100 Books Like The Philosopher's Secret Fire

I lived in Germany as a teenager and have only warm and exciting feelings for the country.

It seemed that everything from the food to the place itself was, somehow, far more interesting than England, my homeland. That was, no doubt, largely because it was not England and I was an agitated youth.

But this book also gave depth to my feeling because of Goethe’s presence in the German imagination, who is quite as important there as Shakespeare to England or Dante to Italy.

I am appreciative of this book for opening up the life and times, ideas and art, of this massive imaginative figure, about whom I previously knew very little. He knew that imagination is truth-bearing, carrying us to the heart of life.

I read this book when I was struggling. 

I kept walking into wonderful medieval cathedrals or looking at extraordinary works by Renaissance artists and feeling the loss of an enchanted worldview that was theirs and is no longer ours. This is what C.S. Lewis calls  the “discarded image.”

With a depth of knowledge particular to his nonfiction, he reveals how the stars used to shine with life in the medieval imagination, not just light, and myths spoke of a living vitality because they illuminated a deeper perception of things, not just offering moral insights.

This book taught me that the world can be viewed afresh with the right imagination. 

I was surprised and delighted by every page of this book: it tells a pacey story of history, from the first farmers to our lives today, by unpacking the meaning of words from across time.

It's the story of our deep inner life conveyed in language. I love etymology because words are what Barfield calls “fossils of consciousness”. To dig up when words first appeared or how they have profoundly shifted in meaning is to truly rediscover the inner lives of our ancestors.

Did you know that nihilism only surfaced in the 18th century or that the ancient Greeks had no word for “blue”? Such details delight in this book.

I never knew Kathleen Raine but wish that I had.

A poet and scholar of William Blake, she is one of those people who can only ever say fascinating things – not just in terms of insight, but the kind of things that are arresting because they change your experience of life.

I found my sense of what the imagination is profoundly deepening with each chapter of this book. She quotes lots of Blake, so you have the energy of his poetry to enjoy, and Raine was a poet, which must be why her prose packs loads of punch.

Campbell, to me, is the dean of writers on myth. I met him once, through a professor at Hollins University who, at her graduation, had awarded Anna, my wife-to-be, the first three volumes of The Hero of a Thousand Faces, as a prize in English Literature (the fourth, Creative Mythology, was yet to be published).

After we met, I learned that Campbell had edited the Penguin Portable Jung – and it is that book that set me on a course of study and writing on myth and literature that I have pursued ever since.

As a final note, Campbell also co-authored A Skeleton Key to Finnegans Wake, a book that many years later led me into James Joyce’s masterwork, Finnegans Wake – to me, the apotheosis of mythic literature.

Of course, the characters in this book are the stuff of legend: King Arthur, Guinevere, and the narrator of this tale, Lancelot.

But I think what is great about Mr. Kristian's approach is that he makes them all completely and recognizably human, with all the frailties and failings of ordinary people who are forced, by world events, to rise to the extraordinary.

Men who will be myths are, at heart, only men. A beautifully realized setting, a credible and incredible world for one of the great stories to play out against.

I knew the basics of the Norse Gods and Goddesses, but told in the perspicacious words of a master storyteller like Gaiman, really painted the ruined walls with all the color needed!

I love processing what the minds who birthed these Gods must have thought, dreamed, meant, and saw!

One of the most daring and original voices I have read in recent years. 

I admire Kirsty Logan’s boldness in imagining and describing personal viewpoints and her unique interpretation of possible alternate realities. She shows the courage to commit to ideas and storylines that are original, innovative, and beyond the imagination of most people.

The two darkest stories are "Watch the wall, my darling, while the Gentlemen go by", a menacing tale of abuse, kidnapping, and violence, and "Half Sick of Shadows". The latter is profoundly moving and disturbing and almost unbelievable in its callousness.

A writer whose progress I will follow with interest.

In this short story collection, SFWA Grand Master Nalo Hopkinson gives us heaps of imagery to roll around in with delight and horror. Calling a snowflake “six-clawed” or relating a tree’s memory of how it “felt to unfurl your leaves to the bright taste of the sun” all add to the mood-heavy stories of a teenager overcome by her desires after swallowing a cherry pit, children who must survive their parents’ frightening transformations, and more. Through all the tales, humanity shines through, our rough edges and our beautiful scars. And the characters themselves play with language to pass the time.

When I found my second-hand copy for £5 in Acorn Antiques in 2006 (I still have the receipt!), little did I know I was holding the most magical, exquisite, resourceful, fascinating, beguiling, and immersive book on fantasy!

Each page is filled to the edges with intriguing folktales, legends, myths, and old wives tales (more than I could have wished for) and beautifully illustrated throughout. What more could I, an avid reader and writer of fantasy, want?

I still take joy in flicking through the pages until my eyes rest on another intriguing entry to be inspired by. I love losing track of time just reading about all aspects of fantasy, whether it’s the Broth of Oblivion, Floating Islands, the Hammer of Thor, The Bottle Imp, or Fomorians.