Here are 100 books that The Holocaust Kid fans have personally recommended if you like
The Holocaust Kid.
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I don’t know how much of who we are is determined by genetics, and how much is from the environment, but I enjoy using characters and stories to explore the question. My scientific and medical background allows me to pull from my training, clinical patients, and scientific studies to create stories that explore characters who are at the precipice of a problem and need to fight against their inner beliefs to learn who they truly are. It’s like a chess game, moving the pieces around the board to see which side will win!
This novel took much of America by storm, and I am no different.
I love the voice of Demon Copperhead, which bleeds from the Appalachian Mountains. He has endured more trauma over his early years than most people do in several lifetimes. I think what’s most endearing about this novel is that it is sadly believable. Demon is a boy whose local environment has doomed him before he took his first breath. He’s the kind of boy who is just hoping for a break, and as the reader, all I wanted to do was adopt him and give him a good home.
And of course, it did win the Pulitzer Prize for fiction, so that probably means something!
Demon's story begins with his traumatic birth to a single mother in a single-wide trailer, looking 'like a little blue prizefighter.' For the life ahead of him he would need all of that fighting spirit, along with buckets of charm, a quick wit, and some unexpected talents, legal and otherwise.
In the southern Appalachian Mountains of Virginia, poverty isn't an idea, it's as natural as the grass grows. For a generation growing up in this world, at the heart of the modern opioid crisis, addiction isn't an abstraction, it's neighbours, parents, and friends. 'Family' could mean love, or reluctant foster…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I arrived at Halifax’s Pier 21 at 19 months old and have lived in Montreal for most of my life, yet I have always considered myself a displaced person. My father was from Belarus, my mother from Poland, and I was born in Germany. Yet, I am not from any of those places. I have lived in Canada, in Quebec, all my life, but I’m not from here either. I denied my ‘otherness’ until my mid-forties when suddenly, I finally understood that most of the planet is comprised of people just like me, struggling to understand how we fit in a world that is in constant flux.
This book has a premise that resonates with me, rooted in my belief that at birth, we are handed a suitcase that someone else packed.
A haunting, heartbreaking drama, the novel follows a mysterious WWII mail-order bride who assumes a dead woman's identity to immigrate to Canada. After she gives birth, she abandons her daughter, leaving behind only a diary.
When I came across Richler’s novel, I was stunned to find echoes of my own novel’s plot. Richler’s daughter—in search of her missing mother—is an achingly poignant reminder of the power exerted by buried family secrets and mother-daughter bonds gone awry, a theme that will always draw me in.
The Imposter Bride by Nancy Richler is an unforgettable novel about a mysterious mail-order bride in the wake of WWII, whose sudden decision ripples through time to deeply impact the daughter she never knew
In the wake of World War II, a young, enigmatic woman named Lily arrives in Montreal on her own, expecting to be married to a man she's never met. But, upon seeing her at the train station, Sol Kramer turns her down. Out of pity, his brother Nathan decides to marry her instead, and pity turns into a deep―and doomed―love. It is immediately clear that Lily…
Since my 40s, I have been plagued by the question: Who packed the suitcase we carry all our lives? My mother never stopped talking about her Holocaust experience, but I didn’t want to hear it. I lost my parents before I was 30 and eventually began to wonder why I hadn’t asked more questions when I could. We are shaped as much by the stories we are not told as by those selected for us to hear. I began to imagine what it would have been like to have a mother who never spoke about her experiences and the secrets that get locked into the suitcase I might carry.
I was drawn into this novel, easily relating to the protagonists who, at the core of this story, suffer from a crisis of identity. It arises from feeling uncomfortable in your own skin because you don’t know where—or who—you come from.
I related to the immigrant experience, to being the other, a displaced person, and to the conflicting desires: wanting to blend in while maintaining an individualistic identity.
A story of identity, connection and forgiveness, A Convergence of Solitudes shares the lives of two families across Partition of India, Operation Babylift in Vietnam, and two referendums in Quebec.
Sunil and Hima, teenage lovers, bravely defy taboos in pre-Partition India to come together as their country divides in two. They move across the world to Montreal and raise a family, but Sunil shows symptoms of schizophrenia, shattering their newfound peace. As a teenager, their daughter Rani becomes obsessed with Quebecois supergroup Sensibilité―and, in particular, the band's charismatic, nationalistic frontman, Serge Giglio―whose music connects Rani to the province's struggle for…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
Since my 40s, I have been plagued by the question: Who packed the suitcase we carry all our lives? My mother never stopped talking about her Holocaust experience, but I didn’t want to hear it. I lost my parents before I was 30 and eventually began to wonder why I hadn’t asked more questions when I could. We are shaped as much by the stories we are not told as by those selected for us to hear. I began to imagine what it would have been like to have a mother who never spoke about her experiences and the secrets that get locked into the suitcase I might carry.
It is compelling how Correa’s novel spans the difficult history of the 20th century as recounted through the stories of three generations of women. What absorbed me most was the lengths to which the mothers in the novel go to protect their daughters, but how family secrets invariably play out to create a cascade of consequences.
Berlin, 1931: Ally Keller, a talented young poet, is alone and scared when she gives birth to a mixed-race daughter she names Lilith. As the Nazis rise to power, Ally knows she must keep her baby in the shadows to protect her against Hitler's deadly ideology of Aryan purity. But as she grows, it becomes more and more difficult to keep Lilith hidden so Ally sets in motion a dangerous and desperate plan to send her daughter across the ocean to safety.
Havana, 1958: Now an adult, Lilith has few memories of her mother or her childhood in Germany. Besides,…
I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I love this book because, long ago, it was one of the books that sparked my initial interest in the Second World War and the Holocaust. Through Wouk’s vivid and wonderful story of a fictional family living through the period, he also unexpectedly provided me with a terrific foundation of well-researched historical knowledge.
I had read the prequel a few years earlier and when I discovered this book was coming out (as a poor student, I couldn’t afford it), I eagerly asked for it for Christmas. When the big day arrived, I gleefully tore open the present and spent the next two days reading it nonstop, ignoring all else.
A masterpiece of historical fiction and "a journey of extraordinary riches" (New York Times Book Review), War and Remembrance stands as perhaps the great novel of America's "Greatest Generation."
These two classic works capture the tide of world events even as they unfold the compelling tale of a single American family drawn into the very center of the war's maelstrom.
The multimillion-copy bestsellers that capture all the drama, romance, heroism, and tragedy of the Second World War -- and that constitute Wouk's crowning achievement -- are available for the first time in trade paperback.
Because the Holocaust deals with ultimate issues, life and death, good and evil, people in the most extreme of conditions, it will continue to be a source of attraction to those who want to confront the ultimate issue. It has entered world culture as a defining event of 20th-century humanity and as the negative absolute in a world drawn to all sorts of relativism. I fear not Holocaust denial but its trivialization and vulgarization, not so much from antisemites and those who don’t understand its importance, but by those consumed by the Holocaust, consumed and overwhelmed. “Handle with care” is the advice of a sage. It is a rebuke to all of us when we do not.
The Holocaust is not solely the domain of historians or survivors. Lawrence Langer, a distinguished literary scholar, has shown us how much a study of Holocaust literature can contribute to our understanding. His work Art from the Ashes is an incomparable anthology, one that will need to be updated for the years since it was published as literary creativity is flourishing with regard to the Holocaust.
A comprehensive anthology of Holocaust literature that comprises selected fiction, poetry, and drama, as well as memoirs, transcripts of interviews with survivors, and diaries. With works by such authors as Elie Wiesel, Primo Levi, Paul Celan, and Tadeusz Borowski, this collection is envisaged as a textbook for the growing number of courses in the literature of the Holocaust, and as a supplementary text for broader courses in the history of the Holocaust.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I’ve always loved history and have written four novels set in the past. Maybe I was drawn to the past because I partly grew up in Bath–a city where you seem to be living in the eighteenth century. But recent history tells us who we are now, and I’ve always wanted to deal with the subject of the Holocaust since, at the age of thirteen, I came across a book about it in my town’s public library. At that time, nobody talked about it, and I was traumatized by it. How could human beings do such things? I think puzzling over that is partly why I became a writer.
I can’t understand why this book isn’t better known. It is an actual diary that survived by chance. It was written by a young woman of twenty-one from a wealthy Jewish family long-established in France and not thinking of themselves as anything but French. I found it gripping and harrowing, all the more so because when the Nazis conquer France and start to impose restrictions on Jews, Hélène cannot grasp what is happening or what lies ahead. She has had a happy, secure life, but now these hideous indignities are being imposed on her.
When she is forced to wear the yellow star, she is horrified by the jeers and insults directed at her in the streets by passers-by whom she has always thought of as fellow citizens. The diary brings home, like almost nothing else I’ve read, the way in which the ordinary life of the intended victims turned…
Not since The Diary of Anne Frank has there been such a book as this: The joyful but ultimately heartbreaking journal of a young Jewish woman in occupied Paris, now being published for the first time, 63 years after her death in a Nazi concentration camp.
On April 7, 1942, Hélène Berr, a 21-year-old Jewish student of English literature at the Sorbonne, took up her pen and started to keep a journal, writing with verve and style about her everyday life in Paris — about her studies, her friends, her growing affection for the “boy with the grey eyes,” about…
I’ve had a life-long interest in genocide dating back to my teenage years, when I read Simon Wiesenthal’s book The Murderers Among Us. Wiesenthal introduced me to the idea that governments sometimes murdered innocent people and could elude justice for their crimes. The question of human evil interacted with my theological interest in the problem of evil generally. Both genocide scholars and theologians were posing similar questions: how could people or God permit the occurrence of wanton evil when it was in their power to avoid it? And what should we do about genocide after it has happened? These questions launched my research into genocide and continue to fuel my study of this topic.
Where Gitta Sereny talks with people involved in Nazi atrocities, Ernst Klee presents documentary evidence of these crimes. No one has published better or more important compendia of documents on Nazi crimes than Klee. I discovered his books as an exchange student in Germany (1988-89) and quickly found them to be unique. Klee’s spare method is to portray the Nazis’ descent into evil through the medium of their own texts and photographs. Regrettably, few of his books have been translated into English. The one I’m recommending here is a fine introduction to his style of historical writing.
Klee’s evidence shows the awful arc drawn by Nazi crimes, from German incitement of pogroms against Jews in the east and Einsatzgruppen shootings of Jewish men, women, and children to the development of stationary gassing installations in death camps. Klee has a point of view, but he doesn’t want to convince you with…
The title "The Good Old Days" ("Schone Zeiten" in German) comes from the cover of a private photo album kept by concentration camp commandant Kurt Franz of Treblinka. This gruesomely sentimental and unmistakably authentic title introduces an disturbing collection of photographs, diaries, letters home, and confidential reports created by the executioners and sympathetic observers of the Holocaust. "The Good Old Days" reveals startling new evidence of the inhumanity of recent twentieth century history and is published now as yet another irrefutable response to the revisionist historians who claim to doubt the historic truth of the Holocaust.
I thought I knew everything I needed to know about the Holocaust, which is that my father lost some members of his family. An email from a nephew I didn’t know existed sent me on a trail of documents that led me to a much deeper understanding of not just the Holocaust as a historical event, but more broadly about the impact that it had on the families of survivors, of people who were spared internment for one reason or another, but were wracked by guilt, besieged by family members who were not so lucky, and who passed down their feelings of guilt, anger, and pessimism to future generations.
In this amazingly inventive novel, Rotkowitz creates a world in which a young woman with everything to live for is haunted by imaginary demons – demons that stand for the horrible experiences her family endured during the time of the Holocaust, and which she must exorcise if she is ever to find true happiness in the true world of the living.
To everyone who knows her, 28-year-old Marcia Gold leads the perfect life. A high school guidance counselor in 1980 Brooklyn, New York who specializes in helping pregnant teens, Marcia thrives in her work. She also has a handsome, successful boyfriend who has won the approval of her Jewish, Holocaust-survivor family – no easy feat.However, beneath the shiny surface lurks another reality. Plagued by frightening and debilitating panic attacks brought on by her family’s wartime legacy and exacerbated by the Iranian hostage crisis in the news, Marcia becomes convinced that “demons” are occupying her closet and her mind. Determined to keep…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I’m a Cuban refugee. I came with my family in the early 1960s a few years after the Cuban revolution. I served 4 years in the U.S. Marines. I went to school and in 1982 married. Both of my daughters became college professors. The younger works for the CUNY system, while the oldest teaches at Yale University in New Haven, Connecticut. I have always had a passion for modern European history. It grew from an interest in military history when I was a Marine.
I am recommending this book because it is a thorough investigation into the Nazi Eastern policies and their effects in the East. And also because Dr. Reitlinger was a renowned scholar.
I personally loved this book because, even though the topic is serious as it is sad, Dr. Reitlinger managed to write an authentic account of the topic with eloquence and solemnity. The book actually got me interested in the topic.
Published in 1960, I read the book in the late 1970s, and it is one of the books that made me interested in the topic – so much so that it set me on an academic path, which led me to research Nazi Germany’s occupation of eastern Europe, culminating in a work on the subject, to be published in November 2023. The book I have written is the culmination of twenty-plus years of research.