Here are 100 books that The Blue Aspic fans have personally recommended if you like
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I am a spy aiming to uncover hidden documents, private journals, and secret messages penned in the distant past. I am a detective racing to reveal the world’s most dastardly deeds and daring escapades. I am an adventurer zooming around the planet along with history’s bravest heroes and most despicable villains. I am an artist whose illustrations transform ancient stone-cold statues by turning them into living, breathing human beings that laugh and cry, win and lose, love and hate, and spring vividly to life. And I am a storyteller striving to lure readers of all ages, whether they are children or adults.
Don’t worry; this gripping 534-page tale of mystery can sweep you through its pages in a single day, especially since its gritty-but-stunning brown and white artwork acts like a movie as it speeds you and a young orphaned boy through an underground train station and across the streets of Paris and up a clock tower in 1931. Why was the boy’s dead father obsessed with repairing a broken clock? And who is the mysterious angry old man anyway?
Orphan, clock keeper, thief: Hugo lives in the walls of a busy Paris train station, where his survival depends on secrets and anonymity. Combining elements of picture book, graphic novel, and film, Caldecott Honor artist Selznick breaks open the novel form to create an entirely new reading experience in this intricate, tender, and spellbinding mystery.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
To learn about the Holocaust, I read personal remembrances, eyewitness accounts, and detailed descriptions of ghettos, camps, and transports, but this graphic novel based on Spiegelman’s father captured me like none of the others. Its words tell its terrible story masterfully and its drawings fill in what words can’t say, both as his father lived it and as his son learns about it. Banning it from U.S. schools would be completely wrongheaded. It should be required reading.
The first and only graphic novel to win the Pulitzer Prize, MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him
'The first masterpiece in comic book history' The New Yorker
Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father.
I am the Chief Legal Officer at a US publicly traded company. Although I was born in Iran, I immigrated to the US from Iran at age ten. When I was three years old, my father’s side of the family tried to take my brother and me away from my mother after my father passed away. She fought a custody battle and lawsuit and eventually was forced to flee Iran with us during the revolution. I am passionate about the Iranian Revolution, my relationship with my very strong and remarkable mother who has been a mentor to me, as well as family relationships within Iranian families.
I love “Persepolis” because the author very accurately and with a great amount of humor describes, and through graphics, portrays the very heavy topic of the 1979 Iranian Revolution.
She makes it easy for people who weren’t there at the time and are not a part of the culture or history to imagine what happened. I like how she describes family relationships, especially with her parents, in a tribal culture. In a very transparent way, she accurately describes the differences between private family life and the one that is portrayed publicly.
Wise, often funny, sometimes heart-breaking, Persepolis tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, growing up during the Iranian Revolution.
The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life.
Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary,…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I am a spy aiming to uncover hidden documents, private journals, and secret messages penned in the distant past. I am a detective racing to reveal the world’s most dastardly deeds and daring escapades. I am an adventurer zooming around the planet along with history’s bravest heroes and most despicable villains. I am an artist whose illustrations transform ancient stone-cold statues by turning them into living, breathing human beings that laugh and cry, win and lose, love and hate, and spring vividly to life. And I am a storyteller striving to lure readers of all ages, whether they are children or adults.
High atop a cliff overlooking the sea sits the battered remains of a sailboat. But how did it get there? An old man insists that the waves had tossed it all the way up during a storm a very long time ago, although this clearly seems to be impossible. Or is it? In this magical tale of adventure, a young boy had aimed to prove that he was the most brilliant sailor his villagers had ever seen, so he set out to prove it. What happened when he was blown to a brand-new land, and did he survive? I have always enjoyed Chris’s artwork and you may have overlooked this particular book, so pick it up and check it out.
At the edge of a cliff lies the wreck of a small sailboat. How did it get there? "Waves carried it up in a storm," says an old sailor. But is it possible that waves could ever go that high?
There is another story - the story of a boy and his desire to be the greatest sailor, the story of a storm that carried the boy and his boat to a place where boats glide like gulls high above the water.
I grew up in a family of church singers. As a young man, I studied poetry and piano, literature and guitar, listening to Hank Williams and reading William Faulkner while dreaming of becoming a Nashville songwriter. Eventually, I performed as a singer-songwriter myself on three continents, so it’s entirely honest to say that music, language, and stories have always been the fabric of my life. These novels represent everything I love about music and how it connects us—to people, to worlds beyond—and I hope you find them just as meaningful (and occasionally heartwrenching) as I have.
“She sang as if she was saving the life of every person in the room.” This quotation. This is why I love this book. The character in reference, Roxanne Coss, is a world-famous soprano caught in a hostage situation, but for me, it was impossible to read that line without realizing—without immediately understanding—that, oh, this is what makes a singer truly transcendent.
Not vocal range or records sold, but their willingness to sacrifice themselves on stage, momentarily, for our pain. It’s perfect. Heartbreaking and perfect, as is the entire novel. I can’t recommend it highly enough.
Winner of The Women's Prize for Fiction and the PEN/Faulkner Award for Fiction.
The poignant - and at times very funny - novel from the author of The Dutch House and Commonwealth.
Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honour of the powerful businessman Mr. Hosokawa. Roxane Coss, opera's most revered soprano, has mesmerised the international guests with her singing.
It is a perfect evening - until a band of gun-wielding terrorists takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves…
I fell in love with opera history as an undergraduate exchange student in Vienna and went on to pursue my passion in graduate school. Rather than writing about opera composers and their music, I chose the unusual path of studying famous singers from the nineteenth century, especially the prima donnas who exerted extraordinary authority over composers, theater directors, and spectators. In my books and articles, I focus on the power of divas to thrill audiences and to shape the musical culture of which they are an integral part. The books I am recommending explore the lives and careers of some of the most fascinating prima donnas of the nineteenth century.
Through a dazzling collection of sources that include letters, contracts, memoirs, biographies, newspaper reviews, and fictional stories about the figure of the cantatrice, Kimberly White’s French Singers on the French Stage is a brilliant account of the various stages of singers’ lives in nineteenth-century France, beginning with their births and following them up to and past their retirements. In between, she describes their training at the Paris Conservatoire, debuts, marriages, benefits, and scores of other important issues that they grappled with throughout their careers. I do not know of any other work in the field of prima donna or opera studies that is at once as thorough and as lucidly written—it is a page-turner from beginning to end.
The study of singers' art has emerged as a prominent area of inquiry within musicology in recent years. Female Singers on the French Stage, 1830-1848 shifts the focus from the artwork onstage to the labour that went on behind the scenes. Through extensive analysis of primary source documents, Kimberly White explores the profession of singing, operatic culture, and the representation of female performers on the French stage between 1830 and 1848, and reveals new perspectives on the social, economic, and cultural status of these women. The book attempts to reconstruct and clarify contemporary practices of the singer at work, including…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
As a longtime arts educator who has worked predominantly with kids ages 3 to 12, I initially set out to find books that could inspire them about theatre. For many years I have searched for the perfect books that achieve this and have used all of these books in my teaching.
There are many jobs in theatre, from the performers on stage, to all of the people like the writers, directors, and designers who make their magic behind the scenes. This book makes the excellent case that there is a place for anyone in the theatre, taking kids by the hand walking them through how it requires a team effort to make a production happen.
A delightful introduction to opera, Bravo! Brava! A Night at the Opera teaches elementary school children what opera is by showing how it is made. "Who writes the words?", "Who makes an opera happen? "Who is backstage?"--these questions and more are answered with easy-to-understand explanations and are illustrated with whimsical watercolors by the author. From composer, choreographer, and costume designers to the conductor, lighting and special effects crew, and, of course, the singers, the excitement builds as Anne Siberell explains each person's role in producing an opera. Bravo! Brava! A Night at the Opera reveals details of the most famous…
I have been enthralled with legends of medieval knights and ladies, dark fairy tales and fantasies about Druids, wizards, and magic since childhood. I fell in love with French in junior high school and continued studying the language throughout college. My debut novel, "The Wild Rose and the Sea Raven"--the first of a trilogy-- is a blend of my love for medieval legends, the romantic French language, and paranormal fantasy. It is a retelling of the medieval romance of "Tristan et Yseult", interwoven with Arthurian myth, dark fairy tales from the enchanted Forest of Brocéliande, and otherworldly elements such as Avalonian Elves, Druids, forest fairies and magic— with a decidedly romantic French flair.
This passionate paranormal romance between a talented soprano singer and a macabre musical genius blends mythical aspects of a legendary ghost haunting the Paris Opera House. I was enthralled by the supernatural forces and deliciously dark seduction of Christine Daaé by the unlikely Romantic hero, the Phantom. I enjoyed how the chivalrous Raoul, le Vicomte de Chagny, nobly battles the diabolical Phantom like a medieval knight defending his Lady. I read this classic in its original French language version while obtaining my MA in French literature, and I loved both the English translation as well as the modern musical film adaptation.
The novel from the early 20th century that inspired the Lon Chaney film and the hit musical. In the 1880s, in Paris, the Palais Garnier Opera House is believed haunted. One night, a young woman, Christine, is asked to sing in place of the Opera's leading soprano, who is ill; Christine's performance is a success, and she is recognized by the Vicomte Raoul, a childhood playmate and love. Raoul and the Phantom then battle for Christine's heart, as the Phantom demands more and more from her.
I love to read, and sometimes I want to be lost in a story or world for just an hour or two. Oh, I’m always sorry when a good story ends, no matter how long or short. But a good novella is like a slice of homemade chocolate cake. I might want to eat more, but if it’s perfectly done, there’s nothing quite as satisfying as that first, warm slice out of the oven.
Lindsay Buroker weaves great characters into her books and novellas. This is the best of space opera with an important “rescue” at the heart of the mystery. No worthy man, guard dog, or even android will be left behind.
The series develops into a romantic series set in outer space. This book stands on its own, with a lovely main character who has enough brains and talent to solve a mystery and enough heart to save those worth saving. It's a fun read and a great introduction to Buroker’s work.
McCall Richter works as a skip tracer, tracking down criminals, con men, and people who stop making payments on their fancy new spaceships.
Her job description says nothing about locating vast quantities of stolen maple syrup, but thanks to her helpful new android employee, she finds herself tramping through a “sugar house” on a frosty moon full of suspicious characters. The only witness to the crime? The junkyard dog next door.
Junkyard is a stand-alone novella set two years before Fractured Stars.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
This series of 3 books traces the recordings of various operas from the infancy of recording through modern-day recording and is another fascinting read. Making this even more interesting is the fact that each opera is taken on by a different writer so you always get a fresh view on the works being discussed.
