100 Books Like History of Florence 1200-1575

It’s impossible to understand the turbulence that frequently swept over Florence in those years without some sense of what the magnate class was all about: its pride and its violence, its lawlessness, its emphasis on knighthood, and its private military forces. Lansing shows how the magnate class evolved as a distinctive culture, becoming powerful and disruptive to the city’s peace well beyond even what its considerable economic clout would suggest. She places a lot of emphasis on the role of women among the magnates, even though women could never be full members of the lineage, since they married into other lineages. Lively and readable, with lots of stories of interesting individuals.

To know medieval Florence, you have to have a sense of the enormous role the Church played in people’s lives. Here, Dameron concentrates on the 50-year period 1265-1321 (Dante’s lifetime), during which Florence went from something of a backwater to one of the wealthiest and most influential cities in all of Europe. Separation of church and state was simply not a thing back then; the concept would have bewildered medieval Florentines. All aspects of the city, from the legal system to charity efforts, were affected by religious institutions. This knowledgeable account will give you a rich, full picture of that aspect of medieval Florentine society.

In The Florentine Magnates we looked at Florence’s magnates, the powerful ruling class. Now we get a look at the people they lorded it over—the “popolo minuto” or the little people. We see them struggling, never able to get far enough ahead to get through a bad harvest, a year of terrible weather, or an epidemic with any security. Both church and commune recognized the need to come to the assistance of the masses of poor; this book tells us how they went about it and how successful they were (or weren’t). It deftly traces the role of religious confraternities in Florence’s charitable institutions. It’s been described as “one of the most detailed analyses of charity in late medieval Italy.”

If you want to learn about medieval Florence, why not go directly to the source? Dino Compagni was a Florentine merchant, a member of the silk guild, and an active member of the city’s government, contemporary with Dante. He was right in the middle of things during that turbulent period—he saw it all and took part in a lot of it. His chronicle, which covers from about the year 1280 to the beginning of the fourteenth century, relates the harm he perceived coming from factional strife. Bornstein’s translation is clear and readable, and his extensive notes and introduction help to make sense of this long-ago time.

While The Swerve is not exactly a book about posterity, it nonetheless provides a wonderful case study of a text that remained on the verge of destruction for centuries, before going on to play a tremendously influential role in shaping our modern world. This book is none other than On The Nature of Things by Lucretius –one of the foundational texts of Western culture, whose impact was postponed to the fifteenth century, as it would not have seen the light of day without its serendipitous rediscovery in a German monastery by Poggio Bracciolini (1380-1459). This gripping work offers a fascinating example of the delayed reception of a prominent cultural object, a proof of its extraordinary resilience, and, at the same time, an illustration of the role played by chance and accidents on the transmission of texts to posterity. 

There are millions of great guidebooks on Florence, but none is more entertaining, informative, and lively than Eve Borsook’s. An American art historian who lived in the city for most of her life, she unravels Florence's history, art, and politics with verve, knowledge, and insight. As one would expect in a guide, she describes systematically the city, a chapter for each neighborhood, each chapter starting with detailed descriptions of its most interesting streets, squares, buildings, and works of art. But what makes this guide invaluable are Borsook’s commentaries that follow her informative descriptions. I suggest you read this book before you go to Florence, plan your visit according to her chapters, and then, once in Florence, after you have seen the works she describes, read again the chapter on the neighborhood you visited that day. Renaissance Florence and the people who lived in it will come to life for you… show more.

Most art in the Renaissance was commissioned by specific patrons and this book superbly illustrates the complex interaction among patron, artist, and society by focusing on the greatest patron of art and architecture in fifteenth-century Florence. Cosimo de’ Medici was the most powerful figure in the city’s political and economic life, a fabulously wealthy banker, a devout Christian, but he had also an impeccable nose for great art. With the help of about 200 images, the book examines the religious, personal, and dynastic motivations behind Cosimo’s artistic patronage, both his direct commissions for the Medici palaces, villas, and chapels as well as his active involvement in the works officially commissioned by the republic. What you’ll get out of this book is a profound understanding of how art was commissioned, created, and viewed in Renaissance Florence.

This book is about political intrigue and control. I was lured into austere Florentine rooms where, behind wooden panels, ears were listening to every conversation. In darkened medieval streets, I heard footsteps following footsteps, and in great palaces, men with power did as they pleased.

Katherine Mezzacappa has captured the oppressive mood beautifully, setting the scene for the lovely Guilia to emerge and change everything. Her innocence evolves into wisdom, keeping me, the reader, totally engaged and hoping for her salvation.

Here’s the one to get to introduce your children to Leonardo da Vinci – a pop-up book with gloriously beautiful drawings and 3D models of Leonardo’s inventions, which included airplanes, a submarine, a parachute, helicopter, armoured vehicle, and a crossbow-machine gun.

Aside from the renovation of the sewers and plumbing of a Florentine church, none of Leonardo’s technological designs are ever known to have been built and tested, which leaves us with the question of whether he was more of a dreamer than a doer. I think this would work for 6-12-year-olds.

I fall in love with any book that can bring details of the setting and time frame to life in my mind. This one was a movie in my imagination of Lucrezia de’ Medici’s world in the 16th century, what we now call Italy, from beginning to end. 

The mystery of the story was mesmerizing. It was one of those novels that gives you a glimpse of the ending at the opening and keeps you guessing and rooting for the female protagonist. Once again, Lucrezia was the tenacious young woman everyone overlooked and underestimated, and the reader could not help but fall in love with her.