Books like The Poetic Edda

I knew the basics of the Norse Gods and Goddesses, but told in the perspicacious words of a master storyteller like Gaiman, really painted the ruined walls with all the color needed!

I love processing what the minds who birthed these Gods must have thought, dreamed, meant, and saw!

This is a classic Middle Grade book that was first published in 1975 and still holds strong. Neil Gaiman himself endorsed it, so you know it’s going to be a fantastic mythology-based book! This is one of those stories that drops so many clues and hints that when you get to the end, you’ll want to read it again to catch everything you missed.

Riordan had me at Norse mythology. Love it! Written in the usual tongue-in-cheek humor I’m used to with the author’s style, I loved the way he rebranded Norse myths to fit into the young adult genre he’s so famous for writing. It begins as homeless Magnus Chase (cousin to Annabeth from The Lightning Thief) is plucked from the real world (he literally dies) and taken to Hotel Valhalla, where he’s put through the gantlet over and over again (and dies many times in the process) until he teams up with an unlikely (and likable) diverse cast of characters who embark on a journey to recover his birthright—the Sword of Summer. However, what Magnus doesn’t count on is finding out the truth about who he really is, and his place in Asgard. 

Yes, this is the third Middle Grade book on the list, but you can’t beat kids’ books when it comes to adventures based on mythology! Loki’s Wolves is action-packed, entertaining, and full of Norse gods and monsters. It’s an imaginative, entertaining read for Norse mythology nerds of all ages.

This book I love purely for the photographs of archeological treasures and historical paintings. It’s in the format often referred to as a “coffee table book.” However, even though you may be tempted to page through it only to look at its impressive graphics and illustrations, the content is very much researched and informative. I especially like the sections on magical creatures and how Norse mythology has influenced our modern world and more current fiction.

It’s no exaggeration to say this book changed my life. 

I quickly became immersed in Norse mythology when I read this book. The poems in this book are the source for most of what we know about Norse myths, and it also contains many lays detailing the legends of the heroes, most notably Sigurd the Volsung.

When I read this book, I saw in a fossilized form a past culture whose values were far different from those of the culture in which I lived; it was like finding I had a sibling I’d never known about, and I felt a strong connection to it. When reading the heroic lays, I encountered men and women who were motivated by compassion and bravery. The characters and their psychological needs were like those I found in Homer, Sophocles, and Shakespeare.  

The poems may seem strange and hard to grasp at first, but those… show more.

Snorri did not write his Edda in a vacuum, and the mythological and heroic poems collected in the thirteenth century Codex Regius (and a handful of other manuscripts) provide a snapshot of the sort of raw material from which his book was constructed. The apparent antiquity of these poems (quite how old remains a matter of debate) led to them being labelled the ‘Elder’ Edda and, although in their preserved form they are products of the Middle Ages, they powerfully evoke the strange and esoteric world of northern antiquity. In content the mythological poems encompass, amongst much else, Völuspá (the prophetic vision of a sorceress revealing the breaking and rebirth of the world at Ragnarök and the events that will precipitate it), Hávamál (the gnomic wisdom of Odin, including an account of his self-mortifying pursuit of occult knowledge) and Lokasenna (in which the god Loki provides a definitive example of… show more.

This Old Norse poem was part of the collection of works included in the Poetic Edda, written around 1300 CE and collected by Snorri Sturlusson. It centers around the god Odin and includes advice for life and love, the story of Odin’s self-sacrifice on the World Tree of Yggdrasil, and eighteen spells Odin claims to know. The book provides revealing details about life in Viking times, but my favorite part is the section on spells, which include healing, manipulating metal so weapons do less damage, escape artistry, redirecting curses, calming winds, and even resurrection. Hávamál isn’t as popular as some of the other poems, but it’s worth a read for the insights into the god Odin and what makes him tick.

When I was a schoolboy in Oxford in the 1960s, I wrote a letter to Tolkien, and he answered.

I knew even at that time that I shared his preoccupation with the Norse myths. It is a preoccupation that has been with me ever since.

In this book, Tolkien attempts to write his own Eddaic poem. It is dramatic and intense. Those who know only Tolkien’s Middle-earth writings may have trouble adjusting to a tale deliberately told in an antique verse form.  

What I especially loved in this poem was the Valkyrie Brynhild. Tolkien has something of a reputation for being sexless. The confusion of identity, thwarted passion, and bitterness that lead to Brynhild’s suicide make the sort of story that few people associate with this author. And Christopher Tolkien’s notes are lucid and unobtrusive.

Poetry remains very important for Icelanders, also as an everyday practise. There are farmers in the country today who compose poetry based on the landscape of their home and the sagas that played here hundreds of years ago, and about 40% of all published books in Iceland each year are poetry collections. Gerður is a highly successful poet and playwright, and her long poem Bloodhoof is an outstanding example of how contemporary Icelandic writing is still firmly rooted in the literary heritage of the country. The poem retells the classic Norse tale of the abduction of beautiful giantess Gerdur by the god Freyr, but from the perspective of the giantess in a distinctly feminist voice.