Books like A Spell of Good Things

I don’t think Garcia Marquez needs a review or introduction. Reading any of his books is a pleasure, with easy and delightful writing and striking sentences.

These sentences often describe things or people in a way that feels natural and perfectly captured. For instance, he describes the world as so new that many things lack names. His eloquent descriptions, like that of ice, create vivid images. The characters are relatable, and you feel a happy exhaustion after finishing the book, reminiscent of great works like Steinbeck’s East of Eden.

Those who find the stories too unbelievable should learn about Colombian history, as they provide real context. I simply love the book!

The Alvarados are an unhealthy family with a very big communication problem. The patriarch turns into a shell of himself obsessed only with rainfall, the matriarch is hiding her own secrets, and their adult children are all in varying stages of trouble in their own relationships. 

I loved that this book was set in 2016, in California, centered around a Mexican-American family, and did not explicitly address immigration issues or Donald Trump—even if that was very much hinted at towards the end of the novel.

Aside from the family’s journey to healthier relationships with themselves and each other, it was refreshing to see another perspective of that moment in time. It was a good reminder to me that we all contain multitudes, and that no single story is the whole story.

This is an incredible novel that provides an intimate look at a piece of history that many Americans know next to nothing about (embarrassingly, I was one of them before discovering this book). The prose was breathtaking, and certain sections had me in uncontrollable tears.

However, I didn’t just choose this novel because it’s a beautiful, heart-wrenching story of a Palestinian family broken by war (though it most certainly is). I had initially disliked the ending because it didn’t offer the closure I prefer from a novel’s final pages. But after reflecting, I realized that was the point.

Salt Houses showed me that not only do authors need to carefully consider what they include in their books—it’s also important to decide what needs to be left out, and why.

I love reading fiction that teaches while it entertains, and I have to say, I was completely unaware of this ancient regional conflict and the legendary sisters Trưng Trắc and Trưng Nhi before picking up Bronze Drum. 

The sisters are depicted as opposites—one disciplined and wise, the other impulsive and emotional. They each seek to honor Vietnamese cultural traditions, which was under the oppressive rule of the Han Chinese at the time (circa 40 CE). When the sisters become leaders in a revolution against the Chinese empire, their sisterly dynamic shifts in ways that impact the future of their whole nation.

I’ve read this book at least twice. The specificity of Sefi Atta's language makes me feel like I can reach into the pages and sit next to the characters as their lives unfold.

Her writing is very immersive, drawing you in and making everything in that world real and imaginable, painful yet livable. In this book, she explores the complexities of womanhood, even with certain privileges and regardless of status. 

Oyèrónké Oyěwùmí’s was the first book I encountered when I started to critically engage with Western feminist scholarship as a Master's student in the UK.

This book made a major intervention by challenging theories of gender in Western social sciences and questioning their relevance to African societies. I especially loved the book because Oyěwùmí offered a detailed presentation of gender realities in the Oyo-Yorùbá society of Nigeria that paid attention to human relations holistically and situationally and did not assume gender inequality on the basis of female/male bodies.

A must-read analysis for anyone working to decolonize gender theory.

I lived in Lagos for four years in the early ‘90s and have struggled ever since to describe the strange energy and appeal of this troubled, oft-maligned country.

Noo, a British-raised Nigerian, takes us to 12 Nigerian locations in a quest to understand her roots. Her childhood memories of visits to the homeland weren’t great, and she’s highly attuned to the widespread corruption that afflicts almost every aspect of Nigerian life.

Still, she travels with an open mind, asking questions, seeking mini-adventures, and falling in love-and-exasperation with the loud, outspoken, resilient residents of Africa’s most-populated country.

Her lively account, packed with nuggets of history, culture, and one-of-a-kind encounters and conversations, brought me back to a country that stole my heart when I least expected it. Such a treat!

Do you want to feel the exuberance and magic of childhood again? Then read and enjoy this beautiful book, which will take you on a journey through a Nigerian night market with all of its delightful sights, sounds, tastes, and smells.

It’s an exhilarating glimpse at a vibrant way of life halfway across the globe. Plus, since I’m a night owl and my own book takes place entirely at night, I’m partial to stories about little-known slices of life that happen when most people are asleep.

I left this book for last because it is, perhaps, the heaviest and most gut-wrenching. In this book, Emezi crafts an exceptional paranormal story showing the true-life difficulties (that is the life-threatening and openly hostile discrimination) faced by LGBT+ people in Nigeria. A fact that’s sadly true in many other African countries too. This book has so many layers, every scene dripping with nuance and a clear tenderness for the subject matter. It would have been easy for this story to remain steeped in tragedy, but Emezi manages to elevate their characters and narrative above that, providing an ultimately heartwarming story that leaves the reader with a sense of wonder and hope while never dismissing the severity of the reality so many LGBT+ people face on the African continent.

A misfit loner is chosen to save the world. I know, it’s been done before. But this story is special. Firstly, it is set against the backdrop of Nigerian culture and lore. And secondly, Sunny. The main character is memorable for more than just her “differences.” She is determined and fierce, making her a hero you want to see bring home a “w” over and over again.