100 Books Like Art from the Ashes

Almost all the survivors of the Holocaust have now died, which makes it more important than ever that we pass on knowledge about this incomparably brutal crime against humanity – and do our best to prevent future genocides.

Survival in Auschwitz is a highly detailed, profoundly disturbing, and, in the end, intensely moving account of Italian chemist Primo Levi’s eleven months in the most notorious of the Nazi death camps, Auschwitz.

If you wish to understand what the Holocaust meant to its victims – and how the prisoners did their heroic best to resist dehumanization, hopelessness, and death – you would do well to start with this important work.  

This book is nonfiction, so it’s about real people rather than fictional characters. I love this book because it gives a descriptive perspective on what was happening and what was going on in Nazi-occupied Germany and Poland during World War II, and the horrors of the concentration camps (mainly Auschwitz) that were built and used to kill everyone the nazis hated for whatever insane reasons they had.

I’ve always had an almost alarming interest in World War II. It was my favorite lesson from the history classes I’ve taken, and this book really put some of the evil things that were done during that time into perspective.

There are several major histories of the Holocaust. Each has strengths and weaknesses, but they offer the reader an in-depth view of the events described in this work. The most influential of these histories is Raul Hilberg's The Destruction the European Jews: Revised and Definitive Edition, a three-volume study has also been condensed into a one-volume college edition. It provides an unequaled insight into how the Holocaust was perpetrated. The work is considered magisterial by many scholars of the  Holocaust. Hilberg used German documentation as his major source. He has been criticized by scholars for what they consider an overreliance on German material as well as his depiction of Jewish leadership as inept in responding to the events of the Holocaust. No one, including those who criticize, has written a better or more enduring work. First published more than a half-century ago, it has stood the test of time.

Even after years of studying the Holocaust, I remain overwhelmed by the enormity of the horrors, and there are still times when I find my faith in humanity wavering and all I can think to ask in anger and confusion is “Why?” I know I’m not alone. Peter Hayes’s masterful book is the result of an entire career centered on asking that very question.  The outcome is an incredibly readable, insightful, and thought-provoking account of the Holocaust that doesn’t shy away from answering the big questions. After reading it, one might still ask “why,” but it won’t be out of frustration, anger, and confusion, but rather out of a desire to keep learning more about one of the greatest catastrophes in the history of humanity.

With its roots in truth, this powerful novel brings us face to face with the insanity of war and how humans deal with the heartbreak of being torn from their homes, horrific deprivation, and betrayal. 

Cleverly structured and beautifully written with tenderly articulated characters, it presents a fresh eye on the Holocaust and its consequences, and had me continually asking myself how I would have endured, and what choices I would have found myself making, in that situation.

The Unwanted is perhaps the best all-around book explaining the crisis faced by Jewish refugees trying to escape to the United States. Dobbs merges the intimate histories of members of the Jewish community in the small German town of Kippenheim, the work of the US State Department officials in Germany and France, American refugee aid workers, and President Roosevelt. By utilizing both personal and official sources, Dobbs allows all the people he writes about to speak for themselves. It’s beautifully written and heartbreaking, and whatever you think about this history when you start the book, those thoughts will be more nuanced and complicated when you’re finished.

Where Gitta Sereny talks with people involved in Nazi atrocities, Ernst Klee presents documentary evidence of these crimes. No one has published better or more important compendia of documents on Nazi crimes than Klee. I discovered his books as an exchange student in Germany (1988-89) and quickly found them to be unique. Klee’s spare method is to portray the Nazis’ descent into evil through the medium of their own texts and photographs. Regrettably, few of his books have been translated into English. The one I’m recommending here is a fine introduction to his style of historical writing.  

Klee’s evidence shows the awful arc drawn by Nazi crimes, from German incitement of pogroms against Jews in the east and Einsatzgruppen shootings of Jewish men, women, and children to the development of stationary gassing installations in death camps. Klee has a point of view, but he doesn’t want to convince you with… show more.

A predominant amount of work in memory studies has focused on national memory cultures. The shift in this anthology is towards small, local or regional memories and towards vernacular sites of remembering. Its contributors attend in the main to personal and familial forms of memory, and thus on the narrative modes and media associated with them. The chapters cover a fascinating range of topics, making for a diverse volume united by a key preoccupation with the locatedness of memory, rather than referring broadly across a whole national context or to a huge sweeping range of memory and remembering. This is a very welcome shift, bringing to the fore everyday objects of memory that have tended to be less predominant—hence ‘peripheral’, in the sense of being swept aside or overshadowed. Redressing this allows for a more complex understanding of relations between public and private memory and remembering practices, across varying temporal… show more.

In this book Max Silverman focuses on the remembering and understanding of extreme violence and terror, arguing against the tendency to separate different histories from each other along ethno-cultural lines. In countering this tendency, he conceives of the present not as an isolated moment but rather as a composite structure made up of different temporal traces from the past, lying in varying layers of visibility within the present, each of them capable of mediating, and being transformed by, another. Silverman builds a cogent case for the ways in which history, memory and imagination overlap and interact. After reading this book, it is difficult, if not impossible, to mount a defence of memory as authentic, sovereign, and autonomous. 

In my many years of teaching the Holocaust, I discovered that many students learn about the Holocaust from films. The problem is that many films are not accurate and in our age of Holocaust denial it is imperative that films be as accurate as possible in their depiction of the SHOAH. Browning’s book is by far the best available guide to films—the good, the bad, and the inaccurate, that depict the Holocaust.