Here are 100 books that The Ruins fans have personally recommended if you like
The Ruins.
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I’ve been obsessed with apocalyptic and dystopian stories for over a decade. For me, they are the books that strike right at the heart of what it means to be human. Reading about characters facing the very worst scenarios possible brings love, resilience, survival, and hope into sharp relief. Not to mention that they are often the most powerful page turners—I have lost so much sleep over these cautionary tales, staying up until the early hours, unable to put them down.
I’ve read this book twice and cried buckets both times.
It is a masterpiece – brutal and unflinching but also maintaining a kernel of hope as the man crosses a devastated landscape with his son, trying to keep him alive against the odds. The prose is stunning and piercing. There are some very disturbing parts of the story, but what shines through for me is human resilience, determination, and love.
I will absolutely read The Road again, but I have to leave a recovery gap between reads!
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing…
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
You don’t have to travel far for very bad things to happen to you, as the main characters in this book discover when they ignore local warnings about fishing in a nearby creek. I consider this a masterwork in any genre, and I’m actually re-reading it right now, even though it kinda broke me the first time.
It’s a Lovecraftian, cosmic horror story that also creates a kind of allegory for grief. Having lost my parents in my late twenties, it felt like a fantastical yet unnervingly accurate reflection of the experience.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
The child’s immersion into nature is a most relevant theme for me as an environmental educator, but it is critical to America as a whole. Our future depends upon it. We continue to live in a culture that shoves nature into the background, something viewed as pleasant scenery but not truly interactive in our lives. The “store” has become the source of things to many young people. The current generation of American parents is not equipped to teach children about nature and its indelible place in our survival as a species; therefore, books must become surrogates in this mission.
I loved this book for its dissection of the human relationships formed against a background of wilderness.
With survival comes tension, and though this throws discord into the lives of the characters, it makes for a compelling plot. This is one of those books that will form an indelible bond with the reader, who cannot help but imagine his/her interaction with the cast, should he/she have been part of the story.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern…
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing…
I’m a human being who struggles with feeling human. When I was 17, I got my brain pretty shaken up after a traumatic event, causing a swathe of memory loss and mental health problems. How do you regain a sense of yourself when chunks of your childhood memories, your skills, and your sense of self have disappeared? Here are some books that grapple with that question, and others.
I believe this book is one of the classic staples of surreal fiction. Its disjointed, spiraling narrative and sprawling non-linear plot lines challenge the definition of what a ‘book’ is. It uses everything from footnotes to text alignment to color schemes to make the act of reading itself increasingly difficult, which matches the house’s influence on the narrators’ memories and interests.
Reading it for me was like learning Latin or watching Casablanca–it gave context to decades of experimental media inspired by it, from TV shows to DOOM game mods. Love it or hate it, it’s a solid tool for any inhuman’s toolkit.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
I live in sight of an extremely busy highway. On the rare days when I wake up to an empty house, I go look at the cars to confirm that I’m not the last person on Earth. There’s always been this part of me that assumes an unprecedented disaster is coming. The best way to soothe that fear, is to read (and write) books about it. Understanding how people survive, or not, feels like a great way to prepare for the unknown. Plagues are particularly bad, especially those of the biblical sense. Water turning to blood, swarms of insects, prolonged darkness, all of these are lethal under the right circumstances.
As if a plague of memory loss that eventually makes you forget how to breathe isn’t scary enough, Cutter takes us deep under the ocean, to a lab where something has gone terribly wrong with our potential saviors. This is the most claustrophobic book I’ve ever read. You can feel the crushing weight of the water and the dark just outside the lab’s walls. There’s a wonderful sort of madness to the whole thing, and one scene, in particular, continues to haunt me.
Afraid of the dark? You should be ... Part horror, part psychological nightmare, The Deep by Nick Cutter is a novel fans of Stephen King and Clive Barker won't want to miss.
A plague is destroying the world's population. The 'Gets makes people forget. First it's the small things, like where you left your keys ... then the not-so-small things, like how to drive. And finally your body forgets how to live.
But now an unknown substance with extraordinary power to heal has been discovered in the depths of the Pacific Ocean. Nicknamed ambrosia, it might just be the miracle…
My name is Lee Andrew Taylor. I write novels and screenplays, mostly in the horror genre, with a few signed by Producers since 2021. I write what I see. It’s worked for me so far, with many discussions with producers in the past few years. If I can see a movie when I read someone’s story then there’s a great chance other people will see the same thing. I am always creating new worlds inside my mind, new stories to write, and new paths to take.
I’m recommending this book because of its subject matter. A virus. After what’s happened in the world recently with Covid, why not believe this could happen? A disease that makes you think someone is trying to kill you, so you have to kill them first. It’s similar to being paranoid. The author of this book has written a few sequels that follow the main character’s journey. A journey that took the person from working a normal day to thinking people were now the enemy.
REMAIN CALM DO NOT PANIC TAKE SHELTER WAIT FOR FURTHER INSTRUCTIONS THE SITUATION IS UNDER CONTROL Society is rocked by a sudden increase in the number of violent assaults on individuals. Christened 'Haters' by the media, the attackers strike without warning. The assaults are brutal, remorseless and extreme: within seconds, normally rational, self-controlled people are becoming maddened, vicious killers. There are no apparent links as a hundred random attacks become a thousand, and then thousands, right across the country. Everyone, irrespective of gender, age, race, sexuality or any other difference, has the potential to become a victim - or a…
I have loved horror since my early teens, when I first discovered The Rats and Lair and other horror stories by James Herbert. The thing I like about horror, in particular, is that there are no holds barred, no censorship, as to what can be written. I grew up on movies like The Exorcist, Friday the 13th, Jaws, Alien, The Thing, etc., but horror writing takes you deeper and gives a more visceral experience than anything any film can do.
This was pretty much the first true horror book I read.
My mother, who had read it, thought I'd like it. Reading as a teenager, the scenarios of giant rats attacking people were frightening, and Herbert's description lent a realism to those scenes which I'd not encountered before. I found myself eagerly turning the pages to feast on the horrors of that which was contained within with relish. I was also fortunate, in my adult life, to meet and interview James Herbert and gain an insight into how he wrote and came up with the stories he told.
A special fortieth anniversary edition of The Rats, the classic, bestselling horror novel that launched James Herbert's career.
With a foreword by Neil Gaiman, author of Norse Mythology.
It was only when the bones of the first devoured victims were discovered that the true nature and power of these swarming black creatures with their razor sharp teeth and the taste for human blood began to be realized by a panic-stricken city. For millions of years man and rats had been natural enemies. But now for the first time - suddenly, shockingly, horribly - the balance of power had shifted .…
As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.
This pandemic thriller might just be my favourite post-apocalyptic story of all time. The premise is so original, the world-building so visual and rich, and the lead character Harper is a real badass and pregnant (super unusual in ANY story, never mind a thriller like this).
Nobody knew where the virus came from. FOX News said it had been set loose by ISIS, using spores that had been invented by the Russians in the 1980s. MSNBC said sources indicated it might've been created by engineers at Halliburton and stolen by culty Christian types fixated on the Book of Revelation. CNN reported both sides. While every TV station debated the cause, the world burnt.
Pregnant school nurse, HARPER GRAYSON, had seen lots of people burn on TV, but the first person she saw burn for real was in the…
I’ve been a lifelong horror reader, really since first stumbling onto Stephen King in the 9th grade. There’s something about that genre that has held a particular fascination for me through the years, probably because the best works are some combination of suspenseful, well-written, and cathartic, as they really get your mind racing as to what you might do yourself in a given situation. If you’re lucky, they might even have something to say about the human condition as a whole. But given this prolonged interest and exposure to horror, it’s only natural I would eventually progress to giving it a stab myself.
This is a unique entry in that the cursed place is a framing device, for this collection of mostly disturbing tales. For his first-ever collection of short stories, Palahniuk brings his wretched cast of characters to a haunted house, where each in turn offers his or her own demented tale. They don’t all work, but a number of the stories really stick with you, and this spooky old house at the center of it ratchets the intensity up another level—it’s not a static situation they are in, there, so the plot progresses to its own warped conclusion on this front as well.
"Haunted" is a novel made up of stories: twenty-three of them to be precise. Twenty-three of the most horrifying, hilarious, mind-blowing, stomach-churning tales you'll ever encounter - sometimes all at once. They are told by the people who have all answered the ad headlined 'Artists Retreat: Abandon your life for three months'. They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theatre where they are utterly isolated from the…
I love horror, as a writer and a reader, especially books where something or someone is changed. It could be a change to some unknown entity, or to a loved one that the main character knows inside and out. The question remains: what do we do when someone or something comes back to us, but they’re not the same? How do we navigate the unease that comes from an uncomfortable blend of the familiar and unfamiliar? The books in this list left me asking these and many other questions. I hope you enjoy them.
The stress of not knowing if someone is who they claim to be makes this book a fast, compelling read. I thoroughly enjoyed the way Finney introduced the problem as a possible medical or psychiatric condition. It’s stated so simply—Uncle Ira isn’t really Uncle Ira—and it turns into so much more.
I love the suspense of not knowing exactly what was going on and uncovering it along with the characters. Even better is the suspicion that increases throughout the book about who can be trusted.
Celebrate one of the earliest science fiction novels by rediscovering Jack Finney’s internationally acclaimed Invasion of the Body Snatchers—which Stephen King calls a story “to be read and savored for its own satisfactions,” now repackaged with a foreword by #1 New York Times bestselling author, Dean Koontz.
On a quiet fall evening in the peaceful town of Mill Valley, California, Dr. Miles Bennell discovers an insidious, horrifying plot. Subtly, almost imperceptibly, alien life-forms are taking over the bodies and minds of his neighbors, friends, family, the woman he loves, and the entire world as he knows it.
