Books like Little Tiger, Get Well Soon — picked by fans

Besides the fact that the illustrations in On a Magical Do-Nothing Day are gorgeous, I love this story of a child turning a boring, lonely, rainy day into a magical (dare I say spiritual?) adventure—an encounter with “a world full of treasures that I could feel!”

I’ve often found that a life-changing experience of beauty comes after some difficulty or personal challenge, and this kid discovers—after being ignored by their parents, losing their favorite video game in a stream, and being drenched by cold rain—a breathtaking world that seems “brand-new, as if it had been created right in front of me.” 

I love picture books that aren’t cookie-cutters and break rules! This one checks all the boxes! It has 80 pages which is pretty much unheard of in picture publishing because most publishers still seem to think that for some reason kids only have the attention span of 24-32 pages. The story manages to be incredibly meaningful and current, political, socially aware, and about pasta all at once, and the illustrations capture a spontaneity and silliness that I adore! You’ll be left wanting to be more politically active and hungry for pasta—what’s not to like?! 

I used to read this book in my class on picture books that I taught for seven years at Emily Carr University of Art & Design and my students always enjoyed it just as much as I have. It always leaves you inspired! This writer & illustrator husband and wife team are incredible and so is this book. The artwork is exquisite and so are the words. Everything is sparse, careful chosen, and yet incredibly rich. A visual narrative of a little bird getting discovered in the truck of a man gets turned into a much more meaningful and universal story with the accompaniment of the poem-like-text. Like the book itself says “The small things are treasures. True treasures.” - And so is this book! 

I love wordless picture books and this one is very special! The artwork is incredibly beautiful and was silk-screened using water-based inks resulting in the most luscious colour. Two kids plant a seed; a giant magical flower tree grows with a magical bear on top who takes them on an enchanted journey full of flying monkeys, bubbles, flowers, dolphins, seals, and more. Don’t miss out and join them in this dream of a book!  

This crucial book was originally published by Putnam’s, New York, in 1941. 

Riess admitted in his autobiography (which exists only in German) that the book was largely a compilation of material from various sources, much of it handed to him personally by Robert Vansittart, the head of British Intelligence at the time. Large portions of the book were in fact written by Heinrich Pfeifer, and supplied to British Intelligence, part of it on Pfeifer’s two trips to London, and part passed across via Vansittart’s agent Walker in Lucerne.

Riess was a Jewish refugee from Germany who was trusted by Vansittart to aid him in helping to persuade the American public to enter the War against Germany. The book is one of the most astonishing books of its kind ever written, full of breathtaking revelations. It deserves to be widely known and to be a classic text for historical studies.

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This is not a full biography – the biography Steinert wrote later in her career is not available in English – but many of the ideas in Steinert’s biography can also be found in this earlier work, which has faded into posterity slightly but can be read with great profit. Here, Steinert is concerned to give texture to a hitherto often two-dimensional image of German society and its attitudes to Hitler’s War. The result is an interesting, differentiated account of public opinion in Nazi Germany. In many respects, it was pioneering and opened up questions surrounding the relationship between state and society that other historians went on to explore further in the 1980s. Steinert’s Francophone background, and perhaps the fact that she was a female writer working in a profession that was then very male-dominated, probably account for the fact that her work is less well-known in the English-speaking world… show more.

Wendy Lower’s powerful examination of the role of German women as witnesses, accomplices, and perpetrators in the Holocaust exposed the participation of women in the genocide of the European Jews during World War II.

Focusing on individual histories, Lower reveals the backgrounds, actions, and motivations of a cohort of mostly young women who became complicit in mass murder.

Full of haunting descriptions, the image of the wife of a German SS officer leading a group of naked Jewish boys to a woods near her home and shooting them as they wept because she wanted to prove her toughness to the men is only one unforgettable example of women’s participation in the Holocaust.

I don’t usually read graphic novels, but this book struck a chord with me. Because of its unique style, I expect it will help create an awareness of the impact WWII had on generations of Germans who were born too late to have had any part in it.

The author's graphic memoir describes her journey back to Germany in search of her family’s politics during the war. Even though she finds that her maternal grandfather, like my father, was exonerated of war crimes, she does not feel she can accept forgiveness for the unforgivable suffering of millions. 

Not the new, watered-down versions, mind you. The original, dark ones that you read now and think, “Who in their right mind would let a kid read this?”

These stories were insane, and I couldn’t get enough of them. And the thing about these stories is that they’re real. There are monsters living among us (we read about them in the news). There’s a reason to be cautious and aware of our surroundings. Life isn’t all sunshine and lollipops, and I think it’s not a bad idea to let kids know that bad things happen, but that children can be stronger than they think. After all, Hansel and Gretel sent the witch into the oven instead of themselves.  

Even those of us who are familiar with historical details of the Holocaust have a mostly generalized understanding of the fraught relationships between US-based Jews and Jews in Europe.

Bonelli uses primary source materials, mainly letters, to inform a very well-crafted narrative in service of educating American Jews about the travails of European Jewry and helps explain the older generation of Jews to an often-befuddled younger generation.