Books like The Great Beast — picked by fans

I find that Frankenstein transcends eras by posing critical questions about the ways we develop and use new technology.

I first read a comic-book version in elementary school and have returned to Shelly’s novel over the years because it stimulates my critical thinking about technology, particularly the current rise of AI and our response to it. Frankenstein raises a fundamental ethical question about technology in real life: just because humans can create something, should they actually create it?

For me, the novel also creates the opportunity to explore questions about how we engage technology once we choose to invent it. Dr. Frankenstein abandons his creation, and the creature becomes an angry monster. I ask myself, is this an allegory for our own response to technology?

This book took me to places that I never knew existed.

Once I began to read the book, I was drawn into a land of beauty and realism that I could literally see as I read the story. I learned so much about the strengths and weaknesses of a human being. It made me examine my own inner self.

I saw terrible things happening to deep and intense people in the story, and I saw them react in the best and the worst ways. The beauty and pain that Donaldson put into this book were far more than I had expected or been ready to face myself.

The most serious and culturally informed of the modern biographies, but still enthusiastic and enjoyable. Sutin is particularly good on Crowley’s religious and political aspects, and it reads unmistakably like a book by what a friend of mine would call “a real grown-up,” which isn’t always the case with books on occult subjects. Sutin makes a strong case for Crowley’s importance and larger significance, and the book’s wider perspective can be gauged by the spread of his solid, quality books on other subjects, including Buddhism and Philip K Dick.  

Weighing in at somewhere over 300,00 words across over 700 pages, this is the most comprehensive Crowley biography. Stylistically is it no great treat for the reader, but it was obviously a staggering amount of work and demands respect: assembling this much material is an achievement. The effect—with generous backup detail on minor figures—is often like a gigantic Wikipedia entry. Kaczynski is one of the Crowley faithful, and he tends to look on the bright side. Consequently the book can be rather pious, as well as occasionally naive (Kaczynski quotes Freud’s supposed lauding of occult artist Austin Osman Spare, for example—one of Spare’s tall tales—as if he really said it, to which you can only say “As if…”). Still a very useful work of reference. 

A relaxed and urbane book by a man who could really write: Booth’s other work includes poetry and the acclaimed novel Hiroshima Joe, along with non-fiction on cannabis and opium, both very relevant to Crowley. It seems to speed up towards the end and has no source notes, which I thought might be because Booth was already racing against the cancer that killed him. Now I think it was just pressure of other work—he was prolific. I was at the launch when alcoholic Crowley disciple Gerald Suster, also a Crowley biographer and also now dead, staggered to his feet and began a rambling question with the Crowley greeting “Do what thou wilt shall be the whole of the Law,” to which Booth cordially replied “93!” The crowd had no idea what they were talking about.      

An atmospheric biography—a book you can curl up with—by British occultist King (not to be confused with the more ‘literary establishment’ Francis King, a respected gay novelist; our man sometimes called himself Francis X King to distinguish between them). King was a quietly eccentric character who had been traumatized by his experiences in the Korean War, and at one stage sold ice cream on Bournemouth beach. Steeped in the Golden Dawn tradition, his other books include works on alchemy, Western esotericism, tantra, and more, and he was a friend of Crowley’s friend Gerald Yorke, who also wrote on those subjects. I’ve always had a soft spot for their charmingly old-school, gentlemanly style of bygone British occult scholarship.

First published in 1956 Dion Fortune recalls her heroine Vivian le Fay, first introduced in The Sea Priestess fifteen years earlier.

In Moon Magic she is conjured as Lilith le Fay, mysterious and alluring. Interestingly, considering Dion Fortune died before finishing the book, its completion was brought about by an acolyte ‘channeling the author’ after her death. 

Her play on the dynamic of the male and female polarity allows the story to evolve on different levels, as an interesting, if dated view of a society in need of a spiritual revelation, and a treatise on genuine esoteric practices. Fortune’s clipped prose style gives the reader's imagination free rein, allowing her to influence our understanding of certain concepts and provide an entertaining tale to boot.

John and Caitin Mathews have a vast body of work on the subject of spirituality. This is one of their first and, in my opinion, one of their best.

I recommend this title to anyone who feels a deep connection to Celtic heritage and the old Gods and Goddesses of early British and Welsh ancestry. I was especially entranced by the pathworking techniques, a guided visualisation journey into the ‘otherworld’ of our native ancestors. Having undertaken several of these guided visualisation journeys, I had some deeply personal and life-enhancing experiences that I still vividly recall some thirty years later.

A great introduction to the Western Mystery Tradition.

From bat-shit to actual shit, Dread in the Beast is one of the darkest dives into the bowels of humanity — literally. A work of horror centered around filth and foulness, Jacob’s brilliant work weaves a violent landscape with odes to Nietzsche, Aleister Crowley, and pagan gods and goddesses. This isn’t a conspiracy novel, it's just a full-on dive into dark depths and that is one of the reasons it resonates so deeply: Jacob doesn’t hold back, not a bit. To experience an author so fully engage and let herself go into the darkness is as brilliant to behold as it is uncomfortable.

I love compilation books, as this style of book works fantastically well for horror. In a short period of time, you can be transported from London to the Black Forest, from deepest Africa to the frozen climes of the Arctic. This book does not disappoint in this respect, taking the reader on a discovery of differing locations and also styles of horror writing. As you read this book of David’s, he takes you through a deeply reflective journey of horror writing genres, from Lovecraft to Poe and beyond. With great artwork to boot. Utterly fantastic!