Here are 100 books that The Picture of Dorian Gray fans have personally recommended if you like
The Picture of Dorian Gray.
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I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
The perfect crime? Actually not! It was so imperfect that it turned into the perfect crime by just pure luck. No clues were left behind. In fact, there was nothing to trace the murder back to the murderer except his own guilt.
His guilt turned out to be his biggest punishment. When he finally surrenders, he feels at peace–the long-eluded peace.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
I write stories where consequence comes first. I grew up immersed in Greek/Egyptian mythology and fairy tales, but I was always more drawn to the parts they left out. I wanted to know what daily life looked like for someone like Hercules, not just the story beats. Or what happens when the moral of the story isn’t learned. My passion lies in exploring the cost of power, the wounds we carry (that are often excluded from stories), and the myths we create to justify them. I believe the best fantasy doesn’t just help us escape the world, it helps us to look at ours differently.
This was the first fantasy book that made me afraid for its characters and helped me understand that fantasy is allowed to feel realistic.
Up until this point, the types of books I was reading were very paint-by-numbers, but here the stakes felt real because no one was safe... not even the ones who seemed typical fantasy rules were untouchable.
What stuck with me wasn’t the true-to-form fantasy bits (dragons/battles), but how human the characters felt. In this world, loyalty is a death sentence... love is dangerous, and power always comes with a price.
HBO's hit series A GAME OF THRONES is based on George R R Martin's internationally bestselling series A SONG OF ICE AND FIRE, the greatest fantasy epic of the modern age. A GAME OF THRONES is the first volume in the series.
'Completely immersive' Guardian
'When you play the game of thrones, you win or you die. There is no middle ground'
Summers span decades. Winter can last a lifetime. And the struggle for the Iron Throne has begun.
From the fertile south, where heat breeds conspiracy, to the vast and savage eastern lands, all the way to the frozen…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I have picked these books because I have a passion for good reading material. All the books I have chosen have become reading classics in their own way. They are well written and have plots that go well beyond normal literature in a sense that they unveil the 'human condition' into the realm of the protagonist being up against all odds, where in the end, truth reveals all!
Everybody loves this book because it, of course, has become an international classic of literature and one of the best works F. Scott Fitzgerald wrote, which takes the reader on a time-traveling secretive world of the upper-class set in New England life in the 1920s.
In F. Scott's work, we are casually and comfortably introduced to an America where new money met old money, and the tender tightrope one had to walk in order to vie for position, marriage, and peer acceptance in a world founded on wealth and prestige.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)
The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.
And although some of the social attitudes are jarring to a 21st-century reader, and although I know the plot by heart now… I will still return to it.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I first read Lolita when I was 14 and have read it every few decades since, learning something new each time.
I love the first-person immediacy of it and the way it is a crime novel in reverse: the narrator is already imprisoned but not for the crime he describes. It is a love story turned on its head: what the narrator says is love is in fact abuse.
It is a road trip across the vastness of the US, like one I took when I was a student.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'
Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all…
A fake date, romance, and a conniving co-worker you'd love to shut down. Fun summer reading!
Liza loves helping people and creating designer shoes that feel as good as they look. Financially overextended and recovering from a divorce, her last-ditch opportunity to pitch her firm for investment falls flat. Then…
As a child, I lived in 1950’s London. Despite the ravages of WWII, the city retained many of its Victorian buildings and its foggy atmosphere. I found it enchanting. Reading books sent in England around the 19th century connected me to the city long after my family moved to Ireland. If I felt homesick for the Angel or Camden Town, a book would take me back. Thanks to The Hound, I became captivated by Gothic tales and by what my mum called ‘A juicy mystery.’ This apple didn’t fall far from that tree. It’s a good thing I became a writer, or who knows how I would have ended up!
As a writer of Victorian mysteries, I love books that depict how the role of police evolved from peacekeepers to investigators. The case, the Radcliff Highway Murders of 1811, was a catalyst for that change. Truthfully, I often shouted at this book and turned the air into a dark ultramarine cloud around me. But then, I love a book that rouses my emotions.
I love PD James’s mystery novels, and although this is nonfiction, it boasts her analytic style and her skill in crafting an atmosphere. Did she and Mr Critchley identify the real killer? We’ll never know, but I will be wondering for many years to come.
In 1811 John Williams was buried with a stake in his heart. Was he the notorious East End killer or his eighth victim in the bizarre and shocking Ratcliffe Highway Murders? In this vivid and gripping reconstruction P. D. James and police historian T. A. Critchley draw on forensics, public records, newspaper clippings and hitherto unpublished sources, expertly sifting the evidence to shed new light on this infamous Wapping mystery.
This true crime novel begins amid the horror of a dark, wintry London in the year 1811. Using elegant historical detection P.D. James and police historian T.A. Critchley piece together…
I’m drawn to science fiction that forces characters to confront the limits of their own understanding, especially when faced with someone labeled as an enemy. These are the stories that taught me how fragile judgment can be, and how costly it is to mistake difference for threat. I return again and again to books where communication across cultures, species, or systems is difficult, incomplete, and often arrives too late. What fascinates me most is not conflict itself, but the moral effort required to truly see the other. These novels shaped how I think about empathy, memory, and responsibility, and they continue to influence the kinds of stories I write.
Reading this book reminded me that understanding another person is a continuous struggle, and that we lose the most when we mistake appearances for truth. Even for someone like Genly, an emissary whose role is to bridge cultures, truly understanding Estraven proves painfully difficult.
What stayed with me was the tragedy of that gap: how insight often arrives too late.
Estraven’s sacrifice, made so that Genly could reach safety, and Genly’s decision to visit Estraven’s family afterward, left me with a lingering sense that remembrance itself carries moral weight. Sometimes understanding cannot undo loss, but memory—how the living choose to carry it—can still salvage a trace of good from tragedy.
Le Guin’s novel taught me that empathy is not a destination, but an act that must be fought for, again and again.
50TH ANNIVERSARY EDITION-WITH A NEW INTRODUCTION BY DAVID MITCHELL AND A NEW AFTERWORD BY CHARLIE JANE ANDERS
Ursula K. Le Guin's groundbreaking work of science fiction-winner of the Hugo and Nebula Awards.
A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants' gender is fluid. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters...
Embracing the aspects of psychology, society, and human emotion on an…
As a child, I lived in 1950’s London. Despite the ravages of WWII, the city retained many of its Victorian buildings and its foggy atmosphere. I found it enchanting. Reading books sent in England around the 19th century connected me to the city long after my family moved to Ireland. If I felt homesick for the Angel or Camden Town, a book would take me back. Thanks to The Hound, I became captivated by Gothic tales and by what my mum called ‘A juicy mystery.’ This apple didn’t fall far from that tree. It’s a good thing I became a writer, or who knows how I would have ended up!
There are few joys to match happening upon a fabulous book by accident. This was the case in Kate Summerscale's work. I knew nothing about it when I picked it up, but I liked the premise. I started to read it on the bus going home and finished it in two days.
This real 1860 murder inspired many writers, from Dickens to Conan Doyle, and I can see why. It contains all those elements so dear to the hearts of mystery lovers like me: a corpse, a detective, and a closed circle of suspects in a country manor. This is a book I will reread, probably more than once.
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WINNER OF THE SAMUEL JOHNSON PRIZE FOR NON-FICTION
THE NUMBER ONE BESTSELLER
A RICHARD AND JUDY BOOK CLUB PICK
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'A remarkable achievement' - Sunday Times
'A classic, to my mind, of the finest documentary writing' - John le Carre
'Absolutely riveting' - Sarah Waters, Guardian
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On a summer's morning in 1860, the Kent family awakes in their elegant Wiltshire home to a terrible discovery; their youngest son has been brutally murdered. When celebrated detective Jack Whicher is summoned from Scotland Yard he faces the unenviable task of identifying the killer - when the grieving family are the…
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
I am a Pulitzer-nominated writer who began as a poet, then shifted to prose during a period of aesthetic and personal crisis in my life. I am interested in how the novelist can gather and curate fascinating facts for the reader and incorporate them into the text. I see writing as a great adventure and investigation into issues of empathy, power, and powerlessness, and the individual in an increasingly technological world.
When I wrote my first novel, I began investigating modern-day technology—robotics, bioengineering, AI, and information technology—and have read and worked in this area for over 15 years. It is a pleasure to share some of the books that have informed my own journey.
Truly a book for the ages, how could I not recommend this? It is THE iconic book about a constructed being and his consequent travails.
Made by Victor Frankenstein from all sorts of collected detritus, when the monster opens his “yellow, watery eyes,” the scientist flees from him and never looks back. The monster is left to negotiate the world on his own, but much like a newborn baby, he is ignorant and unequipped to do so.
I love how, unlike the popular concept of the monster, he is, in fact, a vegetarian, and at the start, very vulnerable and peaceful. He learns to read by sitting outside a cottage where he can hear the cottagers teaching a foreigner to read.
I wrote a whole novel about him, A Monster’s Notes, which transports him into the 21st century.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
