100 Books Like The Blood of Kings

If I were talking about this book over coffee with a friend, I would say this: you cannot understand the ancient Maya without reading it. The Popol Vuh is the written version of an oral, indigenous creation myth more than two thousand years old. There are many English and Spanish translations of the Popol Vuh; but this one is my favorite because it is approachable and precise at the same time. For example, you can choose to ignore the footnotes and their implications. However, if you decide you want to go down the rabbit hole (as I always do), you will not be disappointed. I learn something new every time I pick up this book—it is that good.

When I think about ancient Maya religion, the first thing that comes to mind is pageantry; I imagine kings performing in front of a crowd, or perhaps nobles bloodletting for a small audience inside a palace. Magic and witchcraft are an afterthought. They are front and center in this book—as they were in ancient Mesoamerica. This collection of essays forced me to abandon the habitual boundaries between magic, religion, and witchcraft in the Maya area (and I am better for it). If you are looking for a book where rulers summon monsters and witchcraft is a way of life, this is the place to start.

The ancient Maya viewed many things that we would consider inert as animate: objects had agency, even personality. As a result, I often tell my students that the artifacts they hold were once alive. Unfortunately, I rarely have time to tell them just how they came to live—or how they died (sometimes violently). This fascinating book explores not only animism but also the ways in which artisans literally brought objects to life. Read this book and then go to an exhibit on the ancient Maya; then try to decide which things in the exhibit are still (technically) alive. The exercise may be disconcerting—but it will offer a completely different take on the museum experience.  

I was a (typically) skeptical graduate student when this book came out: how could one work condense all the scholarship on Mesoamerican astronomy and make it accessible to the casual reader? Star Gods of the Maya did that and more, exploring the close relationship between Maya religion and astronomy over time from the Precolumbian era to the present day. Though I have never met her, Milbrath taught me to think bigger and to believe that large, topical books on the Maya could (and would) still work. So much of what archaeologists read and write today is regional, or even local to one city—but not this book.  

Prehistoric people outside of Europe are often assumed to be "people without history," as anthropologist Eric Wolf called them. Simon Martin and Nikolai Grube's book is exciting because it uses the recent decipherment of Maya hieroglyphs to reconstruct the lives of dozens of Maya rulers. At least some of the millions of ancient Maya have now names and a history. Their great art and architecture can be linked to artists who made them and to nobles who commissioned them.

The Mayan Factor had a huge influence on me when I read it after reading Jose’s other amazing books, Earth Ascending and Time and the Technosphere. He makes the case that the classic Maya civilization of the Yucatan was related to a galactic civilization that travels across the universe as patterns of information transduced into DNA so they can incarnate at particular junctures to perform a cosmic ritual of “synchronization.” The Mayan calendar is an artifact of this “Galactic Maya” who wanted us to understand we were starting to enter a new dimensional portal with the end of the 5,125 year Long Count on December 21, 2012. While reading this book, I had a crazy experience of the Galactic Maya entering into me and looking out through my eyes at our turbulent reality. Jose argues that a new calendar could shift us from chaos to harmony. A fabulous visionary excursion!

Maya shows us readers why so many successful creative and science-loving people tend towards introversion. Maya notices what’s going on around her, and what’s going on inside of her. She absorbs. She ponders. She interprets. Then she acts. Then she repeats the process. I love, love, love how Maya gets support from those around her who see her clearly for who she is and let her know that she’s awesome. “Always remember, Maya,” says her mom, “being yourself is a gift to others around you.” So true.

I loved What We Carry for the intricate, nuanced relationship between Maya and her mother.

The woman she thought she knew gradually revealed herself in unexpected ways, leaving Maya—and me—grappling with confusion, longing, and a sense of loss. Witnessing Maya come to terms with her mother’s complexities and her own understanding of what it means to be a mother was both heartbreaking and uplifting.

The book pulled me with its honesty and vulnerability and stayed with me long after the last page. I have re-read this book a couple of times. 

If you're looking for a fantastic book to engage kids in STEM, Lamar and Maya Build a Robot is the perfect pick!

Picture recommending this book to a friend, you'd rave about its celebration of teamwork and robotics. Personally, I loved this book because it beautifully teaches kids about collaboration, problem-solving, and perseverance in a fun and exciting way.

As I read through Lamar and Maya's journey, I learned the importance of working together and following instructions while exploring the world of robotics. It made me feel inspired and reminded me of the joy of friendship and the power of imagination.

This book is an excellent resource for young readers, and they'll be captivated by the story while unknowingly absorbing valuable STEM concepts. Grab this gem for the little ones!

The house referenced in the title of this atmospheric thriller is no ordinary home, but I had to take quite a journey before understanding what makes this place so sinister.

In Reyes’ thriller, Maya is haunted by the seemingly inexplicable death of her friend. She suspects that the death has something to do with Frank, the mysterious man who created a rift between Maya and her friend. But Maya can’t prove anything… until she sees Frank connected to yet another woman’s bizarre death.

Without any spoilers, this particular house is unlike the others on the list, and Reyes plays with reality and perception in a fresh and intriguing way. Good luck guessing what’s going on in this eerie house in the woods… I certainly couldn’t anticipate the twists.