88 Books Like The Life Within

If I were talking about this book over coffee with a friend, I would say this: you cannot understand the ancient Maya without reading it. The Popol Vuh is the written version of an oral, indigenous creation myth more than two thousand years old. There are many English and Spanish translations of the Popol Vuh; but this one is my favorite because it is approachable and precise at the same time. For example, you can choose to ignore the footnotes and their implications. However, if you decide you want to go down the rabbit hole (as I always do), you will not be disappointed. I learn something new every time I pick up this book—it is that good.

When I think about ancient Maya religion, the first thing that comes to mind is pageantry; I imagine kings performing in front of a crowd, or perhaps nobles bloodletting for a small audience inside a palace. Magic and witchcraft are an afterthought. They are front and center in this book—as they were in ancient Mesoamerica. This collection of essays forced me to abandon the habitual boundaries between magic, religion, and witchcraft in the Maya area (and I am better for it). If you are looking for a book where rulers summon monsters and witchcraft is a way of life, this is the place to start.

I was a (typically) skeptical graduate student when this book came out: how could one work condense all the scholarship on Mesoamerican astronomy and make it accessible to the casual reader? Star Gods of the Maya did that and more, exploring the close relationship between Maya religion and astronomy over time from the Precolumbian era to the present day. Though I have never met her, Milbrath taught me to think bigger and to believe that large, topical books on the Maya could (and would) still work. So much of what archaeologists read and write today is regional, or even local to one city—but not this book.  

No list of books on the Maya religion would be complete without The Blood of Kings. This was the first book on the topic I ever saw—and from the moment I did, I was hooked. Like most people at the time of its publication, I had never seen so many gorgeous photographs, line drawings, and religious concepts in one place. Even though many of the hieroglyphic translations are dated (particularly the royal names), the book remains a treasure trove of general information. Visually, this is the book by which all exhibit catalogues on the Maya are judged—and essential to anyone wanting an introduction to Maya religion. 

Prehistoric people outside of Europe are often assumed to be "people without history," as anthropologist Eric Wolf called them. Simon Martin and Nikolai Grube's book is exciting because it uses the recent decipherment of Maya hieroglyphs to reconstruct the lives of dozens of Maya rulers. At least some of the millions of ancient Maya have now names and a history. Their great art and architecture can be linked to artists who made them and to nobles who commissioned them.

Far from being an extinct people swallowed by the jungle-like their famous temples, the Maya make up a significant percentage of the population of southern Mexico, Guatemala, and Belize, with vibrant ancient languages that are still spoken today. This beautifully written account of contemporary Maya culture will help you understand a remarkable people who explored the world through arithmetic and time.

There's that moment in any thriller where you happily suspend all disbelief because outright fear insists upon it. That's the case with The Ruins, a bizarre man-versus-nature tale where poisonous vines kill anyone who dares come close to them.

I remember reading this, thinking, "What the hell is happening?" Then I just accepted the premise and blazed through the book with my stomach in my throat the entire time.

There are two Ek’ Balam settings in Yucatan state: One is an outstanding, mesmerizing archaeological site, with a well-preserved representation of the mouth to the infra-world, and angel-like figures suspected to represent dancers.

The other one is a little village of the same name, next to the archaeological site, where people attempt to catch and enchant tourists who look for an alternative experience.

Life is hard in rural villages of the Yucatan peninsula, and tourism is promoted by the national and state authorities as a way to bring development to local settings. This book shows the incredible resilience and good humor characterizing Maya-speaking peoples in Yucatan.

Following a single family and their engagement with tourism through several years, this book endears the inhabitants of Ek’Balam to the reader, and also manages to place their ordeals within the larger literature regarding the tourist industry and its daily effects on people’s lives.

Reed’s wonderful writing style and great turns of phrase make this an enjoyable read, while his attention to detail and excellent research make it requisite to understanding the long Caste War of the Maya after 1847. It is a critical antidote to works that pay too little attention to indigenous agents, to religious motivations, and to a long-simmering insurrection with vibrant cultural voices. Other works have taken this on since, but it remains a classic.

One of the real contagions of contemporary life (for anyone in any time, I suspect) is the way one can become complacent about the existence we are experiencing: we can take “what everyone knows” for granted. Like the Ferris Wheel, which was invented for the Chicago World’s Fair to outshine the previous Fair’s Effiel Tower. Now, any carnival midway or small circus has one. 

The same with many “ancient ruins.” Cruise ships stop at Minos or the Mexican pyramids for organized tours. But these places had been lost for millennia until they were re-discovered in the last 200 – 300 years. In Jungles of Stone, the initial discovery was almost an accident. Seen as an opportunity by Stephens and Catherwood, the magnificence and majesty of what they find converts their commercial enterprise into something more like a crusade. While the book recounts their arduous efforts to uncover the lost… show more.