100 Books Like Norse Myths

This very readable non-fiction is an account of how the people we call the Vikings lived and why they went a’viking.

Historian Neil Price describes in an easy-to-comprehend manner the Scandinavian world of long ago – when gods, spirits, and humans co-existed in a brutal axe-age. The author explains strange superstitions and how the belief in supernatural beings affected daily life.

Readers also learn about the terrible climate catastrophe that made northern lands virtually uninhabitable, and where Viking explorers sailed to in search of fertile land and treasure. My own family background gives me a strong connection to this history and its special mythology. 

If you’re looking for a comprehensive reference book on the Norse deities, this is the title to get. In addition to describing the historical context and importance of Scandinavian mythology, the book alphabetically lists, describes, and explains the gods, the goddesses, as well as important mythological artifacts and creatures. It also has a section for additional resources and an excellent index. This is the book I find myself referring back to over and over again to make sure I’ve got my details right in my own writing.

I knew the basics of the Norse Gods and Goddesses, but told in the perspicacious words of a master storyteller like Gaiman, really painted the ruined walls with all the color needed!

I love processing what the minds who birthed these Gods must have thought, dreamed, meant, and saw!

The way these stories are phrased here makes this my favourite set of retellings. Crossley-Holland’s choice of words evokes the original Norse. He uses alliteration, mainly when describing land and sea, and he is very careful to use words that come from Old English, a sister language to Old Norse, in preference to words from Latin, Greek, and post-Latin languages. There are plenty of other retellings that cover similar ground, but none with quite this joy in the energy of the original.

Kevin Crossley-Holland published excerpts from his Norse Myths as a book for children. But as a child’s first introduction to the tales, it might be too poetic. I’d recommend, instead, Norse Mythology for Kids by Mathias Nordvig.

Nordvig retells the myths as your wise uncle might—if he happened to be Loki, the trickster god. For Nordvig not only blends different versions of a tale, but he also adds bits he thinks our original sources shouldn’t have left out.

Into that “mist world” at time’s beginning, for instance, Nordvig inserts a loon who helps the goddess Jord build the Earth. It’s a tale I’m familiar with from Native American mythology, but as Nordvig asserts, the Norse stories “are still alive.” And to keep them that way, we need to make them our own.

Want to know where Marvel comics got many of its ideas? Then, read this book.

Snorri Sturluson is an Icelandic national hero. Historian, poet, and politician, he was a chieftain during a civil war in Iceland facing encroaching Norwegian expansion. In the middle of all of this, it is argued that he wrote The Prose Edda.

In this book you will learn about the original myths and legends of medieval Iceland written in an accessible and engaging manner. 

This is a pretty dense scholarly work, but that very density makes it a cornucopia for anyone interested in how a specific historical culture regarded magic.

I appreciated that while academic, Price is never boring or needlessly obscure; he does a very good job of not only explaining the historical record but also the best guess at how it can be interpreted.

Not only did it teach me a great deal about the Vikings, but it also taught me other strategies and ways of thinking about other cultures’ magical practices, and for a fantasy writer, that’s pure gold.

The most compelling original source material for the Norse myths is a collection of anonymous poems known as the Poetic Edda. Based on a 13th-century Icelandic transcription of ancient oral legends, the Poetic Edda includes the creation myths of the Ash Tree and the Frost Giants, the adventures of Thor and Loki, and many other lesser-known Norse tales. Jackson Crawford’s translation manages the difficult task of making the stories understandable while capturing the rhythm and beauty of the original poems.

Translated and edited by Anthony Faulkes. It too comes from the thirteenth century. The author was an Icelandic law-speaker, a chief, and a deeply involved scholar interested in the retention of the old forms of pre-Christian poetry. Why should you look at this if you have done the Elder Edda? A good question, especially since in many ways Snorri’s version is longer. And that is the reason. If you noticed that the Tree churches (stave churches) have snakes on the roof, that is something Snorri notes about the Tree Yggdrasil, that the snakes in the branches will forever gnaw away at them. It is Snorri who related that the underworld agreed to release the good Balder from Hel if every creature wept. All did but one, Loki, the god of deceit and trickery. And so Balder remains dead till Ragnarok. This makes all the more poignant the phrase found in… show more.

While Snorri wrote in his native Old Norse in Iceland, unbeknownst to him, a Danish writer remembered as Saxo the Grammarian ('Grammaticus') was writing a monumental history of the Danish kingdom in Latin. Since the old gods were held to be the ancestors of the royal families of medieval Scandinavia, Saxo spends quite a bit of time in the first nine books of 'The History of the Danes' retelling their stories. Many fans of Norse mythology who read the Eddas still never approach Saxo's work, which in fact has been mined in recent centuries for many rich details that are preserved nowhere else. Like Snorri, Saxo tries to "rationalize" the old gods into becoming misguided or deceitful human beings from the distant past, and he does a more thorough job of it, but even through this veneer, it is hard not to recognize the same characters that we know from… show more.