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When I was a kid at school, I was told that I had no imagination. I wrote a short essay on what I did at the weekend and put my heart and soul into it. I handed in my homework, and I remember waiting one day, then two, then three, when finally my teacher said: “Mr Vernon, I have a bone to pick with you.” I did not know what the expression meant, but it terrified me. It was only years later that I discovered I could, in fact, write, and that the imagination was a friend, not an enemy. I want others to know the same.
I lived in Germany as a teenager and have only warm and exciting feelings for the country.
It seemed that everything from the food to the place itself was, somehow, far more interesting than England, my homeland. That was, no doubt, largely because it was not England and I was an agitated youth.
But this book also gave depth to my feeling because of Goethe’s presence in the German imagination, who is quite as important there as Shakespeare to England or Dante to Italy.
I am appreciative of this book for opening up the life and times, ideas and art, of this massive imaginative figure, about whom I previously knew very little. He knew that imagination is truth-bearing, carrying us to the heart of life.
'Wild, brilliant and has all the intelligence to rival its subject. Five Stars.' - Frances Wilson, The Telegraph 'Exuberant and wide-ranging' - Literary Review 'Passionate' - The Times
A spellbinding recreation of Goethe's life and work from one of our greatest biographers.
Goethe was the inventor of the psychological novel, a pioneer scientist, great man of the theatre and a leading politician. As A. N. Wilson argues in this groundbreaking biography, it was his genius and insatiable curiosity that helped catapult the Western world into the modern era.
A N. Wilson tackles the life of Goethe with characteristic wit and…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
When I was a kid at school, I was told that I had no imagination. I wrote a short essay on what I did at the weekend and put my heart and soul into it. I handed in my homework, and I remember waiting one day, then two, then three, when finally my teacher said: “Mr Vernon, I have a bone to pick with you.” I did not know what the expression meant, but it terrified me. It was only years later that I discovered I could, in fact, write, and that the imagination was a friend, not an enemy. I want others to know the same.
I kept walking into wonderful medieval cathedrals or looking at extraordinary works by Renaissance artists and feeling the loss of an enchanted worldview that was theirs and is no longer ours. This is what C.S. Lewis calls the “discarded image.”
With a depth of knowledge particular to his nonfiction, he reveals how the stars used to shine with life in the medieval imagination, not just light, and myths spoke of a living vitality because they illuminated a deeper perception of things, not just offering moral insights.
This book taught me that the world can be viewed afresh with the right imagination.
The Discarded Image paints a lucid picture of the medieval world view, providing the historical and cultural background to the literature of the Middle Ages and Renaissance. It describes the 'image' discarded by later years as 'the medieval synthesis itself, the whole organisation of their theology, science and history into a single, complex, harmonious mental model of the universe'. This, Lewis's last book, has been hailed as 'the final memorial to the work of a great scholar and teacher and a wise and noble mind'.
When I was a kid at school, I was told that I had no imagination. I wrote a short essay on what I did at the weekend and put my heart and soul into it. I handed in my homework, and I remember waiting one day, then two, then three, when finally my teacher said: “Mr Vernon, I have a bone to pick with you.” I did not know what the expression meant, but it terrified me. It was only years later that I discovered I could, in fact, write, and that the imagination was a friend, not an enemy. I want others to know the same.
I was surprised and delighted by every page of this book: it tells a pacey story of history, from the first farmers to our lives today, by unpacking the meaning of words from across time.
It's the story of our deep inner life conveyed in language. I love etymology because words are what Barfield calls “fossils of consciousness”. To dig up when words first appeared or how they have profoundly shifted in meaning is to truly rediscover the inner lives of our ancestors.
Did you know that nihilism only surfaced in the 18th century or that the ancient Greeks had no word for “blue”? Such details delight in this book.
A classic historical excursion through the English language.
Owen Barfield's original and thought-provoking works over three-quarters of a century made him a legendary cult figure. This popular book provides a brief, brilliant history of those who have spoken the Indo-European tongues. It is illustrated throughout by current English words -- whose derivation from other languages, whose history in use and changes of meaning, record and unlock the larger history.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
When I was a kid at school, I was told that I had no imagination. I wrote a short essay on what I did at the weekend and put my heart and soul into it. I handed in my homework, and I remember waiting one day, then two, then three, when finally my teacher said: “Mr Vernon, I have a bone to pick with you.” I did not know what the expression meant, but it terrified me. It was only years later that I discovered I could, in fact, write, and that the imagination was a friend, not an enemy. I want others to know the same.
I did a PhD in ancient Greek philosophy, asking why Plato has such a massive influence on how we experience life. But strangely, although I learned a lot and am glad that I did it, the doctorate did not really answer my question.
I realized why, in part, by reading about the imagination, and this book is a brilliant account of its history. Harpur is a poet and mystic and understands that the imagination is not a private faculty that some lucky folk have, but is the very dynamic that fills our inner lives and everything around us.
I came out of this book excited by life – and also much more aware of why Plato and others so inspired our forebears.
The visionary tradition of spirits, gods, and demons continues to subvert our rational universe, erupting from the shadows in times of intense religious and philosophical transition. In this dazzling history, Patrick Harpur links together fields as far apart as Greek philosophy and depth psychology, Renaissance magic and tribal ritual, Romantic poetry and the ecstasy of the shaman, to trace how societies have used myths to make sense of the world.
Rupert Read is an Associate Professor of Philosophy at the University of East Anglia in Norwich, UK, where he works alongside some of the world’s leading climate scientists. He is a campaigner for the Green Party of England and Wales, a former spokesperson for the Extinction Rebellion, and co-founder of the Climate Activists Network, GreensCAN.
While not one of his best-known books, in my opinion, it is one of his very best. It’s a collection of letters to his niece. And when he wrote these, in most cases, there would have been absolutely no thought of publication, which makes their quality all the more remarkable. You might think of this book as an eastern epistolatory nature philosophy. It contains passages of astounding beauty about the natural world that Tagore was inhabiting, which was basically the river deltas around Calcutta. It also contains his reflections on how these give us a very different sense of what’s important and of how to live than one gets in the city. It’s a sort of Eastern counterpart, as I see it, of Romanticism, and again, very visionary.
As a young man, Rabindranath Tagore wrote a series of letters to his niece during what he described as the most productive period of his life. By turns contemplative and playful, gentle and impassioned, Tagore’s letters abound in incredible insights—from sharply comical portrayals of English sahibs to lively anecdotes about family life, from thoughts on the nature of poetry to spiritual contemplation and inner feeling. And coursing through all these letters, like a ceaseless heartbeat, is Tagore’s deep love for the natural splendour of Bengal. In this manner, this volume also serves as a prose companion to his magnificent work…
My life is one of two halves; I spent the first half living in the industrial West Midlands, at school and then training to become a doctor, and the second half living in rural bliss in the southwest of England. For the day job, I’m an anesthesiologist, but my true passion, thanks to my mother being an English teacher, is reading romance and writing my own. I am well-travelled and spend a quarter of each year in France, so my books often have characters from all over Europe as well as characters working in the medical profession or overcoming/ living with a variety of health conditions.
As a Brit, I love books set in the US; I love exploring our cultural differences. This one is an angsty emotional journey with a very strong female character, which isn’t always successfully pulled off in romance novels. Love isn’t always rainbows and sunshine, and I think this is one of those stories reminding us that it needs to be worked at.
Twenty-one year old Laura Sedgwick is a rebel without a cause. Her only plans for life are to make no plans She revels in her fascination of the unexpected as she navigates her way through mid-nineties' Dallas nightlife. One very bad night brings her face to face with the one man likely to change her mind about…well...everything.
Twenty-three year old Seth Whitaker has every intention of seeing through with his well mapped out life. He is a hard working over-achiever that has no intentions of slowing his pace for anyone. With a fierce…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
My background is in academic film analysis, although this has opened doors to many subjects: literature, music, philosophy, political economy… My students are always encouraged to think beyond their "home" discipline when they come to university. I believe that if you study a subject deep enough, it will lead to all the others. So far, my research has led me from classical music through Hollywood biopics and Romanic philosophy to some of the most fundamental questions about the construction and social organisation of creative labour in the modern world. I find that the most enjoyable books explain the world to us whilst reflecting upon what that act of explanation means.
An interdisciplinary study taken to its logical conclusion. Starting with a powerful interpretation of Romanticism back in the 1950s, Peckham’s work culminated in an ambitious "general theory of human behaviour."
In essence, this book helped me understand that explanation is a form of violence–all languages, and all cultures, strive to enforce predictable behaviour in other human beings. Despite his flaws, Peckham offers a fascinating example of the power of interdisciplinarity. All subjects, when followed through, lead to all the others.
Explanation and Power was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The meaning of any utterance or any sign is the response to that utterance or sign: this is the fundamental proposition behind Morse Peckham's Explanation and Power. Published in 1979 and now available in paperback for the first time, Explanation and Power grew out of Peckham's efforts, as a scholar of Victorian literature, to understand the nature of Romanticism. His search ultimately led back to-and built…
I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.
This classic study introduced me and the whole world of critics and scholars to theoretical perspectives that still resonate among historians of literature and culture.
It defines a momentous change: the shift from views of art as a mirror—a reflection of things as they are—to a lamp—a radiant projection from the hearts and minds of its creators. This revolution in aesthetic principles, formulated by German and British theorists, also resulted in new ways of looking at nature and in new kinds of poetry.
Abrams charts the depths of Romantic theory; and his work helped spur a revival of interest in the Romantics—now often cherished as the first modern poets.
I fell in love with Romantic poetry when I was young. Then, after a gap of several years, I began to write historical fiction, and it was at this time that I found myself being drawn once more to the Romantic poets, this time as people as much as for their work. I discovered their place in the world, contested and controversial, and their influence became a driving light to me and my characters. InBeneath Black Clouds and White, Delphi explains: “It has a pulse, you see, like any other living thing. You must treat each poem as though it were alive.” I feel the same way!
I’m a sucker for a good primary source, but I’m even more of a fan of the 1.5 sources. I love the sources which are of the time but are influenced as much by rumour as fact. This collection of essays does its best to be objective, but there are people amongst these pages who have been so strongly immortalised in popular opinion, but sometimes facts have been discarded in favour of Hazlitt’s own opinion. But, from the point of view of a historical fiction writer, this is priceless, because it unearths a contemporary viewpoint and opens a window onto the thoughts of a people about The Spirit of the Age!
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I fell in love with Romantic poetry when I was young. Then, after a gap of several years, I began to write historical fiction, and it was at this time that I found myself being drawn once more to the Romantic poets, this time as people as much as for their work. I discovered their place in the world, contested and controversial, and their influence became a driving light to me and my characters. InBeneath Black Clouds and White, Delphi explains: “It has a pulse, you see, like any other living thing. You must treat each poem as though it were alive.” I feel the same way!
I’m a person with limited interests so, as well as loving history and poetry, I also collect bits of both… Ballads and Lyrical Pieces is one of the only books I can boast about having a first edition of!
I have a lot of time for Walter Scott, not only as a writer, but as a cultural politician and a folklorist. A lot of the pieces in this book are not solely his work, but the reimagining of local ballads. After scooping up these, there’s no wonder he went on to invent the romanticised “Scottishness” we recognise today. This book, 15 years before Scott influenced George IV’s visit to Scotland, shows where his own influences came from.
Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure…
