100 Books Like Encyclopedia of Things That Never Were

This is a quintessential read for any Christmas bookworm. I read it every year at the holidays. It’s a quick read but such a fun way to immerse myself in the magic of that era. I recommend reading the book as it takes on a totally different feel in the mind than just watching the films.

I fell in love with these folktales after watching the television series of the same title when I was a child. I was ecstatic to be hypnotised all over again by the magic, charm, and wisdom contained within each gem. I found each story conjured up a sense of wonder, mystery, and the need to know what happened next within me.

I loved how the characters were beautifully portrayed. Each faced their own intriguing quest and struggled to overcome outlandish obstacles, and I was fascinated by how they would eventually achieve their goal no matter what the cost to themselves whilst learning a valuable lesson along the way.

The behind-the-scenes look at the show’s production from the Jim Henson Archives at the back of the book is a nice touch too.

These stories run deep in my blood! I remember my Mum reading "Cinderella," "Hansel and Gretel," "Rapunzel," and "Snow White," to name a few, and being totally enthralled, captivated, and scared all at once.

Reading this edition as an adult evokes the same feelings, but I also experienced a sense of wonder and intrigue as I read the lesser-known stories such as "The Boy Who Left Home to Find Out About the Shivers," "The Girl with No Hands," "The Nixie of the Millpond," and "Hans-my-Hedgehog." 

I loved discovering these stories, closer to the originally published ones in their first collection, Children's and Household Tales in 1812, as they are much darker and scarier in nature than modern versions, and reading what Philip Pullman says about each one is an unexpected delight!

This book inspired me to read!

As a child, I struggled with reading, but this changed when I opened the magical pages of this gem! Not only packed with adventure, magic, and monsters, it’s also part game. The reader chooses how the story unfolds, and I remember being amazed as I decided which path to take, which potion to buy, whether or not to open a treasure chest or to stand and fight the Minotaur by rolling dice or to flee in terror to live another day! 

Packed with gorgeous black and white ink illustrations by Russ Nicholson, that drew me in, I would spend ages staring at a mad, crazed prisoner, a couple of ugly goblins playing cards, or a huge, majestic dragon, lost in the fantastic imagery. 

I love this book because it goes beyond cryptids and also discusses mythological beasts like unicorns and Medusa, and the folklore behind them. Each entry is only a page or two and accompanied by an illustration, so it’s a quick read overall, and since there’s an index, I can jump around and read about whatever creature I feel like catching up on.

Definitely less science-y than my other selections, but sometimes I’m in the mood for straightforward fun, and this book’s easy focus on critters and short entries hits the mark.

One of the most daring and original voices I have read in recent years. 

I admire Kirsty Logan’s boldness in imagining and describing personal viewpoints and her unique interpretation of possible alternate realities. She shows the courage to commit to ideas and storylines that are original, innovative, and beyond the imagination of most people.

The two darkest stories are "Watch the wall, my darling, while the Gentlemen go by", a menacing tale of abuse, kidnapping, and violence, and "Half Sick of Shadows". The latter is profoundly moving and disturbing and almost unbelievable in its callousness.

A writer whose progress I will follow with interest.

This is more than a collection of garden folktales.

Donald Smith takes us on a storytelling odyssey through each month of the year. Reflecting on his garden in Edinburgh, Scotland, during the global pandemic 2020, he presents stories that speak of seasonal rhythms and nature connection.

Smith peppers his unfurling garden journey with snippets of history and musings on nature and storytellers past and present. He includes his unique retelling of classic folktales like Jack and The Magic Beans and fascinating and humorous autobiographical stories.

This book's confident narrative and beautiful artwork connect us to the botanical paradise and wildlife havens that are our glorious gardens.

I first learned about Penelope Farmer’s Beginnings: Creation Myths of the World while reading Megan Hunter’s The End We Start From. In her short book, Farmer has compiled fragments of myths from around the world, and she organized these brief excerpts into sections that describe the beginning of the world, the origin of the earth and Man, flood and fire mythologies, the origin of death and food plants, and the end of the world. To see such different (and, sometimes, intriguingly similar) mythologies from diverse cultures sharing fundamental interests is inspiring in itself, and for such a quick survey of our world’s origin stories, the book is cosmic in scope and a wonderful jumping off place for additional research.

Bolu Babalola’s Love in Color is, technically, more a collection of reimagined myths than a collection of retold fairy tales, but the stories are so richly and wonderfully rendered, so smart and edgy and beguiling, that it seems silly to privilege a strict genre definition over a powerful collection. Babalola is shameless in her embrace of love—indeed, she confesses that she loves love—and yet her contemporary takes on global myths trouble any easy ideas about love the reader might bring to the collection. Love, here, is messy, tangled, frightening, and—according to Babalola—worth the tribulations it inspires.

Christmas is a wonderful time for magical tales that children love. In this one, a poor but good-hearted cobbler is rewarded for his honesty during the night, when clever elves sneak into his shop and make shoes for him to sell. It gives children the chance to imagine invisible helpers, and also the thrill of doing good deeds in secret.