Here are 79 books that The Grand Tradition fans have personally recommended if you like
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Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
A remarkable tracing of the evolution of singing throughout the decades. Occasionally Scott is dismissive, (sometimes of the most famous singers) but his remarks are always intriguing and thought-provoking. Through his text, Scott causes one to re-evaluate some of the most famous singers and the reason for their fame.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
One of the greatest series of books ever written about the early years of live broadcasting from the Metropolitan Opera. Jackson’s detailed analysis of the existing broadcasts is informative and fascinating. Even better they can be read by themselves, or even better, when listening to the actual broadcast. The amount of information in this series (3) is unbelievably vast and fascinating. All three are recommended.
(Amadeus). In this first of three volumes, Paul Jackson begins a rich and detailed history of the early years of the Metropolitan Opera broadcasts, bringing to life more than 200 recorded broadcasts.
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
Herman Klein wrote for the magazine, Gramophone during the 1920s and his reviews of the then-current 78 r.p.m. recordings are among the best you can read. This book from Amodeus Press contains all his reviews and articles for that magazine and is a fascinating, essential read. This is another book that I have read and re-read over the years, scribbled in the margins, and quoted from in my own writing.
From Klein's comments on early recordings that remain available today, the reader can get a glimpse of what legendary singers such as Patti and Lind sounded like more than a century ago. The essays of Herman Klein that appeared in The Gramophone from 1924 until 1934 are indispensable sources of information on the singers of the Golden Age.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
This series of 3 books traces the recordings of various operas from the infancy of recording through modern-day recording and is another fascinting read. Making this even more interesting is the fact that each opera is taken on by a different writer so you always get a fresh view on the works being discussed.
I’ve always thought that the Venn diagram of Space Opera and Military Science Fiction should not be a circle. I thought there should be stories about people living in interstellar civilizations that didn’t involve massive wars across unimaginable distances, resulting in untold misery and suffering. So, I wrote some, starting with Quarter Share. Each of these books shows mostly normal people trying to get by in a galaxy far, far away.
Another orphan struggling. This opening title in Wilker’s Grand Human Empire series introduces a free-lance hauler pilot, Jackson Caruso, and his collection of relatives, enemies, and allies as he tries to keep his ship flying and his skin in one piece.
A fun romp about taking risks, making do, and sometimes making friends.
Jackson ”Jax” Caruso inherited a ship from his parents.
They're dead, they don't need it.
The unification wars happened a while ago, Jax's parent's fought for the losing side. Now he takes the jobs he can get; smuggling, bounty hunting, hauling cargo. If it pays, he'll do it.
When Jax is approached with a job that seems to good too be true, he should have known better, he should have walked.
He didn't.
Now he and a few friends are in it deep; Imperial entanglements are the least of their concerns with organized crime on their tails.
I am a spy aiming to uncover hidden documents, private journals, and secret messages penned in the distant past. I am a detective racing to reveal the world’s most dastardly deeds and daring escapades. I am an adventurer zooming around the planet along with history’s bravest heroes and most despicable villains. I am an artist whose illustrations transform ancient stone-cold statues by turning them into living, breathing human beings that laugh and cry, win and lose, love and hate, and spring vividly to life. And I am a storyteller striving to lure readers of all ages, whether they are children or adults.
Destitute Jasper Ankle will pay any price to attend his beloved opera. But when its most famous diva chokes to death on an admirer’s candied violet, a hitherto unknown beauty named Ortenzia Caviglia takes her place, and as her star rises, everyone who might stand in her way conveniently drops dead. But as her fame and fortune increase, Jasper Ankle becomes more and more impoverished, and if you are familiar with Edward Gorey’s dreadfully terrifying tales and his delicate, elegantly devilish black and white penmanship, perhaps you can imagine what is happening herein. (By the way, Gorey is also dead but you can still get hold of his evil little books.)
Ortenzia Caviglia is an undiscovered opera understudy whose lucky break results from the mysterious murder of the reigning diva. Upon hearing her sing, Jasper Ankle becomes her deepest admirer, undaunted by perilous weather and abject poverty in his quest to hear her sing. As Ortenzia's star rises, Jasper sinks further into despair, until performer and fan collide in true Edward Gorey fashion. Exquisitely illustrated with Gorey's signature pen-and-ink crosshatching, The Blue Aspic is a heart-wrenching and oddly hilarious tale of unrequited love and the dangers of celebrity.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I fell in love with opera history as an undergraduate exchange student in Vienna and went on to pursue my passion in graduate school. Rather than writing about opera composers and their music, I chose the unusual path of studying famous singers from the nineteenth century, especially the prima donnas who exerted extraordinary authority over composers, theater directors, and spectators. In my books and articles, I focus on the power of divas to thrill audiences and to shape the musical culture of which they are an integral part. The books I am recommending explore the lives and careers of some of the most fascinating prima donnas of the nineteenth century.
Through a dazzling collection of sources that include letters, contracts, memoirs, biographies, newspaper reviews, and fictional stories about the figure of the cantatrice, Kimberly White’s French Singers on the French Stage is a brilliant account of the various stages of singers’ lives in nineteenth-century France, beginning with their births and following them up to and past their retirements. In between, she describes their training at the Paris Conservatoire, debuts, marriages, benefits, and scores of other important issues that they grappled with throughout their careers. I do not know of any other work in the field of prima donna or opera studies that is at once as thorough and as lucidly written—it is a page-turner from beginning to end.
The study of singers' art has emerged as a prominent area of inquiry within musicology in recent years. Female Singers on the French Stage, 1830-1848 shifts the focus from the artwork onstage to the labour that went on behind the scenes. Through extensive analysis of primary source documents, Kimberly White explores the profession of singing, operatic culture, and the representation of female performers on the French stage between 1830 and 1848, and reveals new perspectives on the social, economic, and cultural status of these women. The book attempts to reconstruct and clarify contemporary practices of the singer at work, including…
I have been enthralled with legends of medieval knights and ladies, dark fairy tales and fantasies about Druids, wizards, and magic since childhood. I fell in love with French in junior high school and continued studying the language throughout college. My debut novel, "The Wild Rose and the Sea Raven"--the first of a trilogy-- is a blend of my love for medieval legends, the romantic French language, and paranormal fantasy. It is a retelling of the medieval romance of "Tristan et Yseult", interwoven with Arthurian myth, dark fairy tales from the enchanted Forest of Brocéliande, and otherworldly elements such as Avalonian Elves, Druids, forest fairies and magic— with a decidedly romantic French flair.
This passionate paranormal romance between a talented soprano singer and a macabre musical genius blends mythical aspects of a legendary ghost haunting the Paris Opera House. I was enthralled by the supernatural forces and deliciously dark seduction of Christine Daaé by the unlikely Romantic hero, the Phantom. I enjoyed how the chivalrous Raoul, le Vicomte de Chagny, nobly battles the diabolical Phantom like a medieval knight defending his Lady. I read this classic in its original French language version while obtaining my MA in French literature, and I loved both the English translation as well as the modern musical film adaptation.
The novel from the early 20th century that inspired the Lon Chaney film and the hit musical. In the 1880s, in Paris, the Palais Garnier Opera House is believed haunted. One night, a young woman, Christine, is asked to sing in place of the Opera's leading soprano, who is ill; Christine's performance is a success, and she is recognized by the Vicomte Raoul, a childhood playmate and love. Raoul and the Phantom then battle for Christine's heart, as the Phantom demands more and more from her.
As a longtime arts educator who has worked predominantly with kids ages 3 to 12, I initially set out to find books that could inspire them about theatre. For many years I have searched for the perfect books that achieve this and have used all of these books in my teaching.
There are many jobs in theatre, from the performers on stage, to all of the people like the writers, directors, and designers who make their magic behind the scenes. This book makes the excellent case that there is a place for anyone in the theatre, taking kids by the hand walking them through how it requires a team effort to make a production happen.
A delightful introduction to opera, Bravo! Brava! A Night at the Opera teaches elementary school children what opera is by showing how it is made. "Who writes the words?", "Who makes an opera happen? "Who is backstage?"--these questions and more are answered with easy-to-understand explanations and are illustrated with whimsical watercolors by the author. From composer, choreographer, and costume designers to the conductor, lighting and special effects crew, and, of course, the singers, the excitement builds as Anne Siberell explains each person's role in producing an opera. Bravo! Brava! A Night at the Opera reveals details of the most famous…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I grew up in a family of church singers. As a young man, I studied poetry and piano, literature and guitar, listening to Hank Williams and reading William Faulkner while dreaming of becoming a Nashville songwriter. Eventually, I performed as a singer-songwriter myself on three continents, so it’s entirely honest to say that music, language, and stories have always been the fabric of my life. These novels represent everything I love about music and how it connects us—to people, to worlds beyond—and I hope you find them just as meaningful (and occasionally heartwrenching) as I have.
“She sang as if she was saving the life of every person in the room.” This quotation. This is why I love this book. The character in reference, Roxanne Coss, is a world-famous soprano caught in a hostage situation, but for me, it was impossible to read that line without realizing—without immediately understanding—that, oh, this is what makes a singer truly transcendent.
Not vocal range or records sold, but their willingness to sacrifice themselves on stage, momentarily, for our pain. It’s perfect. Heartbreaking and perfect, as is the entire novel. I can’t recommend it highly enough.
Winner of The Women's Prize for Fiction and the PEN/Faulkner Award for Fiction.
The poignant - and at times very funny - novel from the author of The Dutch House and Commonwealth.
Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honour of the powerful businessman Mr. Hosokawa. Roxane Coss, opera's most revered soprano, has mesmerised the international guests with her singing.
It is a perfect evening - until a band of gun-wielding terrorists takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves…
