When I was a kid at school, I was told that I had no imagination. I wrote a short essay on what I did at the weekend and put my heart and soul into it. I handed in my homework, and I remember waiting one day, then two, then three, when finally my teacher said: “Mr Vernon, I have a bone to pick with you.” I did not know what the expression meant, but it terrified me. It was only years later that I discovered I could, in fact, write, and that the imagination was a friend, not an enemy. I want others to know the same.
I kept walking into wonderful medieval cathedrals or looking at extraordinary works by Renaissance artists and feeling the loss of an enchanted worldview that was theirs and is no longer ours. This is what C.S. Lewis calls the “discarded image.”
With a depth of knowledge particular to his nonfiction, he reveals how the stars used to shine with life in the medieval imagination, not just light, and myths spoke of a living vitality because they illuminated a deeper perception of things, not just offering moral insights.
This book taught me that the world can be viewed afresh with the right imagination.
The Discarded Image paints a lucid picture of the medieval world view, providing the historical and cultural background to the literature of the Middle Ages and Renaissance. It describes the 'image' discarded by later years as 'the medieval synthesis itself, the whole organisation of their theology, science and history into a single, complex, harmonious mental model of the universe'. This, Lewis's last book, has been hailed as 'the final memorial to the work of a great scholar and teacher and a wise and noble mind'.
I was surprised and delighted by every page of this book: it tells a pacey story of history, from the first farmers to our lives today, by unpacking the meaning of words from across time.
It's the story of our deep inner life conveyed in language. I love etymology because words are what Barfield calls “fossils of consciousness”. To dig up when words first appeared or how they have profoundly shifted in meaning is to truly rediscover the inner lives of our ancestors.
Did you know that nihilism only surfaced in the 18th century or that the ancient Greeks had no word for “blue”? Such details delight in this book.
A classic historical excursion through the English language.
Owen Barfield's original and thought-provoking works over three-quarters of a century made him a legendary cult figure. This popular book provides a brief, brilliant history of those who have spoken the Indo-European tongues. It is illustrated throughout by current English words -- whose derivation from other languages, whose history in use and changes of meaning, record and unlock the larger history.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
A poet and scholar of William Blake, she is one of those people who can only ever say fascinating things – not just in terms of insight, but the kind of things that are arresting because they change your experience of life.
I found my sense of what the imagination is profoundly deepening with each chapter of this book. She quotes lots of Blake, so you have the energy of his poetry to enjoy, and Raine was a poet, which must be why her prose packs loads of punch.
Considered one of the seminal poets and artists of the Romantic Age, William Blake and his idiosyncratic mix of philosophy and art have long baffled and delighted readers from all walks of life. When encountering such a unique body of work for the first time, the reader would be wise to mimic Dante in calling upon a guide, and few, if any, could be more qualified for such a task than Kathleen Raine. Golgonooza, City of Imagination includes seven studies representing the culmination of Raine's forty years of research into the meaning and character of Blake's symbolic themes. Widely recognized…
I lived in Germany as a teenager and have only warm and exciting feelings for the country.
It seemed that everything from the food to the place itself was, somehow, far more interesting than England, my homeland. That was, no doubt, largely because it was not England and I was an agitated youth.
But this book also gave depth to my feeling because of Goethe’s presence in the German imagination, who is quite as important there as Shakespeare to England or Dante to Italy.
I am appreciative of this book for opening up the life and times, ideas and art, of this massive imaginative figure, about whom I previously knew very little. He knew that imagination is truth-bearing, carrying us to the heart of life.
'Wild, brilliant and has all the intelligence to rival its subject. Five Stars.' - Frances Wilson, The Telegraph 'Exuberant and wide-ranging' - Literary Review 'Passionate' - The Times
A spellbinding recreation of Goethe's life and work from one of our greatest biographers.
Goethe was the inventor of the psychological novel, a pioneer scientist, great man of the theatre and a leading politician. As A. N. Wilson argues in this groundbreaking biography, it was his genius and insatiable curiosity that helped catapult the Western world into the modern era.
A N. Wilson tackles the life of Goethe with characteristic wit and…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I did a PhD in ancient Greek philosophy, asking why Plato has such a massive influence on how we experience life. But strangely, although I learned a lot and am glad that I did it, the doctorate did not really answer my question.
I realized why, in part, by reading about the imagination, and this book is a brilliant account of its history. Harpur is a poet and mystic and understands that the imagination is not a private faculty that some lucky folk have, but is the very dynamic that fills our inner lives and everything around us.
I came out of this book excited by life – and also much more aware of why Plato and others so inspired our forebears.
The visionary tradition of spirits, gods, and demons continues to subvert our rational universe, erupting from the shadows in times of intense religious and philosophical transition. In this dazzling history, Patrick Harpur links together fields as far apart as Greek philosophy and depth psychology, Renaissance magic and tribal ritual, Romantic poetry and the ecstasy of the shaman, to trace how societies have used myths to make sense of the world.
The artist and poet William Blake is widely loved. Whose heart does not lift at the thought of “seeing a world in a grain of sand”? But he can be daunting and, in my view, is also regularly misunderstood by scholars of his work .
Blake’s view of the imagination is a case in point. He tells us that no one has imagination, not even a great creative like him. Instead, we all live in great flows, even floods, of imagination that shape and, in current times, distort our experience of life. He worked to awaken 18th-century thought, and I think we need that same re-expansion now. In my book, I unpack the story of the troubles emerging in his times, which have become ours.
