83 Books Like Norse Myths

If you’re looking for a comprehensive reference book on the Norse deities, this is the title to get. In addition to describing the historical context and importance of Scandinavian mythology, the book alphabetically lists, describes, and explains the gods, the goddesses, as well as important mythological artifacts and creatures. It also has a section for additional resources and an excellent index. This is the book I find myself referring back to over and over again to make sure I’ve got my details right in my own writing.

The very fact that we have written records of the Viking myths, other than Runestones, is thanks to Icelandic historian, poet, and politician Snorri Sturluson. His Icelandic Sagas inspired many writers, including Tolkien and Lewis. In her biography of this influential medieval writer, Ms. Brown not only tells us about Sturluson’s life but also summarizes much of his writing and puts it into context with Norse fables. If you’ve ever wondered how much of the Viking stories were historical facts and how much of it is Sturluson’s imagination, this is a great book to read.

Dr. Davidson has written extensively about Norse mythology, both books and articles. Her scholarship is terrific, and I have three of her books in my research library. What makes this book so unique, though, is that she concentrates on the goddesses of the Norse pantheon and women’s roles in the Viking world in general, of which not much is written. Reading this book is like taking a master class in Norse women’s studies, and I had to replace my print copy because I’d scribbled so many notes in it that it became impossible to read.

I found this slim volume of mythology tales at a museum in Reykjavík, Iceland. It’s a quick read, but what sets it apart from other books are the beautiful black and white illustrations (by Freydís Kristjánsdóttir), the concise, yet extensive, description of how the Vikings believed the world was created, and the summary of the gods, their lineage, and their roles in Norse mythology. If you want to quickly read up on Viking deities and sound wise about them at dinner parties, this is the book to get. 

When it comes to learning about Norse mythology, you can’t beat the original source material. If you are a bit of a history nerd like me, it’s fascinating to read a translation of the original Old Norse poems. These poems can be found in a text called the Poetic Edda, which has several different translations. I like the Henry Adams Bellows translation, as well as Dr. Jackson Crawford’s. Crawford has YouTube videos that taught me a lot while I was writing my book, so that’s worth checking out, if you’re interested.

This Old Norse poem was part of the collection of works included in the Poetic Edda, written around 1300 CE and collected by Snorri Sturlusson. It centers around the god Odin and includes advice for life and love, the story of Odin’s self-sacrifice on the World Tree of Yggdrasil, and eighteen spells Odin claims to know. The book provides revealing details about life in Viking times, but my favorite part is the section on spells, which include healing, manipulating metal so weapons do less damage, escape artistry, redirecting curses, calming winds, and even resurrection. Hávamál isn’t as popular as some of the other poems, but it’s worth a read for the insights into the god Odin and what makes him tick.

Snorri did not write his Edda in a vacuum, and the mythological and heroic poems collected in the thirteenth century Codex Regius (and a handful of other manuscripts) provide a snapshot of the sort of raw material from which his book was constructed. The apparent antiquity of these poems (quite how old remains a matter of debate) led to them being labelled the ‘Elder’ Edda and, although in their preserved form they are products of the Middle Ages, they powerfully evoke the strange and esoteric world of northern antiquity. In content the mythological poems encompass, amongst much else, Völuspá (the prophetic vision of a sorceress revealing the breaking and rebirth of the world at Ragnarök and the events that will precipitate it), Hávamál (the gnomic wisdom of Odin, including an account of his self-mortifying pursuit of occult knowledge) and Lokasenna (in which the god Loki provides a definitive example of… show more.

Poetry remains very important for Icelanders, also as an everyday practise. There are farmers in the country today who compose poetry based on the landscape of their home and the sagas that played here hundreds of years ago, and about 40% of all published books in Iceland each year are poetry collections. Gerður is a highly successful poet and playwright, and her long poem Bloodhoof is an outstanding example of how contemporary Icelandic writing is still firmly rooted in the literary heritage of the country. The poem retells the classic Norse tale of the abduction of beautiful giantess Gerdur by the god Freyr, but from the perspective of the giantess in a distinctly feminist voice.  

While Snorri wrote in his native Old Norse in Iceland, unbeknownst to him, a Danish writer remembered as Saxo the Grammarian ('Grammaticus') was writing a monumental history of the Danish kingdom in Latin. Since the old gods were held to be the ancestors of the royal families of medieval Scandinavia, Saxo spends quite a bit of time in the first nine books of 'The History of the Danes' retelling their stories. Many fans of Norse mythology who read the Eddas still never approach Saxo's work, which in fact has been mined in recent centuries for many rich details that are preserved nowhere else. Like Snorri, Saxo tries to "rationalize" the old gods into becoming misguided or deceitful human beings from the distant past, and he does a more thorough job of it, but even through this veneer, it is hard not to recognize the same characters that we know from… show more.

Kevin Crossley-Holland published excerpts from his Norse Myths as a book for children. But as a child’s first introduction to the tales, it might be too poetic. I’d recommend, instead, Norse Mythology for Kids by Mathias Nordvig.

Nordvig retells the myths as your wise uncle might—if he happened to be Loki, the trickster god. For Nordvig not only blends different versions of a tale, but he also adds bits he thinks our original sources shouldn’t have left out.

Into that “mist world” at time’s beginning, for instance, Nordvig inserts a loon who helps the goddess Jord build the Earth. It’s a tale I’m familiar with from Native American mythology, but as Nordvig asserts, the Norse stories “are still alive.” And to keep them that way, we need to make them our own.