Here are 100 books that The Lamb Will Slaughter the Lion fans have personally recommended if you like
The Lamb Will Slaughter the Lion.
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I am a half-Mexican author who grew up in a tiny Alabama town, where I spent my summers playing with sticks in the woods and exploring such distinguished careers as Forest Bandit, Wayward Orphan, and Woodland Fairy Princess. After college, I ran away to New Zealand for seven months and only pretended to be a character from Lord of the Rings on special occasions. Nowadays, I live and work in South Carolina with my clingy (and, unfortunately, non-magical) cat.
McLemore’s prose is basically poetry, and this YA novel is a gorgeous combination of magical realism and Latine folklore. It is a modern fairy tale about forbidden romance, poisonous jealousy, family secrets, and the power of truth.
I fell in love with the lush atmosphere, complex characters, and exquisite storytelling. This one stayed with me for a long time after I’d closed the book.
From the author of The Weight of Feathers comes a young adult novel about a girl hiding the truth, a boy with secrets from his past, and four sisters who could ruin them both.
Recipient of a Stonewall Honor and longlisted for the National Book Award, McLemore delivers a second stunning and utterly romantic novel, again tinged with magic.
To everyone who knows them, best friends Miel and Sam are as strange as they are inseparable. Roses grow out of Miel’s wrist, and rumors say that she spilled out of a water tower when she was five. Sam is known…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a non-binary, neurodivergent, queer speculative fiction writer who loves a good revolution story—whether that’s a quiet, personal revolution, or a big, explosive overthrowing of the 1%. These books have helped me create my own odd fictional worlds as well as space for my psyche to survive in. I wanted to represent a variety of perspectives here from writers who are subversive, LGBTQ, BIPOC, and, for lack of a better word, brave. As a university writing teacher, I believe that the written word holds power and drives us closer to a utopia, or at least towards a more colorful future community where all are welcome and supported.
As a fellow genderqueer/non-binary Asian writer, I’m happy to champion the first in Neon Yang’s Tensorate series. A YA novella set in a non-Western fantasy landscape, this book tackles issues of gender identity and choice head-on, introducing us to a society where children are referred to individually using they/them pronouns, and can select one of the binary genders when they come of age or chose to remain non-binary. We see the world through the eyes of twins Mokoya and Akeha as they come into their gender expressions and their powers in a feudal, monastic society largely reminiscent of those found in Asian history.
"Joyously wild stuff. Highly recommended." ―The New York Times
One of the 100 Best Fantasy Books of All Time, according to Time Magazine
A Finalist for the Hugo, Nebula, and World Fantasy Awards for Best Novella
The Black Tides of Heaven is one of a pair of unique, standalone introductions to Neon Yang's Tensorate Series, which Kate Elliott calls "effortlessly fascinating." For more of the story you can read its twin novella The Red Threads of Fortune, available simultaneously.
Mokoya and Akeha, the twin children of the Protector, were sold to the Grand Monastery as infants. While Mokoya developed her…
As a genderqueer non-binary person who always felt alone and invisible, it has been incredible to see the change taking place, particularly in YA, as more and more trans and non-binary authors get to tell their stories. Had I been able to read even one of these books as a teen, I might’ve avoided many years of unhappiness. Also, I’ve always been drawn to fantasy and science fiction, perhaps due to my need and desire to escape mundane reality, but I truly love how these genres let the imagination run riot, particularly when authors imagine kinder and more accepting worlds for LGBT+ people.
I hate Ikea stores. To me, they are hellish landscapes and this book—set in a fictional store modelled after Ikea—just gets me! This novella is a hilarious romp through the multiverse, balancing swashbuckling adventure with quiet yet razor-sharp insight into the ebb and flow of romantic relationships. This story shows that navigating love can be even more complicated than navigating interdimensional wormholes!
Nino Cipri's Finna is a rambunctious, touching story that blends all the horrors the multiverse has to offer with the everyday awfulness of low-wage work. It explores queer relationships and queer feelings, capitalism and accountability, labor and love, all with a bouncing sense of humor and a commitment to the strange.
When an elderly customer at a Swedish big box furniture store ― but not that one ― slips through a portal to another dimension, it’s up to two minimum-wage employees to track her across the multiverse and protect their company’s bottom line. Multi-dimensional…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
As a genderqueer non-binary person who always felt alone and invisible, it has been incredible to see the change taking place, particularly in YA, as more and more trans and non-binary authors get to tell their stories. Had I been able to read even one of these books as a teen, I might’ve avoided many years of unhappiness. Also, I’ve always been drawn to fantasy and science fiction, perhaps due to my need and desire to escape mundane reality, but I truly love how these genres let the imagination run riot, particularly when authors imagine kinder and more accepting worlds for LGBT+ people.
I left this book for last because it is, perhaps, the heaviest and most gut-wrenching. In this book, Emezi crafts an exceptional paranormal story showing the true-life difficulties (that is the life-threatening and openly hostile discrimination) faced by LGBT+ people in Nigeria. A fact that’s sadly true in many other African countries too. This book has so many layers, every scene dripping with nuance and a clear tenderness for the subject matter. It would have been easy for this story to remain steeped in tragedy, but Emezi manages to elevate their characters and narrative above that, providing an ultimately heartwarming story that leaves the reader with a sense of wonder and hope while never dismissing the severity of the reality so many LGBT+ people face on the African continent.
'Astonishing.' Stylist 'Electrifying.' O: The Oprah Magazine 'Brilliant and heartbreaking.' Marie Claire 'Propulsive and resonant.' Esquire
They burned down the market on the day Vivek Oji died.
One afternoon, a mother opens her front door to find the length of her son's body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek's birth, the day his grandmother Ahunna died. It is the story of an over protective mother and a distant father, and the heart-wrenching tale of one family's struggle to understand…
My interests as a historian involve examining how Americans organize to
change policy or politics through affiliations beyond political parties
and, by extension, thinking about how culture is made and supported
through institutions and businesses. These messy networks and
relationships ultimately define how we relate to one another in the U.S.
Indie music scenes are one way to trace all of these relationships,
from federal policy governing radio stations and what goes out over the
airwaves to the contours of local music scenes, to the business of
record labels, to ordinary DJs and music fans trying to access
information and new sounds that they love.
Before getting to radio, alternative scenes came together in the 1970s and 1980s through informal networks of shared tapes, backyard concerts, and zines. These scenes had politics all to themselves, which revolved around concepts of “authenticity.”
Duncombe’s book not only captures the range and meaning of zines in all their forms, but it unravels the deeper meaning of these DIY publications. As he writes, “Zinesters believe that authenticity can be found only in a person unshackled by the contrivances of society.” Zines thus offered the purest expressions of self, in theory, but soon, the zine scene developed its own codes of conduct and traditions – practices though that would inform the sound and practice of college radio.
What I love about this book is that it delves into theory (zinesters were like Rousseau? Who knew?!) but remains accessible, using the theory only to enlighten underappreciated aspects of zine culture.
An engaging and scholastic presentation of zines and modern culture
Much history and theory is uncovered here in the first comprehensive study of zine publishing. From their origins in early 20th century science fiction cults, their more proximate roots in 1960s counter-culture and their rapid proliferation in the wake of punk rock, Stephen Duncombe pays full due to the political importance of zines as a vital network of popular culture. He also analyzes how zines measure up to their utopian and escapist outlook in achieving fundamental social change. Packed with extracts and illustrations, he provides a useful overview of the…
I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie.
Everfair is one of several recent alternate histories that challenge the usual focus on the same sorts of events in the same parts of the world and the all-too-frequent disturbing obsession with “what if the bad folks had won?” questions (South in the Civil War, Axis in WWII).
Shawl imagines a different, better history for the Congo—liberated from European control and gifted with a new source of energy. Her interesting characters from many backgrounds around the globe come together to fight for their sometimes conflicting, sometimes flawed visions for a better future.
This is the visionary aspect of speculative fiction at its most powerful.
Everfair is a wonderful Neo-Victorian alternate history novel that explores the question of what might have come of Belgium's disastrous colonisation of the Congo if the native populations had learned about steam technology a bit earlier. Fabian Socialists from Great Britian join forces with African-American missionaries to purchase land from the Belgian Congo's "owner," King Leopold II. This land, named Everfair, is set aside as a safe haven, an imaginary Utopia for native populations of the Congo as well as escaped slaves returning from America and other places where African natives were being mistreated. Shawl's speculative masterpiece manages to turn…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I, Ira Nayman, have been writing stories set in the multiverse for almost twenty years, first with the Alternate Reality News Service set of books, then with my Transdimensional Authority/Multiverse novels and, most recently, with multiverse triptychs (the spark for The Dance). One of the things that I recently realized about my writing is that a lot of it focuses on the factors that shape our lives and make us the people we are. My ongoing fascination with the multiverse is because it is a great vehicle for exploring this idea by showing us how our lives could have turned out if circumstances or our choices had been different.
Do you think this multiverse business is something new from MCU Labs? H.G. Wells wrote about parallel universes in this book back in 1923.
Humble Mr. Barnstaple and some 1920 one-percenters pass through a dimensional rift into an alternate world called “Utopia.” Appropriately, there’s no disease or poverty, no war, and everybody’s into exploration and scientific progress. But there are also some worrying things (e.g. “eugenics-light”). Aldous Huxley’s anti-utopia Brave New World (1932) is partly a rebuttal of this book.
This book is more of a slow burn than the high impacts of wonder/terror in The Time Machine and The War of the Worlds. However, the resolution of the story is ingenious, and Well’s vision of humanity’s destiny is still relevant after 101 years.
HarperCollins is proud to present its incredible range of best-loved, essential classics.
Welcome to Utopia.
When Mr. Barnstaple, an Earthling, is accidentally transported to Utopia with a group of others, he begins an adventure that will change how he views the world forever.
Utopia has no government. Utopia has no religion. People are governed only by their own conscience and desires, and Barnstaple is drawn into what he sees as a perfect society. But when a disease brought by the Earthlings threatens the existence of the Utopians, Barnstaple must make a choice: take over Utopia, or betray his own people…
I’ve spent my life obsessed with utopias, knowing from a young age that the human world is unnecessarily cruel. Utopias aren’t a delusion, nor a destination; they’re navigation tools. As an activist-researcher on climate, new economics, and mental health, I experiment with practical routes to radically better worlds. It’s a prefigurative stroke of luck that the pleasure and connection we long for are vital for creating radical change. I nearly died in 2019, after a suicide attempt tied to the dire state of the world. Rebuilding myself, including learning to walk after losing both of my legs, forced an epistemological and ontological reckoning. Now, I’m more realistically hopeful than ever.
I was recommended this book as a teenager by someone I deeply respect and admire. I’ve come back to it a lot, most recently from a hospital bed with an epidural in my spine. I think the book lifted more pain then than the drip.
Resurrection was the last novel Tolstoy wrote and it led to his excommunication from the Russian Orthodox Church. It’s a complex quasi-love story about a beautifully flawed protagonist’s struggle to give away all the land he owns out of a tangle of duty, guilt, and a wide-eyed love for his fellow human.
In 19thC Russia, that’s extremely complicated: economically, socially, ethically, spiritually. It’s about why anyone can claim to ‘own’ anything, what fairness looks like to different people, and whether it’s possible to enjoy life while rampantly battling to perfect yourself (short answer: no).
The novel plays out on vast tracts of peasant-farmed land, dank,…
This powerful novel, Tolstoy's third major masterpiece, after War and Peace and Anna Karenina, begins with a courtroom drama (the finest in Russian literature) all the more stunning for being based on a real-life event. Dmitri Nekhlyudov, called to jury service, is astonished to see in the dock, charged with murder, a young woman whom he once seduced, propelling her into prostitution. She is found guilty on a technicality, and he determines to overturn the verdict. This pitches him into a hellish labyrinth of Russian courts, prisons and bureaucracy, in which the author loses no opportunity for satire and bitter…
When I was a teenager, I thought we could create a perfect world—or if not quite perfect, at least much, much better than the one we are currently destroying. Actually, I still think it’s possible, just a lot harder and a lot more dangerous than I originally thought. I’ve been interested in all the efforts to imagine and create utopias, which sometimes produce hells instead of heavens, ever since. I have evolved (I think it’s progress) from being a high school Maoist to something more mature while watching China’s attempts to improve the lives of its citizens with respect and sympathy.
The Manuels give an exhaustive but very readable history of utopian thought from the Renaissance (Thomas More) to Marxism, with backward glances to ancient Judaic and Hellenic cultures. This book explains how and why utopias have been central to Western thought, showing how the utopias of one age seem dystopian in another age (or even their own), presented in wry prose that draws readers into the story.
This masterly study has a grand sweep. It ranges over centuries, with a long look backward over several millennia. Yet the history it unfolds is primarily the story of individuals: thinkers and dreamers who envisaged an ideal social order and described it persuasively, leaving a mark on their own and later times.
The roster of utopians includes men of all stripes in different countries and eras--figures as disparate as More and Fourier, the Marquis de Sade and Edward Bellamy, Rousseau and Marx. Fascinating character studies of the major figures are among the delights of the book.
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
As a professor of African American literature and culture, I’ve spent my career writing, reading, teaching, talking and thinking about black interiority: feelings, emotions, memory, affect. My publications and lectures focus mostly on the creative and diverse ways that black people have created spaces of pleasure and possibility, even in the most dire times and under extremely difficult conditions. I’ve been told that I’m a natural optimist, so it is fitting that my most recent book and this recommendation list is all about the intentional and creative ways that people cultivate joy and a sense of possibility for themselves and others.
The word, utopia, derives from the Greek terms ou “not” + topos “place”---“no place.” Yet, the idea of a perfect “place” or society is one that has captured the imagination of artists, writers, politicians, and governments for centuries. I really love the concept of “everyday utopias” because it focuses on small, local spaces of joy and pleasure that people create for themselves outside and beyond the boundaries of social norms and expectations. Inherent in the term “utopia” is the impossibility of the idea and yet, readers witness thriving communities that show the possibilities of alternative systems of governance, self-sufficiency, civility, and citizenship, as well as well-being and pleasure.
Everyday utopias enact conventional activities in unusual ways. Instead of dreaming about a better world, participants seek to create it. As such, their activities provide vibrant and stimulating contexts for considering the terms of social life, of how we live together and are governed. Weaving conceptual theorizing together with social analysis, Davina Cooper examines utopian projects as seemingly diverse as a feminist bathhouse, state equality initiatives, community trading networks, and a democratic school where students and staff collaborate in governing. She draws from firsthand observations and interviews with participants to argue that utopian projects have the potential to revitalize progressive…