Books like Chronicle of the Maya Kings and Queens — picked by fans

This book introduced the concept of nudging into the public discourse, and I guess all of us have encountered it one way or the other. How many reminders have I gotten to sign up for this or that program?… Alas, I love Thaler and Sunstein's concept of choice architects. It made me think about power as a capacity to affect not only people but also the very framework in which people make decisions.

I love this book because of the compelling answer it gives to one of the most fundamental questions: why are some nations rich and others poor? The answer is that it depends on the political and economic institutions in place, with wealth accruing to nations with “inclusive institutions.” Put simply, nations with intellectual and economic freedom are richer.

Why does freedom matter? Because freedom opens the stage to Schumpeter’s creative destruction! The authors prove this, remarkably, through examples from around the globe, and they even use examples thousands of years apart in history. This is a must read to understand the way in which creative destruction drives prosperity both today and historically.

Sociological theory poses the fascinating question of how people create society. Giddens' book offers one of the most compelling and lucidly written answers. He discusses individuals as agents and how our decisions have ripple effects – intended or not – that affect others. Social systems and the structures they consist of are constraining and enabling our behaviors. Society is like language and practices like speech: to communicate, we require vocabulary and grammar; at the same time, a language can't survive if nobody speaks it.

If you want to learn about pre-industrial life in Europe, there is no better book than this. Langlands travels across multiple countries, learning how to spin wool, herd sheep, and thatch roofs—skills that were once necessary for daily life but have vanished in an age of mass production.

I love the care with which Langlands undertakes these skills and the way he conveys his respect for the masters who keep these traditional crafts alive. As a kid, I dreamed of visiting the past because I wanted to see what the tangible, daily world looked and felt like. Through Langlands’ book, it felt like I got to visit that world. 

Far from being an extinct people swallowed by the jungle-like their famous temples, the Maya make up a significant percentage of the population of southern Mexico, Guatemala, and Belize, with vibrant ancient languages that are still spoken today. This beautifully written account of contemporary Maya culture will help you understand a remarkable people who explored the world through arithmetic and time.

One of the real contagions of contemporary life (for anyone in any time, I suspect) is the way one can become complacent about the existence we are experiencing: we can take “what everyone knows” for granted. Like the Ferris Wheel, which was invented for the Chicago World’s Fair to outshine the previous Fair’s Effiel Tower. Now, any carnival midway or small circus has one. 

The same with many “ancient ruins.” Cruise ships stop at Minos or the Mexican pyramids for organized tours. But these places had been lost for millennia until they were re-discovered in the last 200 – 300 years. In Jungles of Stone, the initial discovery was almost an accident. Seen as an opportunity by Stephens and Catherwood, the magnificence and majesty of what they find converts their commercial enterprise into something more like a crusade. While the book recounts their arduous efforts to uncover the lost… show more.

When I think about ancient Maya religion, the first thing that comes to mind is pageantry; I imagine kings performing in front of a crowd, or perhaps nobles bloodletting for a small audience inside a palace. Magic and witchcraft are an afterthought. They are front and center in this book—as they were in ancient Mesoamerica. This collection of essays forced me to abandon the habitual boundaries between magic, religion, and witchcraft in the Maya area (and I am better for it). If you are looking for a book where rulers summon monsters and witchcraft is a way of life, this is the place to start.

In the 1970s, my parents took me and my siblings to the Camino Real, one of the first hotels ever built in Cancun.

We sat on canvas chairs on the beach and my dad played the guitar. Fiddler crabs walked around us, the stars shone brightly, and we enjoyed the music and the sound of crashing waves. Tourism and its evils, however, soon became a nightmare for peninsular Yucatecans.

Through the city of Cancun, the natural reserve Calakmul, the village of Tekit and the hotels in former sisal haciendas, this ethnography shows how, even when living standards improved, local people have become geographically immobilized and resource-impoverished.

The tourist industry is predatory. It destroys natural resources, transforms places into what the rich think of as paradise, and displaces and disempowers local people.

With this “traveloir,” Mary Morris showed me how to do it: How to travel alone as a single woman when you didn’t have a plan or an agenda; how to write about people and places that bring them alive; how to find your own story in your travels and in your writing.

Mary Morris published this book in 1989, the year before I set off on my own—a (much older) single woman traveling without a plan or agenda. As I opened the yellowed pages again, after many years, I read this line: “I settled into loneliness once again.” Next year I’ll be traveling to San Miguel de Allende, one of the settings in Nothing to Declare. I may take this book with me and read it again. 

Peter Matthiessen was considered one of America’s great wilderness writers. Yet in an interview, before he died in 2014, Matthiessen identified Far Tortuga as his personal favorite of all the books he had written. In this novel, Matthiessen offers a fictional account of his participation on one of the last turtle hunting voyages in the Caribbean. Drawing on his experience on the said voyage in the 1960s, Matthiessen vividly displays his keen observation skills with his depictions of the Caymanian turtle hunters and the challenges of this last generation of turtlemen.