Here are 100 books that Herman Klein and the Gramophone fans have personally recommended if you like
Herman Klein and the Gramophone.
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Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
J.B. Steane’s massive book, over 600 pages, is one of the most comprehensive books on historical singers ever written. My copy is riddled with text underlining and notes in the margins. His evaluations of singers are always honest, but fair. I have read this book at least 3 times and have re-read sections many more times. It invaluable.
Before the gramophone could do justice to an orchestra, it was able to reproduce the human voice with comparative fidelity. Steane examines the great mass of singing on record and follows the fortunes of modern singers as well as old, in song, opera, and choral singing. This corrected second edition includes a preface and bibliography.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
A remarkable tracing of the evolution of singing throughout the decades. Occasionally Scott is dismissive, (sometimes of the most famous singers) but his remarks are always intriguing and thought-provoking. Through his text, Scott causes one to re-evaluate some of the most famous singers and the reason for their fame.
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
One of the greatest series of books ever written about the early years of live broadcasting from the Metropolitan Opera. Jackson’s detailed analysis of the existing broadcasts is informative and fascinating. Even better they can be read by themselves, or even better, when listening to the actual broadcast. The amount of information in this series (3) is unbelievably vast and fascinating. All three are recommended.
(Amadeus). In this first of three volumes, Paul Jackson begins a rich and detailed history of the early years of the Metropolitan Opera broadcasts, bringing to life more than 200 recorded broadcasts.
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
This series of 3 books traces the recordings of various operas from the infancy of recording through modern-day recording and is another fascinting read. Making this even more interesting is the fact that each opera is taken on by a different writer so you always get a fresh view on the works being discussed.
Music has obsessed me since I got my first record player, around age five, and learned how to play the stack of used Beatles records that seeded my collection. I could probably pick a favorite music book from every decade of my life, and this list isn’t far off.
I stumbled across the first great Rolling Stone record guide around the time I first encountered used record stores: Second Hand Tunes, Dr. Wax and the legendary Wax Trax, all within walking distance of my Chicago high school. I never had sufficient funds to actually purchase the guide, so I snuck it from the shelf at Kroch’s and Brentano’s downtown and memorized as much data as my brain would hold:The best B.B. King albums are the ones on the Crown and Kent labels. Grab any early Kinks LPs you can find. I still quote from Dave Marsh & co. whenever I write about music.
My interest in political economy dates back to my student years where I combined the study of the history of political economy, economics, and philosophy. Whether apologists or critics of capitalism, both groups appreciate the centrality of economic exchange among people who live in communities where absolute autonomy and self-sufficiency are unattainable. My concern with reframing political economy is also informed by the all too hushed scandal of capitalism, namely, the reliance on slavery for the accumulation of wealth for more than a century after the establishment of the USA. The reckoning with this atrocity animates much of my present thinking about political economy in general and capitalism in particular.
With numerous examples that range from comedy clubs, football strategies, recipes, and the fashion industry, this book explains how the myth of copyright protection as the hallmark of market capitalism makes no sense. Instead of the argument that the only way to incentivize people to invent and create, what this book outlines is the many cases in which not only this is not the case but instead a robust competitive environment thrives without capitalist ways of thinking. Notions of creative cooperation make up for ruthless competition, and the expectation of legal protection only shows that without regulatory powers market forces cannot function.
From the shopping mall to the corner bistro, knockoffs are everywhere in today's marketplace. Conventional wisdom holds that copying kills creativity, and that laws that protect against copies are essential to innovation-and economic success. But are copyrights and patents always necessary? In The Knockoff Economy, Kal Raustiala and Christopher Sprigman provocatively argue that creativity can not only survive in the face of copying, but can thrive.
The Knockoff Economy approaches the question of incentives and innovation in a wholly new way-by exploring creative fields where copying is generally legal, such as fashion, food, and even professional football. By uncovering these…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I’ve been collecting records since I was a teenager, and unlike many of my friends, I’ve kept all my records. I love music, but I also love album cover art. I’ve taken my interest and have written three books on album cover art that tell the story of dozens of album covers. I especially like discovering relatively unknown or anonymous artists and designers who created compelling record cover art. I am constantly looking for interesting records, and I am possessed by the desire to learn more about album cover art. I love to share my passion and let people know about the wide world of vinyl.
Wow. I was amazed to find this book. I am deeply impressed with the work that went in to gathering so many record covers by Andy Warhol. The book deepened my knowledge of Warhol’s art. I think of it as a focused history of album cover design.
I love the size (it’s big) and the reproduction quality of all the covers and related artwork.
Count Basie, Tchaikovsky, Aretha Franklin, Lou Reed, Diana Ross, John Lennon and the Rolling Stones all had their music promoted by Andy Warhol's record covers. This stunning volume reproduces all of the album covers, front and back, that Warhol designed over four decades. Hundreds of additional contextual illustrations present liner notes and inside covers, related works by Warhol and documentary images that trace the artist's visual sources. Author Paul Marechal explores Warhol's creative process, his relationship with artists and his fascination with all genres of music. The range of music represented through these record covers, from jazz to classical and…
I believe laughing together is a big part of the glue that bonds people together. Humor has gotten me through my toughest times—and given me much joy in the good times. Laughing over my books with one or both of my toddler grandsons will always be cherished memories for me. Likewise, I love hearing about moments of connection for other readers bonding over Applesauce Is Fun to Wear, Baby’s Opposites, Baby’s Firsts, and Pirate Jack Gets Dressed.
Picture books should appeal to the ear as well as the eye. Coming from a family of musicians, I’m partial to rhyme, as you might guess from most of my picks here.
This book is full of unexpected delights from beginning to end.
The first spread states, “ROAR!! Goes the…” opposite a cutout that shows a tiger driving. The next spread says, “…TRUCK that rumbles up the road,” and shows the tiger driving a truck with a crate of tacks tumbling onto the road.
Likewise, “Hiss…goes the CAR that gets a flat tire,” driven by a snake. A parade of vehicles gets held up behind them until a coyote-driven police car (Awooo!) and beaver-driven tow truck (chomp!) save the day.
Cushman’s illustrations contain even more visual jokes. The sloth passing the pile-up on the sidewalk while pushing a tennis-ball-footed walker made me laugh out loud, even without a vehicle- or animal-loving toddler to read it to.
With a nod to Richard Scarry, this inventive picture book surprises readers with every turn of the page!
Hiss! Screech! Roar! It's a noisy day in Bumperville! But are the sounds what you think they are? That Honk! must surely be a goose. But turn the page and it's the taxi that a goose is driving! Using cleverly placed die-cuts, this inventive book hints at what is making the sound, but with each turn of the page, it's an eye-opening surprise and part of an unfolding story that is part guessing game and part giggle-inducing caper. Abi Cushman is the…
I’ve long had an ambivalent relationship with airports. They have been the starting point for my adventures, but I have also known well the discomfort, boredom, stress, surveillance, bad food, and other unpleasantries that often define airport experiences. Despite my ambivalence, I’ve found airports to be fascinating places where differently situated people (travelers and workers) encounter one another. I’ve learned that those encounters, as well as airport operations and design, tell us something about the places where they are located and the broader societies in which we live. I’ve since become aware that reading (and writing) about airports are also great ways to gain such insights.
This account of how LAX shaped its surrounding environment usefully affirmed my own decision to focus on a particular place. Its careful focus on how jet noise catalyzed relationships among a wide array of people and social forces in Los Angeles helped me understand better how such relationships had developed about 400 miles to the north.
Beyond all of that, this book has a lot of smart things to say about how noise more generally shapes our urban environments and attunes us to them.
In Atmospheric Noise, Marina Peterson traces entanglements of environmental noise, atmosphere, sense, and matter that cohere in and through encounters with airport noise since the 1960s. Exploring spaces shaped by noise around Los Angeles International Airport (LAX), she shows how noise is a way of attuning toward the atmospheric: through noise we learn to listen to the sky and imagine the permeability of bodies and matter, sensing and conceiving that which is diffuse, indefinite, vague, and unformed. In her account, the "atmospheric" encompasses the physicality of the ephemeral, dynamic assemblages of matter as well as a logic of indeterminacy. It…
I’ve been playing the violin since I was 3, so as of 2022, it’s been 15 years. I believe that music unifies, and is a catalyst for social change, social justice, and equity. I’ve written two children’s books about different powers of music: Bailey Brings Her Friends Together with Musicand The Aria in Me. With both of these books, I donate 100% of my proceeds to Kidznotes, a local North Carolinian organization, which provides underserved youth ensemble-based music instruction for personal, social, academic, and musical development and growth. I chose this list to inspire and captivate young readers and hopefully help them fall in love with music. :)
As a musician, I hear everyday sounds as music: the tritone intervals of an ambulance, the rhythm of coffee dripping, bird calls, the fluctuation of laughter, etc. This picture book follows Lenny, a composer, who stops and listens to sounds of daily life which gives him inspiration for his own compositions. This picture book reveals how music is truly the sound of life.
At night when everyone else is asleep, one artist sits awake - pencil in hand, stuck. Lenny is a composer, but this evening, no music floats from his head.
Then as night breaks into dawn, Lenny's cat, Pipo, begins lapping milk. Lick lick lick. Birds yawn awake, singing in the trees. Tweet tweet! A bike bell tings on the street below. Suddenly, Lenny notices a rhythm to the world around him. He pulls on his coat and walks through the city to write down every sound he can find. Lenny listens to a gardener, a jogger, a dog walker, and…
