100 Books Like Female Singers on the French Stage, 1830-1848

First published in 1864, Queens of Song is one of the earliest group biographies of famous divas of the operatic stage. Beginning with chapters on prima donnas who lived during the seventeenth and eighteenth centuries, Creathorne Clayton moves quickly to the nineteenth century, focusing on powerful divas like Giuditta Pasta, Henrietta Sontag, and Giulia Grisi. Renowned for their talents and beloved by audiences worldwide, these divas often wielded outsized influence on the composers who wrote music for them and the impresarios who hired them. The individual chapters are short, but they are each surprisingly comprehensive, providing a full and vivid picture of the lives and accomplishments of these memorable, and often very demanding, artists. 

Few nineteenth-century celebrities were as fascinating as Maria Malibran (1808-1836). She made her debut at London’s King’s Theatre at the ripe age of seventeen, and then blazed a trail across Europe and New York City, becoming one of the most in-demand and beloved prima donnas of her day. But, as April FitzLyon compellingly illustrates, Malibran’s life was anything but perfect. Her father, the famous tenor Manuel Garcia, may have abused her as a child, and her first husband, Eugene Malibran, went bankrupt shortly following their wedding. Most disturbing was her premature death at the age of 28, the result of overwork and a gory horse-riding accident. This biography presents a devastating account of the pressures, pains, and glories inherent in leading the life of a superstar during the first half of the nineteenth century.

Pauline Viardot (1821-1910) was one of the most celebrated prima donnas of the nineteenth century, but she was much more than a typical diva. She was also one of the most versatile artists of the era, a talented composer, arranger, teacher, autograph collector, entrepreneur, salonnière, and promoter of early music. While fictionalized, this novel sticks closely to historical events of her life, focusing on her marriage to Louis Viardot, her long-lasting affair with Russian author Ivan Turgenev, and the unconventional and loving bonds that formed between these three extraordinary artists. If you’re looking for historical fiction about one of the most fascinating divas of the nineteenth century, An Unofficial Marriage is a great choice.

To portray the title character in Bizet’s Carmen is only one of the many transformations American orphan Lilliet Berne’s life requires, both on and offstage, as she ascends to opera stardom in late 19th century Paris. In this immersive novel, the clothes are as richly described as the music, and the music is described with not only sincere emotion but attention to realities and absurdities: Bizet’s early death leads to greatly improved ticket sales, for example. In Chee’s haunting first novel Edinburgh, he made choral music shimmer with both beauty and horror. The Queen of the Night is very different in setting, time, and sweeping sense of adventure, but shares Chee’s ability to movingly explore acts of survival and reinvention.

“She sang as if she was saving the life of every person in the room.” This quotation. This is why I love this book. The character in reference, Roxanne Coss, is a world-famous soprano caught in a hostage situation, but for me, it was impossible to read that line without realizing—without immediately understanding—that, oh, this is what makes a singer truly transcendent.

Not vocal range or records sold, but their willingness to sacrifice themselves on stage, momentarily, for our pain. It’s perfect. Heartbreaking and perfect, as is the entire novel. I can’t recommend it highly enough.

Destitute Jasper Ankle will pay any price to attend his beloved opera. But when its most famous diva chokes to death on an admirer’s candied violet, a hitherto unknown beauty named Ortenzia Caviglia takes her place, and as her star rises, everyone who might stand in her way conveniently drops dead. But as her fame and fortune increase, Jasper Ankle becomes more and more impoverished, and if you are familiar with Edward Gorey’s dreadfully terrifying tales and his delicate, elegantly devilish black and white penmanship, perhaps you can imagine what is happening herein. (By the way, Gorey is also dead but you can still get hold of his evil little books.)

A remarkable tracing of the evolution of singing throughout the decades. Occasionally Scott is dismissive, (sometimes of the most famous singers) but his remarks are always intriguing and thought-provoking. Through his text, Scott causes one to re-evaluate some of the most famous singers and the reason for their fame.

Another orphan struggling. This opening title in Wilker’s Grand Human Empire series introduces a free-lance hauler pilot, Jackson Caruso, and his collection of relatives, enemies, and allies as he tries to keep his ship flying and his skin in one piece.

A fun romp about taking risks, making do, and sometimes making friends.

Skylar Ramirez kicks off this twisty series by introducing the alcoholic Captain Brad Mendoza and his troubled executive officer. Along the way, a crooked path leads the reader deeper into a well-developed universe of money, politics, and betrayal.

Every character plays a role, but some play more than one. While these are technically military people, their mission isn’t supposed to involve flying missiles and drawn-out battles. Mostly, it’s about a bunch of troubled people finding their way back from the brink.

This one has more military than the first three, but it's still a great read.

One of the greatest series of books ever written about the early years of live broadcasting from the Metropolitan Opera. Jackson’s detailed analysis of the existing broadcasts is informative and fascinating. Even better they can be read by themselves, or even better, when listening to the actual broadcast. The amount of information in this series (3) is unbelievably vast and fascinating. All three are recommended.