Books like Norse Myths

If you’re looking for a comprehensive reference book on the Norse deities, this is the title to get. In addition to describing the historical context and importance of Scandinavian mythology, the book alphabetically lists, describes, and explains the gods, the goddesses, as well as important mythological artifacts and creatures. It also has a section for additional resources and an excellent index. This is the book I find myself referring back to over and over again to make sure I’ve got my details right in my own writing.

The very fact that we have written records of the Viking myths, other than Runestones, is thanks to Icelandic historian, poet, and politician Snorri Sturluson. His Icelandic Sagas inspired many writers, including Tolkien and Lewis. In her biography of this influential medieval writer, Ms. Brown not only tells us about Sturluson’s life but also summarizes much of his writing and puts it into context with Norse fables. If you’ve ever wondered how much of the Viking stories were historical facts and how much of it is Sturluson’s imagination, this is a great book to read.

Dr. Davidson has written extensively about Norse mythology, both books and articles. Her scholarship is terrific, and I have three of her books in my research library. What makes this book so unique, though, is that she concentrates on the goddesses of the Norse pantheon and women’s roles in the Viking world in general, of which not much is written. Reading this book is like taking a master class in Norse women’s studies, and I had to replace my print copy because I’d scribbled so many notes in it that it became impossible to read.

I found this slim volume of mythology tales at a museum in Reykjavík, Iceland. It’s a quick read, but what sets it apart from other books are the beautiful black and white illustrations (by Freydís Kristjánsdóttir), the concise, yet extensive, description of how the Vikings believed the world was created, and the summary of the gods, their lineage, and their roles in Norse mythology. If you want to quickly read up on Viking deities and sound wise about them at dinner parties, this is the book to get. 

When it comes to learning about Norse mythology, you can’t beat the original source material. If you are a bit of a history nerd like me, it’s fascinating to read a translation of the original Old Norse poems. These poems can be found in a text called the Poetic Edda, which has several different translations. I like the Henry Adams Bellows translation, as well as Dr. Jackson Crawford’s. Crawford has YouTube videos that taught me a lot while I was writing my book, so that’s worth checking out, if you’re interested.

It’s no exaggeration to say this book changed my life. 

I quickly became immersed in Norse mythology when I read this book. The poems in this book are the source for most of what we know about Norse myths, and it also contains many lays detailing the legends of the heroes, most notably Sigurd the Volsung.

When I read this book, I saw in a fossilized form a past culture whose values were far different from those of the culture in which I lived; it was like finding I had a sibling I’d never known about, and I felt a strong connection to it. When reading the heroic lays, I encountered men and women who were motivated by compassion and bravery. The characters and their psychological needs were like those I found in Homer, Sophocles, and Shakespeare.  

The poems may seem strange and hard to grasp at first, but those… show more.

This Old Norse poem was part of the collection of works included in the Poetic Edda, written around 1300 CE and collected by Snorri Sturlusson. It centers around the god Odin and includes advice for life and love, the story of Odin’s self-sacrifice on the World Tree of Yggdrasil, and eighteen spells Odin claims to know. The book provides revealing details about life in Viking times, but my favorite part is the section on spells, which include healing, manipulating metal so weapons do less damage, escape artistry, redirecting curses, calming winds, and even resurrection. Hávamál isn’t as popular as some of the other poems, but it’s worth a read for the insights into the god Odin and what makes him tick.

Snorri did not write his Edda in a vacuum, and the mythological and heroic poems collected in the thirteenth century Codex Regius (and a handful of other manuscripts) provide a snapshot of the sort of raw material from which his book was constructed. The apparent antiquity of these poems (quite how old remains a matter of debate) led to them being labelled the ‘Elder’ Edda and, although in their preserved form they are products of the Middle Ages, they powerfully evoke the strange and esoteric world of northern antiquity. In content the mythological poems encompass, amongst much else, Völuspá (the prophetic vision of a sorceress revealing the breaking and rebirth of the world at Ragnarök and the events that will precipitate it), Hávamál (the gnomic wisdom of Odin, including an account of his self-mortifying pursuit of occult knowledge) and Lokasenna (in which the god Loki provides a definitive example of… show more.

When I was a schoolboy in Oxford in the 1960s, I wrote a letter to Tolkien, and he answered.

I knew even at that time that I shared his preoccupation with the Norse myths. It is a preoccupation that has been with me ever since.

In this book, Tolkien attempts to write his own Eddaic poem. It is dramatic and intense. Those who know only Tolkien’s Middle-earth writings may have trouble adjusting to a tale deliberately told in an antique verse form.  

What I especially loved in this poem was the Valkyrie Brynhild. Tolkien has something of a reputation for being sexless. The confusion of identity, thwarted passion, and bitterness that lead to Brynhild’s suicide make the sort of story that few people associate with this author. And Christopher Tolkien’s notes are lucid and unobtrusive.

Poetry remains very important for Icelanders, also as an everyday practise. There are farmers in the country today who compose poetry based on the landscape of their home and the sagas that played here hundreds of years ago, and about 40% of all published books in Iceland each year are poetry collections. Gerður is a highly successful poet and playwright, and her long poem Bloodhoof is an outstanding example of how contemporary Icelandic writing is still firmly rooted in the literary heritage of the country. The poem retells the classic Norse tale of the abduction of beautiful giantess Gerdur by the god Freyr, but from the perspective of the giantess in a distinctly feminist voice.