Books like The Elder Edda

There are many books that aim to provide a succinct, coherent introduction to the subject of Norse mythology. Few, however, manage to so with the clarity and authority of Professor Carolyne Larrington’s The Norse Myths: A Guide to the Gods and Heroes. This book deals with all of the critical aspects of the mythos: from Ginnungagap (‘the howling void’) to Ragnarök (‘the doom of the gods’) by way of Yggdrasil the world-tree, the divine families (the Æsir and the Vanir) and the giants who opposed them, as well as the doings of human heroes like Sigurd the Volsung. This is an excellent introduction to the subject that includes retellings of many of the most important myths alongside illustrations and vital historical and literary context. If you are just beginning your journey into this realm of monsters and gods, there are few better places to start.

Want to know where Marvel comics got many of its ideas? Then, read this book.

Snorri Sturluson is an Icelandic national hero. Historian, poet, and politician, he was a chieftain during a civil war in Iceland facing encroaching Norwegian expansion. In the middle of all of this, it is argued that he wrote The Prose Edda.

In this book you will learn about the original myths and legends of medieval Iceland written in an accessible and engaging manner. 

This is a pretty dense scholarly work, but that very density makes it a cornucopia for anyone interested in how a specific historical culture regarded magic.

I appreciated that while academic, Price is never boring or needlessly obscure; he does a very good job of not only explaining the historical record but also the best guess at how it can be interpreted.

Not only did it teach me a great deal about the Vikings, but it also taught me other strategies and ways of thinking about other cultures’ magical practices, and for a fantasy writer, that’s pure gold.

Despite its rather misleading title, Chris Abrams’s Myths of the Pagan North is not a retelling of the Norse myths or a primer to the worlds they describe. It is instead a detailed and sustained exploration of how the myths as we know them developed, what evidence exists for the Norse mythos outside the major compendia of thirteenth-century Icelandic prose and poetry (Snorri’s Edda and the so-called Elder Edda), and what function these stories played in the societies of the Viking Age and medieval north. With chapters exploring the historical context in which the myths developed, the full range of sources that can shed light on them (including runic inscriptions, picture stones, and skaldic verse) and the relationship of the myths to the religious worldview of the pagan and Christian societies that shaped them, this is a book for those who want to go beyond the stories themselves and… show more.

While Snorri wrote in his native Old Norse in Iceland, unbeknownst to him, a Danish writer remembered as Saxo the Grammarian ('Grammaticus') was writing a monumental history of the Danish kingdom in Latin. Since the old gods were held to be the ancestors of the royal families of medieval Scandinavia, Saxo spends quite a bit of time in the first nine books of 'The History of the Danes' retelling their stories. Many fans of Norse mythology who read the Eddas still never approach Saxo's work, which in fact has been mined in recent centuries for many rich details that are preserved nowhere else. Like Snorri, Saxo tries to "rationalize" the old gods into becoming misguided or deceitful human beings from the distant past, and he does a more thorough job of it, but even through this veneer, it is hard not to recognize the same characters that we know from… show more.

The author is unknown, and though the work was copied down in the thirteenth century, it contains many elements from much earlier, especially from the creation myths. This book is the sine qua non for getting to the world of the thought of the Viking era’s mindset, its metaphors, its values in plain advice and in poetic images. It tells of the world and of what is going on in heaven and on earth. The scholar can’t do without it. If you find yourself curious about the original form of the myths and stories, or at least as near as we can get to some of them, the Poetic Edda is indispensable.

When it comes to learning about Norse mythology, you can’t beat the original source material. If you are a bit of a history nerd like me, it’s fascinating to read a translation of the original Old Norse poems. These poems can be found in a text called the Poetic Edda, which has several different translations. I like the Henry Adams Bellows translation, as well as Dr. Jackson Crawford’s. Crawford has YouTube videos that taught me a lot while I was writing my book, so that’s worth checking out, if you’re interested.

This book I love purely for the photographs of archeological treasures and historical paintings. It’s in the format often referred to as a “coffee table book.” However, even though you may be tempted to page through it only to look at its impressive graphics and illustrations, the content is very much researched and informative. I especially like the sections on magical creatures and how Norse mythology has influenced our modern world and more current fiction.

It’s no exaggeration to say this book changed my life. 

I quickly became immersed in Norse mythology when I read this book. The poems in this book are the source for most of what we know about Norse myths, and it also contains many lays detailing the legends of the heroes, most notably Sigurd the Volsung.

When I read this book, I saw in a fossilized form a past culture whose values were far different from those of the culture in which I lived; it was like finding I had a sibling I’d never known about, and I felt a strong connection to it. When reading the heroic lays, I encountered men and women who were motivated by compassion and bravery. The characters and their psychological needs were like those I found in Homer, Sophocles, and Shakespeare.  

The poems may seem strange and hard to grasp at first, but those… show more.

When I was a schoolboy in Oxford in the 1960s, I wrote a letter to Tolkien, and he answered.

I knew even at that time that I shared his preoccupation with the Norse myths. It is a preoccupation that has been with me ever since.

In this book, Tolkien attempts to write his own Eddaic poem. It is dramatic and intense. Those who know only Tolkien’s Middle-earth writings may have trouble adjusting to a tale deliberately told in an antique verse form.  

What I especially loved in this poem was the Valkyrie Brynhild. Tolkien has something of a reputation for being sexless. The confusion of identity, thwarted passion, and bitterness that lead to Brynhild’s suicide make the sort of story that few people associate with this author. And Christopher Tolkien’s notes are lucid and unobtrusive.