Books like The Hobbit — picked by fans

I’ve been a hiker for a long time, but it wasn’t until COVID-19 that I began to pay attention to the forests I was hiking through. I started with field guides to edible plants, then used Seek and iNaturalist apps to identify more species, and started taking macro photography of what I found. The more I paid attention to the minutiae of the natural world, the more I fell in love with every part of it. I’m worried our current priorities for climate change (preserving our way of life) are misguided. I’m worried about the future of all species. Every insect and every plant I’ve looked at close up is breathtakingly beautiful and worth saving. 

As a child, I wanted to be either a chook (chicken) farmer or an archaeologist. In high school, my Latin teacher gave me a copy of The Hobbit and changed my passion to travel, which, for Australians, mostly means, Overseas. In second year University, The Lord of the Rings cemented that longing, and I have "travelled" Overseas almost annually ever since. But a long research trip for a historical novel taught me that the best travel is a journey: travel with a purpose. And whether or not I'm on a plane, train, bus, or foot myself, some of my favourite reading has always been books with journeys at their heart. 

I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible. 

I write because I want to tell stories–and I also want to share great stories with others. An avid reader and writer of fantasy and speculative fiction, I have a love of the fantastic, the remarkable and the supernatural, which I have managed to sustain and develop alongside a successful working life in government and social administration. If you want to know about power–and what you need to wield it and control it, just give me a call. Great fantasy should tell universal truths, and sometimes, more difficult messages can be told more effectively using a supernatural metaphor. Telling those stories is what I do. 

Writing is in my blood – my grandmother wrote poetry, my mother writes novels, and over the last twenty-plus years I’ve written just about everything (and now I teach writing at my local university). I’ve loved stories for as long as I can remember. While my fiction career may be newly revived, I spent over 20 years as a pop culture commentator, poking at the minutia of the stories I love. I think stories may be one of the most important things in our culture – they inspire us, they brighten our day, they bring us to tears, and sometimes when we are lost they show us the way.

Like many people of my generation, I first discovered fantasy worlds through morning cartoons. Then came comics, but The Lord of the Rings changed everything for me, followed by Dragonlance, Forgotten Realms, and many more. I was an introverted child, often bored with ordinary life, and these worlds gave me somewhere to escape. Most importantly, I loved journeys that transformed characters, because they gave me hope that people could change too. I created fantasy realms in my head for years, but it took reaching my 40s to finally start putting them on paper. Today, I write and publish my own stories, including Chronicles of Ankhara, through AltWorld Comics.

Like many people of my generation, I first discovered fantasy worlds through morning cartoons. Then came comics, but The Lord of the Rings changed everything for me, followed by Dragonlance, Forgotten Realms, and many more. I was an introverted child, often bored with ordinary life, and these worlds gave me somewhere to escape. Most importantly, I loved journeys that transformed characters, because they gave me hope that people could change too. I created fantasy realms in my head for years, but it took reaching my 40s to finally start putting them on paper. Today, I write and publish my own stories, including Chronicles of Ankhara, through AltWorld Comics.

My love of fiction began when my parents took my brother and me to see Star Wars. Somewhere between the lightsabers, giant screen, and speaker on one window, I fell in love with imaginary worlds. From there, I moved through Star Trek, mystery novels, science fiction, and many of the biggest names across multiple genres. Fantasy, though, has always held a special place in my life. I've written ten books in my epic fantasy series, with six currently published, and I have two more series in the works. I have spent years reading, writing, and getting happily lost in invented worlds. I hope you enjoy the books on my list as much as I have.

When I learned, at seventeen, of my father’s Jewish heritage, I flung myself headlong into reading about Judaism. Naturally, this led me to the Holocaust and World War II, and my novels are inspired by family stories from this harrowing time. While doing research, I traveled to Germany and London, interviewed WWII veterans, and read countless memoirs, academic nonfiction tomes, and historical fiction books about this era. I now speak at libraries and to community organizations about the Ritchie Boys, Secret Heros of WWII. People sometimes tell me concentration camp stories are too disturbing, so I recommend books about Jewish survival, heroism, and everyday life during the Third Reich.        

I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.