Here are 100 books that The Holocaust Kid fans have personally recommended if you like
The Holocaust Kid.
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I don’t know how much of who we are is determined by genetics, and how much is from the environment, but I enjoy using characters and stories to explore the question. My scientific and medical background allows me to pull from my training, clinical patients, and scientific studies to create stories that explore characters who are at the precipice of a problem and need to fight against their inner beliefs to learn who they truly are. It’s like a chess game, moving the pieces around the board to see which side will win!
This novel took much of America by storm, and I am no different.
I love the voice of Demon Copperhead, which bleeds from the Appalachian Mountains. He has endured more trauma over his early years than most people do in several lifetimes. I think what’s most endearing about this novel is that it is sadly believable. Demon is a boy whose local environment has doomed him before he took his first breath. He’s the kind of boy who is just hoping for a break, and as the reader, all I wanted to do was adopt him and give him a good home.
And of course, it did win the Pulitzer Prize for fiction, so that probably means something!
Demon's story begins with his traumatic birth to a single mother in a single-wide trailer, looking 'like a little blue prizefighter.' For the life ahead of him he would need all of that fighting spirit, along with buckets of charm, a quick wit, and some unexpected talents, legal and otherwise.
In the southern Appalachian Mountains of Virginia, poverty isn't an idea, it's as natural as the grass grows. For a generation growing up in this world, at the heart of the modern opioid crisis, addiction isn't an abstraction, it's neighbours, parents, and friends. 'Family' could mean love, or reluctant foster…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Since my 40s, I have been plagued by the question: Who packed the suitcase we carry all our lives? My mother never stopped talking about her Holocaust experience, but I didn’t want to hear it. I lost my parents before I was 30 and eventually began to wonder why I hadn’t asked more questions when I could. We are shaped as much by the stories we are not told as by those selected for us to hear. I began to imagine what it would have been like to have a mother who never spoke about her experiences and the secrets that get locked into the suitcase I might carry.
I fell in love with this story about stolen identities and the anguish of an absent mother damaged by the war who communicates through letters sent to the daughter she abandoned.
There is a poignancy that struck a chord with me as the daughter’s life unfolds in the shadow of a distant, absent mother. And I understood her need to find out who her mother was and why she left. I was also captivated by the way the mother and daughter’s lives are spun out to weave an intricate yet powerful web of intrigue.
Most importantly, I loved the premise as before reading it I had written a novel with similar elements—a distant mother damaged by the war who communicates with her daughter through notes.
The Imposter Bride by Nancy Richler is an unforgettable novel about a mysterious mail-order bride in the wake of WWII, whose sudden decision ripples through time to deeply impact the daughter she never knew
In the wake of World War II, a young, enigmatic woman named Lily arrives in Montreal on her own, expecting to be married to a man she's never met. But, upon seeing her at the train station, Sol Kramer turns her down. Out of pity, his brother Nathan decides to marry her instead, and pity turns into a deep―and doomed―love. It is immediately clear that Lily…
Since my 40s, I have been plagued by the question: Who packed the suitcase we carry all our lives? My mother never stopped talking about her Holocaust experience, but I didn’t want to hear it. I lost my parents before I was 30 and eventually began to wonder why I hadn’t asked more questions when I could. We are shaped as much by the stories we are not told as by those selected for us to hear. I began to imagine what it would have been like to have a mother who never spoke about her experiences and the secrets that get locked into the suitcase I might carry.
I was drawn into this novel, easily relating to the protagonists who, at the core of this story, suffer from a crisis of identity. It arises from feeling uncomfortable in your own skin because you don’t know where—or who—you come from.
I related to the immigrant experience, to being the other, a displaced person, and to the conflicting desires: wanting to blend in while maintaining an individualistic identity.
A story of identity, connection and forgiveness, A Convergence of Solitudes shares the lives of two families across Partition of India, Operation Babylift in Vietnam, and two referendums in Quebec.
Sunil and Hima, teenage lovers, bravely defy taboos in pre-Partition India to come together as their country divides in two. They move across the world to Montreal and raise a family, but Sunil shows symptoms of schizophrenia, shattering their newfound peace. As a teenager, their daughter Rani becomes obsessed with Quebecois supergroup Sensibilité―and, in particular, the band's charismatic, nationalistic frontman, Serge Giglio―whose music connects Rani to the province's struggle for…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Since my 40s, I have been plagued by the question: Who packed the suitcase we carry all our lives? My mother never stopped talking about her Holocaust experience, but I didn’t want to hear it. I lost my parents before I was 30 and eventually began to wonder why I hadn’t asked more questions when I could. We are shaped as much by the stories we are not told as by those selected for us to hear. I began to imagine what it would have been like to have a mother who never spoke about her experiences and the secrets that get locked into the suitcase I might carry.
It is compelling how Correa’s novel spans the difficult history of the 20th century as recounted through the stories of three generations of women. What absorbed me most was the lengths to which the mothers in the novel go to protect their daughters, but how family secrets invariably play out to create a cascade of consequences.
Berlin, 1931: Ally Keller, a talented young poet, is alone and scared when she gives birth to a mixed-race daughter she names Lilith. As the Nazis rise to power, Ally knows she must keep her baby in the shadows to protect her against Hitler's deadly ideology of Aryan purity. But as she grows, it becomes more and more difficult to keep Lilith hidden so Ally sets in motion a dangerous and desperate plan to send her daughter across the ocean to safety.
Havana, 1958: Now an adult, Lilith has few memories of her mother or her childhood in Germany. Besides,…
I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I love this book because, long ago, it was one of the books that sparked my initial interest in the Second World War and the Holocaust. Through Wouk’s vivid and wonderful story of a fictional family living through the period, he also unexpectedly provided me with a terrific foundation of well-researched historical knowledge.
I had read the prequel a few years earlier and when I discovered this book was coming out (as a poor student, I couldn’t afford it), I eagerly asked for it for Christmas. When the big day arrived, I gleefully tore open the present and spent the next two days reading it nonstop, ignoring all else.
A masterpiece of historical fiction and "a journey of extraordinary riches" (New York Times Book Review), War and Remembrance stands as perhaps the great novel of America's "Greatest Generation."
These two classic works capture the tide of world events even as they unfold the compelling tale of a single American family drawn into the very center of the war's maelstrom.
The multimillion-copy bestsellers that capture all the drama, romance, heroism, and tragedy of the Second World War -- and that constitute Wouk's crowning achievement -- are available for the first time in trade paperback.
The books I’ve recommended here range from scholarship, young adult historical fiction, literary fiction, and a good spy mystery—all set in World War II. I’ve read widely in the field since I’ve written several nonfiction books for young readers and teens about World War II. Along with We Must Not Forget, these include Courage & Defiance, about the Danish resistance, Dive!, about the submarine war in the Pacific, D-Day: The World War II Invasion that Changed History, and We Had to Be Brave: Escaping the Nazis on the Kindertransport. I’m currently working on a book about a 1945 POW rescue in the Philippines.
The late Jacob Presser (1899-1970) was a historian, scholar, and a Holocaust survivor himself. His wife was deported and died, and he survived by going into hiding He spent fifteen years researching the Nazi occupation of the Netherlands and the plight of the Dutch Jews.
He speaks movingly of finding small scraps of paper, messages thrown from trains leaving Westerbork (an internment camp and later a transit camp in the Netherlands), noting that “Before me, hardly anyone has read them and, after me, they are locked into the archives and it’s possible nobody else will see them.” They awoke in him, he said, an awareness that one of the tasks of the historian is to “give the dead a voice.”
Beginning in 1940, 110,000 Jews were deported from the Netherlands to concentration camps. Of those, fewer than 6,000 returned.
Ashes in the Wind is a story of murder on a scale never known before. It is a monumental history of the Jewish victims of the Holocaust, and a detailed and moving description of how the Nazi party first discriminated against Jews, before segregating them and finally deporting them to the gas chambers (a process fully outlined in the mass of administrative documents discovered by Dr Presser).
At a time when there are increasingly few survivors of the Holocaust, the eye-witness…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am fascinated by the things people do and the reasons they give for doing them. That people also do things in culturally specific ways and that their culturally specific ways of doing things are related to their culturally specific ideas about what makes sense and what does not inspires in me a sense of awe. As a professor and historian, thinking anthropologically has always been an important tool, because it helps me look for the hidden, cultural logics that guided the behavior of people in history. It helps me ask different questions. And it sharpens my sense of humility for the fundamental unknowability of this world we call home.
A lot of Inga Clendinnen’s work dealt with what happens when two very different cultures and ways of making sense of things come into contact. In the subtitle of her book Aztecs: An Interpretation, she boldly asserted her method for approaching history. It is not merely a recitation of facts, it is an elucidation of those facts by an expert steeped in the knowledge of a particular past. Having written about the Maya and the Aztecs, Reading the Holocaust was a departure, topically, geographically, historically. What I found so extraordinary about the book was precisely Clendinnen’s decision to look anthropologically at staggering events historians had often written about in “functional” terms (who did what, when, and where). In so doing, she tried to offer insight into something unthinkable (what the perpetrators thought they were doing) and something unimaginable (what the victims experienced).
More than fifty years after their occurrence, the events of the Holocaust remain for some of their most dedicated students as morally and intellectually baffling, as 'unthinkable', as they were at their first rumouring. Reading the Holocaust, first published in 2002, challenges that bafflement, and the demoralization that attends it. Exploring the experience of the Holocaust from both the victims' and the perpetrators' points of view, as it appears in histories and memoirs, films and poems, Inga Clendinnen seeks to dispel what she calls the 'Gorgon effect': the sickening of imagination and curiosity and the draining of the will that…
I’ve had a life-long interest in genocide dating back to my teenage years, when I read Simon Wiesenthal’s book The Murderers Among Us. Wiesenthal introduced me to the idea that governments sometimes murdered innocent people and could elude justice for their crimes. The question of human evil interacted with my theological interest in the problem of evil generally. Both genocide scholars and theologians were posing similar questions: how could people or God permit the occurrence of wanton evil when it was in their power to avoid it? And what should we do about genocide after it has happened? These questions launched my research into genocide and continue to fuel my study of this topic.
Where Gitta Sereny talks with people involved in Nazi atrocities, Ernst Klee presents documentary evidence of these crimes. No one has published better or more important compendia of documents on Nazi crimes than Klee. I discovered his books as an exchange student in Germany (1988-89) and quickly found them to be unique. Klee’s spare method is to portray the Nazis’ descent into evil through the medium of their own texts and photographs. Regrettably, few of his books have been translated into English. The one I’m recommending here is a fine introduction to his style of historical writing.
Klee’s evidence shows the awful arc drawn by Nazi crimes, from German incitement of pogroms against Jews in the east and Einsatzgruppen shootings of Jewish men, women, and children to the development of stationary gassing installations in death camps. Klee has a point of view, but he doesn’t want to convince you with…
The title "The Good Old Days" ("Schone Zeiten" in German) comes from the cover of a private photo album kept by concentration camp commandant Kurt Franz of Treblinka. This gruesomely sentimental and unmistakably authentic title introduces an disturbing collection of photographs, diaries, letters home, and confidential reports created by the executioners and sympathetic observers of the Holocaust. "The Good Old Days" reveals startling new evidence of the inhumanity of recent twentieth century history and is published now as yet another irrefutable response to the revisionist historians who claim to doubt the historic truth of the Holocaust.
I have penned more than 120 nonfiction books on a broad range of subjects for general audiences and middle-school readers, including five books about the true-life experiences of young people during the Holocaust. The most heartbreaking, yet inspiring, moments in my decades-long writing career have been my interviews with Holocaust survivors, who, as children, relied on their courage, their faith, their smarts—and sometimes their luck—to endure years of unbelievable terror.
This is an extremely well-written first-person account of how anti-Semitism followed and haunted Livia (born Elli Friedmann in Czechoslovakia) before, during, and after she, her brother, and mother were shipped off to Auschwitz. The atrocities and harassment they endured in the death camp didn’t stop after they were liberated in 1945 because so many anti-Semites made life unbearable, yet eventually Livia and her family triumphed.
So wonders thirteen-year-old Elli Friedmann as she fights for her life in a Nazi concentration camp. A remarkable memoir, I Have Lived a Thousand Years is a story of cruelty and suffering, but at the same time a story of hope, faith, perseverance, and love.
It wasn’t long ago that Elli led a normal life that included family, friends, school, and thoughts about boys. A life in which Elli could lie and daydream for hours that she was a beautiful and elegant celebrated poet.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I have always known that my parents survived the Holocaust. I often listened in when they, my aunt, uncle, and their survivor friends would sit and talk of their lives during the Holocaust. I am the past president for the Phoenix Holocaust Survivor’s Association (now called the Phoenix Holocaust Association) and am on its Board and the Chair of its Education Committee. During this year of Covid, I have been instrumental in hosting numerous writers from around the world who have spoken, in Zoom, about their Holocaust writings and research.
No one can truly know what life was like for Jews under the Nazis. We cannot feel the constant terror and inhumanity imposed upon their Jewish victims. We cannot hear their constant pleas, moans, and screams. We cannot smell the stench of filth, sickness, and death. Nevertheless, Joseph Gershowitz manages to take us as close as we can to his suffering in his absolutely riveting first-hand account of life in the Nazi’s concentration camps. On the Borderline of Extermination is a must-read for understanding the cruelty, barbarism, and inhumanity of the Germans and their all too willing helpers.
A true story of strategy and survival as told by Joseph Gershkowitz (AUSCHWITZ HÄFTLING 99310). With this inspiring story of innate knowledge and determination, Mr. Gershkowitz paints a vivid picture of the atrocities of the Holocaust as seen through his eyes. With that, 100% of the proceeds will be split and donated to the United States Holocaust Memorial Museum in tribute of Joseph Gershkowitz to ensure the memory of the Holocaust is never forgotten & the Women for Women International organization that works to support marginalized women in countries that have been severely affected by conflict and war.
