Here are 100 books that The Imposter Bride fans have personally recommended if you like
The Imposter Bride.
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I don’t know how much of who we are is determined by genetics, and how much is from the environment, but I enjoy using characters and stories to explore the question. My scientific and medical background allows me to pull from my training, clinical patients, and scientific studies to create stories that explore characters who are at the precipice of a problem and need to fight against their inner beliefs to learn who they truly are. It’s like a chess game, moving the pieces around the board to see which side will win!
This novel took much of America by storm, and I am no different.
I love the voice of Demon Copperhead, which bleeds from the Appalachian Mountains. He has endured more trauma over his early years than most people do in several lifetimes. I think what’s most endearing about this novel is that it is sadly believable. Demon is a boy whose local environment has doomed him before he took his first breath. He’s the kind of boy who is just hoping for a break, and as the reader, all I wanted to do was adopt him and give him a good home.
And of course, it did win the Pulitzer Prize for fiction, so that probably means something!
Demon's story begins with his traumatic birth to a single mother in a single-wide trailer, looking 'like a little blue prizefighter.' For the life ahead of him he would need all of that fighting spirit, along with buckets of charm, a quick wit, and some unexpected talents, legal and otherwise.
In the southern Appalachian Mountains of Virginia, poverty isn't an idea, it's as natural as the grass grows. For a generation growing up in this world, at the heart of the modern opioid crisis, addiction isn't an abstraction, it's neighbours, parents, and friends. 'Family' could mean love, or reluctant foster…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Since my 40s, I have been plagued by the question: Who packed the suitcase we carry all our lives? My mother never stopped talking about her Holocaust experience, but I didn’t want to hear it. I lost my parents before I was 30 and eventually began to wonder why I hadn’t asked more questions when I could. We are shaped as much by the stories we are not told as by those selected for us to hear. I began to imagine what it would have been like to have a mother who never spoke about her experiences and the secrets that get locked into the suitcase I might carry.
I was drawn into this novel, easily relating to the protagonists who, at the core of this story, suffer from a crisis of identity. It arises from feeling uncomfortable in your own skin because you don’t know where—or who—you come from.
I related to the immigrant experience, to being the other, a displaced person, and to the conflicting desires: wanting to blend in while maintaining an individualistic identity.
A story of identity, connection and forgiveness, A Convergence of Solitudes shares the lives of two families across Partition of India, Operation Babylift in Vietnam, and two referendums in Quebec.
Sunil and Hima, teenage lovers, bravely defy taboos in pre-Partition India to come together as their country divides in two. They move across the world to Montreal and raise a family, but Sunil shows symptoms of schizophrenia, shattering their newfound peace. As a teenager, their daughter Rani becomes obsessed with Quebecois supergroup Sensibilité―and, in particular, the band's charismatic, nationalistic frontman, Serge Giglio―whose music connects Rani to the province's struggle for…
Since my 40s, I have been plagued by the question: Who packed the suitcase we carry all our lives? My mother never stopped talking about her Holocaust experience, but I didn’t want to hear it. I lost my parents before I was 30 and eventually began to wonder why I hadn’t asked more questions when I could. We are shaped as much by the stories we are not told as by those selected for us to hear. I began to imagine what it would have been like to have a mother who never spoke about her experiences and the secrets that get locked into the suitcase I might carry.
It is compelling how Correa’s novel spans the difficult history of the 20th century as recounted through the stories of three generations of women. What absorbed me most was the lengths to which the mothers in the novel go to protect their daughters, but how family secrets invariably play out to create a cascade of consequences.
Berlin, 1931: Ally Keller, a talented young poet, is alone and scared when she gives birth to a mixed-race daughter she names Lilith. As the Nazis rise to power, Ally knows she must keep her baby in the shadows to protect her against Hitler's deadly ideology of Aryan purity. But as she grows, it becomes more and more difficult to keep Lilith hidden so Ally sets in motion a dangerous and desperate plan to send her daughter across the ocean to safety.
Havana, 1958: Now an adult, Lilith has few memories of her mother or her childhood in Germany. Besides,…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
Since my 40s, I have been plagued by the question: Who packed the suitcase we carry all our lives? My mother never stopped talking about her Holocaust experience, but I didn’t want to hear it. I lost my parents before I was 30 and eventually began to wonder why I hadn’t asked more questions when I could. We are shaped as much by the stories we are not told as by those selected for us to hear. I began to imagine what it would have been like to have a mother who never spoke about her experiences and the secrets that get locked into the suitcase I might carry.
I cherish this semi-autobiographical book because it spoke to my own experience growing up with parents who were Holocaust survivors. It assured me that I was not alone in my need to weave and duck the crazy emotional punches of parents who had experienced unimaginable loss and grief in their lives.
What also recommended this story to me was how Pilcer believed in telling it like it is, yet never ceased to find the humor in situations. Hers was a kind of rebellion to authority I experienced in my life and what shaped who I am.
Wearing a tight black skirt, roach- killer boots, and teased hair, Zosha runs with her junior high school's fast crowd, circa 1960. For Zosha, life is about fitting in, stepping out, making it with the handsome Puerto Rican boy in the local movie theater. But for Zosha's parents, life is about how they survived when everyone around them died during the Holocaust. Now their daughter--born in a German DP camp and raised in New York City--must find her own way to survive.
With unique emotional honesty, Sonia Pilcer illuminates Zosha's journey through the terra incognita of life as a “2G”--…
I heard a Jordan Peterson interview in which he boiled down my entire life’s struggle in a single phrase. The interviewer was pushing Jordon on the subject of male toxicity. Jordon said something like, “If a man is entirely unwilling to fight under any circumstance, he is merely a weakling. Ask in martial arts trainer and they will tell you they teach two things – the ability to fight and self-control. A man who knows how and also knows how to control himself is a man.”
James Jones's brilliant debut novel must have had a great effect on me because I admit, in many ways, my book covers the same ground – how does a man maintain honor and dignity when constrained to live his life by the choices of other, and much more powerful men? I suppose the difference between our two themes is that the question in my book is about those same choices but wrapped in the question of race. Jones’s characters, while in the military, were dealing with personal issues. My Corporal Buck is dealing with an issue about which all of America is on fire.
From Here to Eternity is 70 years old. I read it in 1969, an eternity ago and it has lasted with me from there to here. When I was in the Marine Corps I knew everything that was happening to me. But I didn’t know what…
Prew won't conform. He could have been the best boxer and the best bugler in his division, but he chooses the life of a straight soldier in Hawaii under the fierce tutelage of Sergeant Milt Warden. When he refuses to box for his company for mysterious reasons, he is given 'The Treatment', a relentless campaign of physical and mental abuse. Meanwhile, Warden wages his own campaign against authority by seducing the Captain's wife Karen - just because he can. Both men are bound to the Army, even though it may destroy them.
After teaching high school English for thirty-one years, I retired and began my second career in writing. I have published five novels and one collection of poetry. When I met Jane Tucker in 1974, she became a good friend, fellow church member, and my dental hygienist. I had no idea she had worked as a welder on Liberty Ships during World War II when she was only sixteen years old. After I learned this in 2012, I began my journey into learning all about the Rosies during World War II and writing my fourth novel Becoming Jestina. Jane’s story is an amazing one, and I still talk to her regularly.
I recommend this book because it gives a broader picture of the women who changed the way women participate in society forever. It wasn’t just building bombs, liberty ships, and planes that women had a part in. It was everything! When I’ve talked to women who lived during that time, and when I read this book, I realized how many ways women changed during that period of history.
Our Mothers' War is a stunning and unprecedented portrait of women during World War II, a war that forever transformed the way women participate in American society.
Never before has the vast range of women's experiences during this pivotal era been brought together in one book. Now, Our Mothers' War re-creates what American women from all walks of life were doing and thinking, on the home front and abroad. These heartwarming and sometimes heartbreaking accounts of the women we have known as mothers, aunts, and grandmothers reveal facets of their lives that have usually remained unmentioned and unappreciated.
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
During my 45 years of practicing law, I've learned that everyone has flaws, but we all still struggle to be recognized and accepted. I always ask my law clients why things have gone sideways because understanding the personalities involved and why they are in conflict is essential. This depth of understanding is equally necessary in the process of writing believable fiction. Characters and their conflicts must resonate with the reader. For me, as a writer, this is the essential challenge for writing good fiction. I can have imaginary conversations with any of my characters because they become very real personalities in my mind.
Todd Bowden, a middle-class boy, has everything good going for him until he meets Kurt Dussander, a man who was the pure embodiment of evil during Hitler’s Nazi regime, now living in America under the assumed name, Arthur Denker. Todd figures out who “Arthur Denker” is from crime magazines his father had kept in a trunk in the garage.
Todd’s curiosity for violence rises to the surface. He is increasingly drawn down into darkness, blackmailing Mr. Dussander to tell him what went on in the concentration camps.
#1 New York Times bestselling author Stephen King’s timeless coming-of-age novella, Apt Pupil—published in his 1982 story collection Different Seasons and made into a 1998 Tristar movie starring Ian McKellan and Brad Renfro—now available for the first time as a standalone publication.
If you don’t believe in the existence of evil, you have a lot to learn.
Todd Bowden is an apt pupil. Good grades, good family, a paper route. But he is about to meet a different kind of teacher, Mr. Dussander, and to learn all about Dussander’s dark and deadly past…a decades-old manhunt Dussander has escaped to this…
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.
Irmgard Hunt was born into Nazi Germany in 1934 and brought up in the Bavarian village of Berchtesgaden, just outside the fence that surrounded Hitler's alpine retreat and headquarters. On Hitler's Mountain is her account of a childhood under the Third Reich as the daughter of low-level Party members. As a model Aryan toddler, she was photographed sitting on Hitler's knee, and attended school with the children of Albert Speer and Fritz Sauckel. Like many ordinary Germans her parents considered themselves to be moral and honourable: her father was a porcelain artist (at the workshop that provided Hitler with his…
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.
The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.
Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.
It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing.
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I'm the child of Holocaust survivors. I grew up with parents willing to talk about their survival experiences and do so in a way that wouldn't terrify me. I asked a million questions that my parents willingly answered. I grew up passionate about this history and determined to write their stories and the stories of other survivors. I'm aware that this generation of survivors is aging and passing away. Their "voices" will soon be gone. I feel a responsibility to capture these stories and write them for the next generations. I'm about to have my thirtieth book about the Holocaust published! And I've got more book ideas on the go.
I love the way Jennifer Gold writes. She takes an important historical moment and turns it into a heart-stopping, rollercoaster ride that leaves the reader wanting more! That's how I felt when I read Names in a Jar. The story is an important one, historically. It's set in the Warsaw Ghetto and the Treblinka death camp. There are not many YA novels set in Treblinka, probably because so few prisoners survived that death camp. Jennifer has taken the true story of a real revolt that took place in Treblinka and adapted it for her novel. It's a story filled with courage and with hope.
Twelve-year-old Anna Krawitz is imprisoned in the Warsaw Ghetto with her older sister, Lina, and their father. Happy days spent reading about anatomy and science in Papa’s bookshop are long gone, and the knowledge they have is used to help their neighbors through the illnesses caused by starvation and war.
With no hope in sight and supplies dwindling, Anna finds herself taking care of an orphaned baby. With a courage she didn’t know she had, Anna and the baby leave behind all they know and go into hiding with a Catholic family, changing their names to hide their identity, but…
