Here are 100 books that The Discarded Image fans have personally recommended if you like
The Discarded Image.
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When I was a kid at school, I was told that I had no imagination. I wrote a short essay on what I did at the weekend and put my heart and soul into it. I handed in my homework, and I remember waiting one day, then two, then three, when finally my teacher said: “Mr Vernon, I have a bone to pick with you.” I did not know what the expression meant, but it terrified me. It was only years later that I discovered I could, in fact, write, and that the imagination was a friend, not an enemy. I want others to know the same.
I lived in Germany as a teenager and have only warm and exciting feelings for the country.
It seemed that everything from the food to the place itself was, somehow, far more interesting than England, my homeland. That was, no doubt, largely because it was not England and I was an agitated youth.
But this book also gave depth to my feeling because of Goethe’s presence in the German imagination, who is quite as important there as Shakespeare to England or Dante to Italy.
I am appreciative of this book for opening up the life and times, ideas and art, of this massive imaginative figure, about whom I previously knew very little. He knew that imagination is truth-bearing, carrying us to the heart of life.
'Wild, brilliant and has all the intelligence to rival its subject. Five Stars.' - Frances Wilson, The Telegraph 'Exuberant and wide-ranging' - Literary Review 'Passionate' - The Times
A spellbinding recreation of Goethe's life and work from one of our greatest biographers.
Goethe was the inventor of the psychological novel, a pioneer scientist, great man of the theatre and a leading politician. As A. N. Wilson argues in this groundbreaking biography, it was his genius and insatiable curiosity that helped catapult the Western world into the modern era.
A N. Wilson tackles the life of Goethe with characteristic wit and…
This book envisions the church as a place where the wounded find comfort and healing, the broken find repair and restoration, and the vulnerable find help and hope. A church that acts more like the Christ it serves would offer refuge for the oppressed, a hand up to the beaten-down,…
When I was a kid at school, I was told that I had no imagination. I wrote a short essay on what I did at the weekend and put my heart and soul into it. I handed in my homework, and I remember waiting one day, then two, then three, when finally my teacher said: “Mr Vernon, I have a bone to pick with you.” I did not know what the expression meant, but it terrified me. It was only years later that I discovered I could, in fact, write, and that the imagination was a friend, not an enemy. I want others to know the same.
I was surprised and delighted by every page of this book: it tells a pacey story of history, from the first farmers to our lives today, by unpacking the meaning of words from across time.
It's the story of our deep inner life conveyed in language. I love etymology because words are what Barfield calls “fossils of consciousness”. To dig up when words first appeared or how they have profoundly shifted in meaning is to truly rediscover the inner lives of our ancestors.
Did you know that nihilism only surfaced in the 18th century or that the ancient Greeks had no word for “blue”? Such details delight in this book.
A classic historical excursion through the English language.
Owen Barfield's original and thought-provoking works over three-quarters of a century made him a legendary cult figure. This popular book provides a brief, brilliant history of those who have spoken the Indo-European tongues. It is illustrated throughout by current English words -- whose derivation from other languages, whose history in use and changes of meaning, record and unlock the larger history.
When I was a kid at school, I was told that I had no imagination. I wrote a short essay on what I did at the weekend and put my heart and soul into it. I handed in my homework, and I remember waiting one day, then two, then three, when finally my teacher said: “Mr Vernon, I have a bone to pick with you.” I did not know what the expression meant, but it terrified me. It was only years later that I discovered I could, in fact, write, and that the imagination was a friend, not an enemy. I want others to know the same.
A poet and scholar of William Blake, she is one of those people who can only ever say fascinating things – not just in terms of insight, but the kind of things that are arresting because they change your experience of life.
I found my sense of what the imagination is profoundly deepening with each chapter of this book. She quotes lots of Blake, so you have the energy of his poetry to enjoy, and Raine was a poet, which must be why her prose packs loads of punch.
Considered one of the seminal poets and artists of the Romantic Age, William Blake and his idiosyncratic mix of philosophy and art have long baffled and delighted readers from all walks of life. When encountering such a unique body of work for the first time, the reader would be wise to mimic Dante in calling upon a guide, and few, if any, could be more qualified for such a task than Kathleen Raine. Golgonooza, City of Imagination includes seven studies representing the culmination of Raine's forty years of research into the meaning and character of Blake's symbolic themes. Widely recognized…
Serendipity is a magical story told by a grandmother to a granddaughter, introducing us to the traditional way of living of the Scottish Travellers and their Cant language.
A fantasy tale for children of 8 years old and older inspired by three real places in Scotland. Serendipity takes us to…
When I was a kid at school, I was told that I had no imagination. I wrote a short essay on what I did at the weekend and put my heart and soul into it. I handed in my homework, and I remember waiting one day, then two, then three, when finally my teacher said: “Mr Vernon, I have a bone to pick with you.” I did not know what the expression meant, but it terrified me. It was only years later that I discovered I could, in fact, write, and that the imagination was a friend, not an enemy. I want others to know the same.
I did a PhD in ancient Greek philosophy, asking why Plato has such a massive influence on how we experience life. But strangely, although I learned a lot and am glad that I did it, the doctorate did not really answer my question.
I realized why, in part, by reading about the imagination, and this book is a brilliant account of its history. Harpur is a poet and mystic and understands that the imagination is not a private faculty that some lucky folk have, but is the very dynamic that fills our inner lives and everything around us.
I came out of this book excited by life – and also much more aware of why Plato and others so inspired our forebears.
The visionary tradition of spirits, gods, and demons continues to subvert our rational universe, erupting from the shadows in times of intense religious and philosophical transition. In this dazzling history, Patrick Harpur links together fields as far apart as Greek philosophy and depth psychology, Renaissance magic and tribal ritual, Romantic poetry and the ecstasy of the shaman, to trace how societies have used myths to make sense of the world.
In spite of many setbacks, living standards have trended upwards over the last 10,000 years. One of my main interests as an economist has been to understand the sources of this trend and its broad effects. The key driving force is new technologies. We are better off than our Victorian ancestors, not because we have more of what they had but because we have new things, such as airplanes and indoor plumbing. However, these new technologies have also brought some unfortunate side effects. We need to understand that dealing with these successfully depends, not on returning to the use of previous technologies, but on developing newer technologies such as wind and solar power.
When we began our research on our book, we were surprised to read challenges to the conventional view we had been taught that the Middle Ages were a time of largely stagnant Western societies. The source of this new view is in several books, including the one recommended here. Gimpel challenges the traditional view writing instead: “The Middle Ages introduced machinery into Europe on a scale no civilization had previously known.” He goes on to chronicle the ingenuity that architects, engineers, and other technicians devoted to innovations in agriculture, light industry, construction, and mining ̶ innovations that anticipated, and were often credited to, later figures of the Renaissance.
A close examination of the industrial life and institutions of the Middle Ages and of that inventiveness that laid the foundations for our present technologically oriented society
I grew up in Bordeaux, a city that became prominent during the eighteenth century. My hometown inspired my love of eighteenth-century French studies, which led me to the Sorbonne, then to Yale University where I earned a PhD. Today, I am an Associate Professor at The Ohio State University. I am the author of eight novels and monographs published in France and the US, including American Pandemonium, Posthumous America, and Sentinel Island. My work explores numerous genres to question a number of recurring themes: exile and the representation of otherness; nostalgia and the experience of bereavement; the social impact of new technologies; America’s history and its troubled present.
WhileThe Swerveis not exactly a book about posterity, it nonetheless provides a wonderful case study of a text that remained on the verge of destruction for centuries, before going on to play a tremendously influential role in shaping our modern world. This book is none other than On The Nature of Thingsby Lucretius –one of the foundational texts of Western culture, whose impact was postponed to the fifteenth century, as it would not have seen the light of day without its serendipitous rediscovery in a German monastery by Poggio Bracciolini (1380-1459). This gripping work offers a fascinating example of the delayed reception of a prominent cultural object, a proof of its extraordinary resilience, and, at the same time, an illustration of the role played by chance and accidents on the transmission of texts to posterity.
In the winter of 1417, a short, genial, cannily alert man in his late thirties plucked a very old manuscript off a dusty shelf in a remote monastery, saw with excitement what he had discovered, and ordered that it be copied. He was Poggio Bracciolini, the greatest book hunter of the Renaissance. His discovery, Lucretius' ancient poem On the Nature of Things, had been almost entirely lost to history for more than a thousand years.
It was a beautiful poem of the most dangerous ideas: that the universe functions without the aid of gods, that religious fear is damaging…
Readers describe Krenik's writing style as “fast-paced, engaging, making complex plotlines easy to follow.”
Set in a dystopian world where dragons exist, this series offers readers layers of mysteries to unfold. Romance flares between a viscount and the nanny of his five-year-old twins. But not everyone is as they seem,…
I’ve been in love with the Middle Ages ever since my mother handed me a copy of The Conquering Family, by Thomas B. Costain, when I was in the 7th grade. Eventually, I went on to earn a degree in history from the University of Arizona. In addition to the many colorful characters who impacted the medieval world, I became entranced with the art of the time period, particularly manuscript paintings. Their beauty, reverence, whimsy, even their occasional naughtiness, are, to me, simply enchanting! It was impossible not to share my love of this artform in at least one of my novels. Below are some of the books that helped me on my writing journey.
One cannot dismiss the importance of religion during the Middle Ages. It was intertwined with nearly every aspect of people’s lives, so it was natural that medieval illuminators like my heroine and her father would spend a tremendous amount of their time and talent on creating artwork for religious books. The Book of Hours was one of the most important sources of religious teaching and inspiration during the Middle Ages and indispensable to that inspiration and teaching were the exquisite illuminations that filled their pages.
Time Sanctified places the Book of Hours in its medieval social and religious context and demonstrates through countless visual examples the way illuminated paintings helped bring these religious lessons to life for their medieval owners.
The illuminated manuscript was the primary vehicle of learning, religion, and art during the Middle Ages and Renaissance. Within the pages of these hand-painted treasures, medieval civilisation flourished. Of all the illuminated manuscripts from this period, the Book of Hours was, by far, the most popular and among the most exquisitely made. In the words of scholar L. M. J. Delaisse, it was the "best seller" of its time - the most frequently commissioned book by both the aristocracy and the middle classes. A selection of these splendid pages is presented in Time Sanctified, along with a detailed discussion of…
I’m a writer and an editor with eclectic interests. I’ve published two books of popular history—Da Vinci's Ghost (2012), about Leonardo da Vinci’s Vitruvian Man, and The Fourth Part of the World (2009), about the map that gave America its name. I’ve also written extensively for national publications on such topics as the sociology of new religious movements, privacy protection in the Internet age, the Voynich manuscript, the revisionist study of the Qur’an, the revival of ancient Greek music, and alphabet reform in Azerbaijan. I’m presently a senior editor at the Harvard Business Review and acontributing editor at The Atlantic. From 1988-1990, I served as a Peace Corps volunteer in Yemen.
In the first century A.D., the ancient Greek polymath Claudius Ptolemy produced a work known today simply as the Geography. Ptolemy described the world as the Greeks and Romans knew it at the time—and he did so using latitude and longitude. The Geography largely disappeared from view in Europe during the Middle Ages, as did latitude and longitude on maps, but in the early 1400s the humanists of Florence rediscovered and revived the work, in ways that dramatically improved their understanding of the ancient world and their ability to explore and map it in the present. Shalev and Burnett present a set of scholarly essays that trace the history and the influence of the Geography during that momentous century.
The rediscovery of Ptolemy’s Geography has long been hailed as a key moment in the emergence of Renaissance culture, symbolizing a new rational spatiality, and preparing the way for the Age of Discovery. And yet, the process of the Geography’s introduction, integration and impact in western Europe, as the essays in this volume collectively suggest, was more complex and less predictable than has been traditionally assumed. Whereas previously Ptolemy’s maps attracted most scholarly attention, in this volume the textual tradition of the Geography – Ptolemy’s text, added prefaces, annotations and treatises – stand at the centre. Bringing together a wealth…
I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
This concise history of Florence is a great starting point. It traces the evolution of the city from a medieval commune to a republic, covering intellectual, political, cultural, religious, and economic trends and developments over the centuries. Its scope is broad, and one of its strengths is its continuity, as it follows various threads through time. Najemy is a well-known historian of Florence, and this popular history is an excellent resource.
In this history of Florence, distinguished historian John Najemy discusses all the major developments in Florentine history from 1200 to 1575. * Captures Florence's transformation from a medieval commune into an aristocratic republic, territorial state, and monarchy * Weaves together intellectual, cultural, social, economic, religious, and political developments * Academically rigorous yet accessible and appealing to the general reader * Likely to become the standard work on Renaissance Florence for years to come
Stranded in a magical world, can an ordinary group of teenagers find a way home?
Nani is lost. After three years of living with missionaries in the jungles of Brazil, the lonely girl is finally given a clue to her forgotten past. But as the young teen tries to tell…
Wolves are magickal to me. Their spirituality, their raw wild power, so fierce and brave, and yet there’s a gentleness present. I find them inspiring. Reading the wolf classics like Call of the Wild and White Fang gave me a foundation. Recently, I toured a wolf conservation in New York State and fell in love with a white wolf there. She pranced like a princess and had the eyes of an angel. Afterward, I became passionate about wolves and their mystery. Reading and writing about wolves sparked me into exploring them at a deeper level. I have a wandering notion that I was a wolf in a past life.
This book, told from the perspective of wolves, had me mesmerized. The author’s keen sense of metaphors brought depth to the story that heightened the wolves' emotions, intelligence, desires, and survival. Despite a lot of killing, the romance between Kar and Lark is enchanting. There is unforgettable bravery going on here.
I learned a lot about the intelligence of wolves, their aggression, and family loyalty. I can’t imagine anyone reading this book and not being captivated.
It is an icy night in the country that long ago was known as Transylvania. The wintry ground crackles as a hunter's paw breaks the hard earth. The wolf pauses, her breath like smoke in the cold air, then a howl pierces the night. But it is her eyes, not her howl, that speak of danger.
Beware of the Sight.
In the shadow of the Carpathian mountains, a pack of wolves seeks shelter from the vicious winter. A legend clings to them - a story of man and wolf, of power and death. The Sight has come into their world.…