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On Being Maya and Getting by.
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I grew up in Valladolid, a semi-rural city of Yucatan. My parents loved the history and archaeology of the Yucatan peninsula, which not long ago was a single cultural and linguistic entity. I grew up dreaming of becoming an archaeologist. With time, I became fascinated with people and sociality within and beyond Yucatan, so I became an anthropologist. I trained as an anthropologist in Mexico and Canada, and have done research in Canada, Italy, Mexico, and Spain. I live and work in Yucatan, as a professor of anthropology. Good ethnographies are what anthropology is about, and those I write about here are some of the best.
I read this book when I was a teenager growing up in Yucatan.
Stephens’ description of both the everyday life of Yucatecans in local villages and cities, and of the imposing ruins left by the Maya are enchanting. Catherwood’s drawings and plates are both accurate and dream-like representations of Yucatecan life, Maya ruins and artifacts at the time.
The book left vivid pictures in my mind; I could and still can see across Yucatan the traces of what Stephens described and Catherwood caught with his drawings and plates.
This book has resisted the passage of time as a story of travel and discovery. As a tale of adventure and wonderment, it was and remains a brilliant prelude to the ethnography of the area.
Both volumes of John Lloyd Stephens epic accounts of the Yucatan are united in this single volume, complete with over 100 illustrations of encounters on his journeys in Central America.
Prior to the 1840s, when J. L. Stephens published this superb account of his explorations, the Yucatan was only crudely charted by Western explorers. Yet their descriptions of the odd ruins and beautiful landscape intrigued the young John Lloyd Stephens, who spent years yearning to explore and better chart the faraway lands. After a number of years spent traversing Europe and Egypt, Stephens was in 1839 commissioned as a Special…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I grew up in Valladolid, a semi-rural city of Yucatan. My parents loved the history and archaeology of the Yucatan peninsula, which not long ago was a single cultural and linguistic entity. I grew up dreaming of becoming an archaeologist. With time, I became fascinated with people and sociality within and beyond Yucatan, so I became an anthropologist. I trained as an anthropologist in Mexico and Canada, and have done research in Canada, Italy, Mexico, and Spain. I live and work in Yucatan, as a professor of anthropology. Good ethnographies are what anthropology is about, and those I write about here are some of the best.
This book is many things: A wonderful ethnography, a tribute to the Mexican and foreign ethnographers who preceded Re Cruz’s in the area, a call to ethnographers for writing creativity, and, glowingly, a show of respect for local people, their agency, and their understandings of the world.
Chan Kom, as Re Cruz reminds us, has been an ethnographic laboratory since the first decades of the 20th century. Re Cruz chose to structure her book following the script of a local play performed by high school students. For anthropology students this is a good example of an engaging ethnography.
For historians of the recent past this is a record of the cultural impact that the emergence of Cancun had on Yucatecan rural life.
An ethnographic account of Chan Kom, a contemporary Maya community in Yucatan, Mexico that focuses on the social schism within the community resulting from an accelerated process of migration to Cancun, a major tourist center.
I grew up in Valladolid, a semi-rural city of Yucatan. My parents loved the history and archaeology of the Yucatan peninsula, which not long ago was a single cultural and linguistic entity. I grew up dreaming of becoming an archaeologist. With time, I became fascinated with people and sociality within and beyond Yucatan, so I became an anthropologist. I trained as an anthropologist in Mexico and Canada, and have done research in Canada, Italy, Mexico, and Spain. I live and work in Yucatan, as a professor of anthropology. Good ethnographies are what anthropology is about, and those I write about here are some of the best.
I grew up, like many other Yucatecans, convinced by my family and friends that Yucatecan cuisine is one of the best in the world, and it took many years and an anthropology degree for me to see this as a form of ethnocentrism.
Ayora-Diaz examines and deconstructs this belief, deep-seated in Yucatecans' minds, through his sophisticated study of Yucatecan regionalism through the lens of food and gastronomy.
The author proposes that what is now understood and acknowledged as “Yucatecan food” has been created out of three converging threads: home kitchens, recipe books, and restaurants. Through food, Yucatecans have carved a regionalism almost in opposition to a “Mexican” identity.
Weaving theory, ethnography, and food anecdotes, this book will leave you hungry, wanting to try all the food in Yucatan.
The state of Yucatan has its own distinct culinary tradition, and local people are constantly thinking and talking about food. They use it as a vehicle for social relations but also to distinguish themselves from "Mexicans." This book examines the politics surrounding regional cuisine, as the author argues that Yucatecan gastronomy has been created and promoted in an effort to affirm the identity of a regional people and to oppose the hegemonic force of central Mexican cultural icons and forms. In particular, Yucatecan gastronomy counters the homogenizing drive of a national cuisine based on dominant central Mexican appetencies and defies…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I grew up in Valladolid, a semi-rural city of Yucatan. My parents loved the history and archaeology of the Yucatan peninsula, which not long ago was a single cultural and linguistic entity. I grew up dreaming of becoming an archaeologist. With time, I became fascinated with people and sociality within and beyond Yucatan, so I became an anthropologist. I trained as an anthropologist in Mexico and Canada, and have done research in Canada, Italy, Mexico, and Spain. I live and work in Yucatan, as a professor of anthropology. Good ethnographies are what anthropology is about, and those I write about here are some of the best.
In the 1970s, my parents took me and my siblings to the Camino Real, one of the first hotels ever built in Cancun.
We sat on canvas chairs on the beach and my dad played the guitar. Fiddler crabs walked around us, the stars shone brightly, and we enjoyed the music and the sound of crashing waves. Tourism and its evils, however, soon became a nightmare for peninsular Yucatecans.
Through the city of Cancun, the natural reserve Calakmul, the village of Tekit and the hotels in former sisal haciendas, this ethnography shows how, even when living standards improved, local people have become geographically immobilized and resource-impoverished.
The tourist industry is predatory. It destroys natural resources, transforms places into what the rich think of as paradise, and displaces and disempowers local people.
Tourism has become one of the most powerful forces organizing the predatory geographies of late capitalism. It creates entangled futures of exploitation and dependence, extracting resources and labor, and eclipsing other ways of doing, living, and imagining life. And yet, tourism also creates jobs, encourages infrastructure development, and in many places inspires the only possibility of hope and well-being. Stuck with Tourism explores the ambivalent nature of tourism by drawing on ethnographic evidence from the Mexican Yucatan Peninsula, a region voraciously transformed by tourism development over the past forty years. Contrasting labor and lived experiences at the beach resorts of…
I've been writing dark thrillers since 2003 and am fascinated by the whole "what would I do" premise of the genre. There's nothing like taking an ordinary character and throwing them into the most harrowing situation my imagination can conjure. Then, I picture myself in that situation, and the goosebumps arrive immediately. The scariest books are those rooted in reality, the kind where these terrible things could happen to us with just one wrong turn in our car, just one decision to engage with a stranger's question. A truly scary book features you as the protagonist. What would you do?
There's that moment in any thriller where you happily suspend all disbelief because outright fear insists upon it. That's the case with The Ruins, a bizarre man-versus-nature tale where poisonous vines kill anyone who dares come close to them.
I remember reading this, thinking, "What the hell is happening?" Then I just accepted the premise and blazed through the book with my stomach in my throat the entire time.
Craving an adventure to wake them from their lethargic Mexican holiday before they return home, four friends set off in search of one of their own who has travelled to the interior to investigate an archaeological dig in the Mayan ruins. After a long journey into the jungle, the group come across a partly camouflaged trail and a captivating hillside covered with red flowers. Lured by these, the group move closer until they happen across a gun-toting Mayan horseman who orders them away. In the midst of the confrontation, one of the group steps inadvertently backwards into the flowering vine.…
Ryan Murdock is Editor-at-Large (Europe) for Outpost, Canada’s national travel magazine, and a weekly columnist for The Shift, an independent Maltese news portal. His feature articles have taken him across a remote stretch of Canada’s Northwest Territories on foot, into the Central Sahara in search of prehistoric rock art, and around Wales with a drug squad detective hunting for the real King Arthur.
Far from being an extinct people swallowed by the jungle-like their famous temples, the Maya make up a significant percentage of the population of southern Mexico, Guatemala, and Belize, with vibrant ancient languages that are still spoken today. This beautifully written account of contemporary Maya culture will help you understand a remarkable people who explored the world through arithmetic and time.
"Cut Stones and Crossroads" and "On Fiji Island" are previous books by Ronald Wright, author of this book concerned with the Maya, who in the first millennium AD, created the most intellectually and artistically advanced civilization native to the Americas. Despite a mysterious collapse in the ninth century and Spanish invasion in the 16th century, some five million people throughout Guatemala, Belize and south-eastern Mexico still speak Maya languages and preserve a Maya identity today. Ronald Wright set out to discover the roots of the Maya and the extent of their survival after centuries of invasion and a recent civil…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
My passion for Mexican and military history came from many sources. Wandering in my 20s in Europe and Asia honed my appreciation for the historical experience. Good friends in the Canadian military made me curious about the odd rituals and strange subcultures they inhabited. As I moved from Calgary to Vancouver to Tucson I devolved from degree to degree, studying deviance, military history, Mexican culture, and finally finishing a dissertation that combined these elements into one work. And now I happily get to inflict all of this history on my students in California.
Reed’s wonderful writing style and great turns of phrase make this an enjoyable read, while his attention to detail and excellent research make it requisite to understanding the long Caste War of the Maya after 1847. It is a critical antidote to works that pay too little attention to indigenous agents, to religious motivations, and to a long-simmering insurrection with vibrant cultural voices. Other works have taken this on since, but it remains a classic.
This is the classic account of one of the most dramatic episodes in Mexican history-the revolt of the Maya Indians of Yucatan against their white and mestizo oppressors that began in 1847. Within a year, the Maya rebels had almost succeeded in driving their oppressors from the peninsula; by 1855, when the major battles ended, the war had killed or put to flight almost half of the population of Yucatan. A new religion built around a Speaking Cross supported their independence for over fifty years, and that religion survived the eventual Maya defeat and continues today.
I love history that is about people. The discoveries they made or the adventures they had (or endured) are thrilling and fascinating, but it’s the people who make it compelling. From Ernest Shackleton dumping handfuls of gold on the ice to show his stranded men he was committed to getting them out of Antarctica alive, to a fussy young William Travis writing desperately for help that would never come, and being of the first to die during the attack on the Alamo…the best books make those events, the times, and the stakes very very real. And the very best histories give you the humanity of the choices and decisions that led them there.
One of the real contagions of contemporary life (for anyone in any time, I suspect) is the way one can become complacent about the existence we are experiencing: we can take “what everyone knows” for granted. Like the Ferris Wheel, which was invented for the Chicago World’s Fair to outshine the previous Fair’s Effiel Tower. Now, any carnival midway or small circus has one. The same with many “ancient ruins.” Cruise ships stop at Minos or the Mexican pyramids for organized tours. But these places had been lost for millennia until they were re-discovered in the last 200 – 300 years. In Jungles ofStone, the initial discovery was almost an accident. Seen as an opportunity by Stephens and Catherwood, the magnificence and majesty of what they find converts their commercial enterprise into something more like a crusade. While the book recounts their arduous efforts to uncover the lost…
New York Times Bestseller (Expeditions) * THE "MASTERFUL CHRONICLE"* OF THE DISCOVERY OF THE LEGENDARY LOST CIVILIZATION OF THE MAYA--AN "ADVENTURE TALE THAT MAKES INDIANA JONES LOOK TAME"* In 1839, rumors of extraordinary yet baffling stone ruins buried within the unmapped jungles of Central America reached two of the world's most intrepid travelers. Seized by the reports, American diplomat John Lloyd Stephens and British artist Frederick Catherwood-both already celebrated for their adventures in Egypt, the Holy Land, Greece, and Rome-sailed together out of New York Harbor on an expedition into the forbidding rainforests of present-day Honduras, Guatemala, and Mexico. What…
I’ve been fascinated by Maya religion since college—ever since I took my first class on Maya hieroglyphics at Tulane University. At first, I was drawn to the visuals accompanying the glyphs: women running ropes through their tongues, men holding hands with gods, and animals (spirits) wielding sacrificial knives. Then I began chasing the meanings of those visuals until I found myself specializing in ancient Maya mortuary behavior and receiving a PhD in Anthropology from Harvard University. I am happy to say that I am still on the chase, having written or edited five books (with two more on the way). I hope you enjoy this list!
The ancient Maya viewed many things that we would consider inert as animate: objects had agency, even personality. As a result, I often tell my students that the artifacts they hold were once alive. Unfortunately, I rarely have time to tell them just how they came to live—or how they died (sometimes violently). This fascinating book explores not only animism but also the ways in which artisans literally brought objects to life. Read this book and then go to an exhibit on the ancient Maya; then try to decide which things in the exhibit are still (technically) alive. The exercise may be disconcerting—but it will offer a completely different take on the museum experience.
For the Classic Maya, who flourished in and around the Yucatan peninsula in the first millennium AD, artistic materials were endowed with an internal life. Far from being inert substances, jade, flint, obsidian, and wood held a vital essence, agency, and even personality. To work with these materials was to coax their life into full expression and to engage in witty play. Writing, too, could shift from hieroglyphic signs into vibrant glyphs that sprouted torsos, hands, and feet. Appearing to sing, grapple, and feed, they effectively blurred the distinction between text and image.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
As an archaeologist, I love prehistoric things and what can I learn from them about the people that made them and left them behind. I study ancient Maya commoners in what is now modern Guatemala. Their material remains are humble but include depictions and symbols normally found in the palaces of Maya kings and queens. First I wondered and then I studied how the title-giving war owl fell into the hands of Maya commoners. By approaching this process as innovation, I discuss creativity in the past and cultural changes that result from it.
Prehistoric people outside of Europe are often assumed to be "people without history," as anthropologist Eric Wolf called them. Simon Martin and Nikolai Grube's book is exciting because it uses the recent decipherment of Maya hieroglyphs to reconstruct the lives of dozens of Maya rulers. At least some of the millions of ancient Maya have now names and a history. Their great art and architecture can be linked to artists who made them and to nobles who commissioned them.
Deep in the dense rainforests of Central America lie the turbulent stories of the Maya monarchy, stories brought vividly to life in Chronicles of the Maya Kings and Queens, which is newly available in paperback. Describing many of their own discoveries, two of the world's leading experts in Maya hieroglyphs take the reader into a once-hidden history, setting out the latest thinking on the nature of Maya divine kingship, statehood and political authority, and describing all the most recent readings and archaeological finds. Chronicle of the Maya Kings and Queens combines groundbreaking research with a highly readable history, offering the…
