100 Books Like The Exorcist

Fiction has a way of capturing people, places, and phenomena that often elude source-bound historians. As I say in my book, you feel the weight of all the terrible things Colonel Kurtz has done in central Africa far more by his whispering “the horror, the horror” than I, as a historian, could possibly convey by listing them out and analyzing them. That feel–especially what contingency feels like–is something historians should seek out and try to pull into their craft of writing. Getting used to and using fiction to help historians see and feel the past is a worthwhile endeavor. 

When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.

I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.

My passion for small islands began as a child. I spent my summer holidays on the Isles of Scilly, where everyone knew each other, and the sea wiped the landscape clean, leaving it pristine each morning. Since then, I’ve visited dozens of islands, keen to understand the islanders’ survivalist mindset. I worked as an English teacher before becoming a writer. It allowed me to share my love of storytelling, but the tales that linger with me still take place on small islands where the consequences of our actions are never forgotten. I hope you enjoy exploring the ones on my list as much as I did!

I am, by training, a philosopher, scientist, and clergyman who has spent 47 years speaking on issues pertaining to God, philosophy, science, and culture at many universities. Since childhood I’ve been fascinated both by nature, as well as by why people do the things they do. As for life experience, I’ve worked in several countries, have been married for more than 44 years, and raised 6 children … all of which have been an enormously valuable arena of learning. All of this has given me a deep conviction that I need to spend my life helping people to think about the things that are most important in life.

In 1995, I was invited to the People’s Republic of China to direct a play at the Shanghai Theatre Academy. It was the first Canadian play to be produced in China. It’s amazing what you can learn in a foreign city, with time to explore on your own, ready to soak up the energy, atmosphere, sights, and sounds. The impact is even greater when that city is on the cusp of historic change. The experience power-charged my imagination and was the spark for my first novels–a series of mysteries featuring the detective Zong Fong, Head of Special Investigations, Shanghai. City Rising and its three sequels followed after extensive research.

I have researched and observed attempts to map, enhance, and control biological human bodies since I was a teenager. I was always interested in how people described and related to themselves as biological creatures. As part of that, I was fascinated by attempts to talk about the human body with other words than the strict biological, both by poets, artists and by, entrepreneurs, and scientists. As a researcher in cultural studies, I concentrate on different ways to understand ourselves as biological creatures and on imaginaries about (bio)technology and how these dreams about what technology can do affect our self-understanding.

I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.

As a child, my imagination and love of art drew me to comic books, and later, to immersive, worldbuilding fantasy. My 26-year hiatus from devoted creative pursuits while serving in the Air Force rewarded me with amazing experiences around the globe. As an Airman, naturalist, and scuba diver, I have been immersed in worldly ‘extremes’: the best and worst of humankind; nature’s most remote places and incredible creatures; and troubled regions afflicted by climate change and conflict. I now distill my experiences and creativity into the genre of “eco-fantasy.” The books of my diverse selection also leverage and explore worldly and otherworldly ‘extremes’ to elevate their stories. Enjoy!

Growing up in theatre, I was completely immersed in plays, which tend to be deep dives of the human psyche, and I latched on to those examinations like a dog with a bone. I’ve always loved the complexities of the human mind, specifically how we so desperately want to believe that anything beautiful, expensive, or exclusive must mean that the person, place, or thing is of more value. But if we pull back the curtain, and really take a raw look, we see that nothing is exempt from smudges of ugliness. It’s the ugliness, especially in regard to human character, that I find most fascinating.