling, page-turning debut about a twisted killer and a broken cop-both with nothing to lose.
Paul Czarcik, the longest-tenured detective in the Illinois Bureau of Judicial Enforcement, puts the rest of the team to shame. Ruthless and riddled with vices, Czarcik always gets his man. And fast. Until now...
A double slaying isn't the open-and-shut case of urban crime he's used to. Connecting it to a high-profile Texas judge, Czarcik realizes something bigger is going on. It's the work of a serial killer for whom Chicago is just the beginning. Now he's inviting Czarcik to play catch-me-if-you-can on a…
Between humor and pathos, I lean humor. Even the saddest, most shocking events—murder, for instance—can be wrapped in kookiness. Combine this outlook with my love of old things (I’m sitting on a 1920s Chinese wedding bed and drinking from an etched Victorian tumbler at this very moment), and you’ll understand why I’m drawn to vintage screwball detective fiction. Although my mystery novels are cozies, I can’t help but infuse them with some of this screwball wackiness. I want readers to laugh, of course, but also to use my stories as springboards to see the hilarity and wonder in their own lives.
If screwball detective fiction intrigues you, you must read Craig Rice. Why not start withEight Faces of Three, the mystery introducing the wacky, rye-soaked team of Jake Justus, Helene Brand, and John Joseph Malone?
Justus is a good-looking press agent and the book’s moral center; Brand is a gorgeous heiress and non-stop partier; and Malone is a stumpy lawyer-slash-PI with good instincts and better luck. Imagine Philip Marlowe meets the Marx Brothers.
In Eight Faces of Three, a young woman awakes to find her aunt murdered, all the house’s clocks set to 3 am, and herself the prime suspect.
Craig Rice was the first mystery writer to grace the cover of Timemagazine. Her private life was strewn with ex-husbands and empty booze bottles, and she died way too young at 49.
However, her literary legacy—one critic dubbed her the “Dorothy Parker of detective fiction”—will keep her…
Pioneering woman crime writer Craig Rice introduces her series sleuth, gin-soaked Chicago lawyer John J. Malone
John J. Malone, defender of the guilty, is notorious for getting his culpable clients off. It’s the innocent ones who are problems. Like Holly Inglehart, accused of piercing the black heart of her well-heeled and tyrannical aunt Alexandria with a lovely Florentine paper cutter. No one who knew the old battle-ax liked her, but Holly’s prints were found on the murder weapon. Plus, she had a motive: She was about to be disinherited for marrying a common bandleader.
I’ve been researching the Leopold-Loeb case for around a decade, ever since a documentary sparked my interest back in high school. That sent me on a quest for knowledge: devouring all the books I could find on the subject, before turning to archival collections to look at the primary source material. Flash forward to today and I’ve read thousands of newspaper stories, hundreds of scholarly articles and books on the subject and travelled around the country searching in over 50 archives, trying to understand this case as much as I possibly can. Here’s a list of books I found particularly helpful or inspiring on my journey.
Despite being published in 1975, Hal Higdon’s book about the Leopold and Loeb case remains the definitive account, at least to me.
If you’re looking for a factual, in-depth look at the crime, investigation, and sentencing hearing, look no further. Higdon was able to interview and correspond with dozens of people who were close to the case and who personally knew the killers and victim. He weaved those recollections into the narrative along with newspaper reports and quotes from the court documents in addition to the rest of his vast research, which gives his book a wonderful richness and depth.
Among the criminal celebrities of Prohibition-era Chicago, not even Al Capone was more notorious than two well-educated and highly intelligent Jewish boys from wealthy South Side families. In a meticulously planned murder scheme disguised as a kidnapping, Nathan Leopold and Richard Loeb chose fourteen-year-old Bobby Franks at random as their victim, abandoning his crumpled body in a culvert before his parents had a chance to respond to the ransom demand. Revealing secret testimony and raising questions that have gone unanswered for decades, Hal Higdon separates fact from myth as he unravels the crime, the investigation, and the trial, in which…
I picked up my first book about Jack the Ripper the summer after college and never looked back. Since then my collection of true crime has grown to overflow my office bookshelves and I’ve written a PhD dissertation and multiple books about true crime, focusing on serial killers. The genre is so much more than Bundy, Gacy, and Dahmer and I love talking with people about the less mainstream cases that interest them, and the newer victim-centered approaches that—fingers crossed—mark a change in how we talk about criminals and victims.
Nathan Leopold and Richard Loeb set out to commit the perfect crime and ended up in newspapers as the perpetrators of “the crime of the century.” They kidnapped and murdered a teenage boy in Chicago in 1924, but both Leopold and Loeb were still considered boys themselves at the time. Clarence Darrow defended them at trial, arguing that they were guilty but that the situation had extenuating circumstances. Baatz’s book explores how two college students from good families ended up in prison for murder. Leopold’s family even came from Michigan’s Upper Peninsula, near where I currently live, so even though the case is almost 100 years old, it’s not as distant as it might seem.
It was a crime that shocked the nation: the brutal murder in Chicago in 1924 of a child by two wealthy college students who killed solely for the thrill of the experience. Nathan Leopold and Richard Loeb were intellectuals—too smart, they believed, for the police to catch them. When they were apprehended, state's attorney Robert Crowe was certain that no defense could save the ruthless killers from the gallows. But the families of the confessed murderers hired Clarence Darrow, entrusting the lives of their sons to the most famous lawyer in America in what would be one of the most…
I write the West Investigations series, a romantic thriller series, centered around the men and women running a private investigations firm. When I began the series I knew I wanted it to be set in an urban city, not just because I’m a city girl at heart, but because of the eclectic nature, diversity, and color that can be found in the big city. Each of the books I’ve recommended below features a big city PI that jumps off the page, grabs you, and doesn’t let go for 200+ pages.
This book takes place in the windy city of Chicago and Clark is adept at making you feel like you are right there in the midst of the fast-paced, gritty city as you read.
The plotting helps by kicking off with a bang – a priest and a gang member found dead in church. Questions abound. But what really kept me turning the pages of this book (or technically swiping since I read it on my Kindle) was Cass Raines, retired cop turned PI.
Her last case on the police force left her reeling and she struggling to deal with the aftermath.
It’s Cass that makes this book stand out amongst other PI novels, you care about what she’s going through, about this new trauma that has been introduced into her life, and that through it all she’s still working to get justice for people that are often overlooked and…
Former cop Cass Raines has found the world of private investigation a less stressful way to eke out a living in the Windy City. But when she stumbles across the dead body of a respected member of the community, it’s up to her to prove a murderer is on the loose . . .
Cops can make mistakes, even when they’re not rookies. If anyone knows that it’s Cass Raines, who took a bullet two years ago after an incompetent colleague screwed up a tense confrontation with an armed suspect. Deeply traumatized by the incident, Cass resigned from the Chicago…
I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
In 1920s Chicago, the theater and the courtroom collided as a pair of men dropped dead in the vicinity of beautiful, duplicitous women. The musical Chicago has always been one of my favorites, and I was delighted to read this book about the real women who inspired Velma Kelly and Roxie Hart. It did not disappoint.
Douglas Perry tells the story of Beulah and Belva with all the flair and drama of the musical. I will never forget reading about how callously Beulah Annan sipped cocktails and listened to music for hours as her lover lay bleeding on the floor. It sent chills down my spine.
With a thrilling, fast-paced narrative, award-winning journalist Douglas Perry vividly captures the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal - and gave Chicago its most famous story. "The Girls of Murder City" recounts two scandalous, sex-fueled murder cases and how an intrepid "girl reporter" named Maurine Watkins turned the beautiful, media-savvy suspects -"Stylish Belva" and "Beautiful Beulah"- into the talk of the town. Fueled by rich period detail and a cast of characters who seemed destined for the stage, "The Girls of Murder City" is a crackling tale that simultaneously presents the freewheeling spirit…