Books like The Holocaust Kid — picked by fans

This novel took much of America by storm, and I am no different.

I love the voice of Demon Copperhead, which bleeds from the Appalachian Mountains. He has endured more trauma over his early years than most people do in several lifetimes. I think what’s most endearing about this novel is that it is sadly believable. Demon is a boy whose local environment has doomed him before he took his first breath. He’s the kind of boy who is just hoping for a break, and as the reader, all I wanted to do was adopt him and give him a good home.

And of course, it did win the Pulitzer Prize for fiction, so that probably means something!

I fell in love with this story about stolen identities and the anguish of an absent mother damaged by the war who communicates through letters sent to the daughter she abandoned.

There is a poignancy that struck a chord with me as the daughter’s life unfolds in the shadow of a distant, absent mother. And I understood her need to find out who her mother was and why she left. I was also captivated by the way the mother and daughter’s lives are spun out to weave an intricate yet powerful web of intrigue. 

Most importantly, I loved the premise as before reading it I had written a novel with similar elements—a distant mother damaged by the war who communicates with her daughter through notes. 

I was drawn into this novel, easily relating to the protagonists who, at the core of this story, suffer from a crisis of identity. It arises from feeling uncomfortable in your own skin because you don’t know where—or who—you come from. 

I related to the immigrant experience, to being the other, a displaced person, and to the conflicting desires: wanting to blend in while maintaining an individualistic identity. 

It is compelling how Correa’s novel spans the difficult history of the 20th century as recounted through the stories of three generations of women. What absorbed me most was the lengths to which the mothers in the novel go to protect their daughters, but how family secrets invariably play out to create a cascade of consequences.

I love this book because, long ago, it was one of the books that sparked my initial interest in the Second World War and the Holocaust. Through Wouk’s vivid and wonderful story of a fictional family living through the period, he also unexpectedly provided me with a terrific foundation of well-researched historical knowledge.

I had read the prequel a few years earlier and when I discovered this book was coming out (as a poor student, I couldn’t afford it), I eagerly asked for it for Christmas. When the big day arrived, I gleefully tore open the present and spent the next two days reading it nonstop, ignoring all else.

If Epstein’s book, published in 1979, was the first expose about the commonalities among the children of the Holocaust, Hass’ book was the second. Hass succeeded in melding oral history, memoir, and his professions as a clinical psychologist and university professor. This book is helpful, not only to those of the second generation, but to mental health professionals, as well. It was also helpful to me, as it explained the unique, and often difficult, relationship between the survivor parents and their children.

I am passionate about the book because as a child of survivors, I have also had to grapple with the effects of my parents’ trauma. Of course, as a young child, I had no idea that my parents’ behaviors were special or different. It was only at an older age, I began noticing the differences between the atmosphere and attitudes in my home vs. those of my friends.… show more.

When I read They Were Like Family to Me (originally titled In the Land of Armadillos), I came to understand how magic realism can be used to illuminate that which ultimately cannot be described—in this case, the horror of human depravity during the Holocaust.

This technique also reflects the inability of the victims to grasp what is happening around them, causing them to escape into a world of fantasy. The novel is comprised of a series of interconnected tales about victims and perpetrators, with each chapter telling a story that is simultaneously realistic and dreamlike. It is utterly unique and unlike most other books in this genre.

Why include on this list the diaries of a secular Jewish woman who is in the grip of self-centered anxieties and an unusual, if not bizarre, relationship with her analyst? Because spiritual transformation begins and evolves in uncanny ways, leading one to find transcendence where one never would have expected it. Etty’s diaries and letters allow us to follow the process by which she became so profoundly lucid and open-hearted that she was able to see the humanity even in the Nazis organizing extermination.

In this book Max Silverman focuses on the remembering and understanding of extreme violence and terror, arguing against the tendency to separate different histories from each other along ethno-cultural lines. In countering this tendency, he conceives of the present not as an isolated moment but rather as a composite structure made up of different temporal traces from the past, lying in varying layers of visibility within the present, each of them capable of mediating, and being transformed by, another. Silverman builds a cogent case for the ways in which history, memory and imagination overlap and interact. After reading this book, it is difficult, if not impossible, to mount a defence of memory as authentic, sovereign, and autonomous. 

This is required reading to understand the Russo-German War.

This two-volume masterpiece was written by Paul Schmidt, who was actually Hitler’s Press Secretary during the war. Schmidt used the nom de plume of “Paul Carrell”, and although one would, at first glance, imagine that this author might write a biased and pro-Nazi apologetic study, that could not be further from the truth.

Carrell/Schmidt actually wrote a very truthful account of the war, pulling no punches and even criticizing Hitler’s leadership and his ideology throughout the study.

Carrell/Schmidt also happens to be an eloquent storyteller. He is the type of author who can manage to place the reader in the middle of the story, as if he/she is witnessing the events live. Very few authors can do this.