100 Books Like The Complete Major Prose Plays

My Lovely Mamá! parodies the decadence and ennui of Bonjour Tristesse. The narrative toys with the sort of decadence Sagan captures, by having Mathilde believe her mother is having an affair and hence attempt, unsuccessfully, to seduce her mother’s lover. The very funny novel hyperbolizes the world-weariness of Sagan’s characters. “I was terribly immature last September,” Mathilde writes, “I’ve aged a lot since then. Inwardly I’m an old, old woman now.” While it parodies certain tropes of teen girl fiction, My Lovely Mamá! nonetheless gives voice to authentic adolescent feelings, especially about sexual desire. When Mathilde receives a marriage proposal, she opts to keep things open-ended, maintaining her freedom: “I was only seventeen and everything was only just beginning, after all.” 

I always recommend this short read to anyone wanting to understand the weird, dystopic side of the late 19th-century Symbolist movement. Written in 1884 at the beginning of the avant-garde art movement that launched 20th-century modernism and abstraction, Huysmans tells the tale of an aristocrat repulsed by a Paris transformed by urbanization, commercialization, and massive immigration who builds himself a ‘Fortress of Solitude’ in a quiet suburb and interacts with the world through his imagination with the help of a loyal servant who maintained his physical milieu, silently serving meals and performing domestic tasks. Who doesn’t want to know more about a man determined to beautify his environment by commissioning a jeweler to embed precious stones into the shell of his pet tortoise?

This bejeweled guide to Fin de Siècle art and aesthetics is like a moonlit walk in one of King Ludwig II fairytale castles, populated by androgynous chimeras, drowned princes, and erotic vampires carrying John the Baptist’s head on a platter designed by Moreau. As fabulous and tragic as the author, whose drag mode was that of a convincing English Spinster, Philipe Jullian was born to write this book which has influenced my work since I bought it aged 18, with not a clue about life. For over 40 years I have endeavored to keep a torch burning for the extraordinary decorative aesthetics of the author. Few books are as complete as Dreamers of Decadence for not only does Jullian explore the artists of that curious oeuvre, he also introduces the best of the literature as well as the movement’s strange obsessions and themes, each chapter revealing new facets of the… show more.

Research scientist Robert O’Neill was the first to publish a rigorous, in-depth analysis of Tarot as a symbol system. However, his 1986 book was almost unknown to the Tarot community until he was invited to speak at the first International Tarot Symposium in 1992. Like everyone else who met him there, I was impressed by his scholarly knowledge and original ideas. O’Neill told us about his interest in Tarot, which began as soon as he saw the cards in the 1950s—around the same time a cadre of artists and poets on the West Coast started using Tarot in their creative work. 

As a scientist, O’Neill recognized that the symbolic dimensions of Tarot deserve serious study, so he spent years researching various topics and writing an almost 400-page account of his findings and interpretations. This work is a challenge to read—with very small type, no illustrations, and many footnotes! But every… show more.

This book provides an excellent description of the various kinds of machine learning approaches and asks the question of whether there will be a Master Algorithm, one single (universal) algorithm that learns all kinds of tasks from data. The author, Pedro Domingos, introduces the different approaches to building intelligence and the research tribes exploring them – Symbolists (with its foundations in Philosophy and Logic), Connectionists (foundations in Neuro/Cognitive Science), Evolutionaries (foundations in Evolutionary Biology), Bayesians (statistical foundations), and Analogizers (Psychology). He also introduces some of his own ideas on what the master machine learning algorithm might look like. It’s a really useful primer for those who are not deeply immersed in machine learning but it’s written for readers with at least a basic engineering and computer science background.

Leonard Cohen is one of my touchstones, an artist I take personally, someone who speaks to me deeply. He is best known as a singer/songwriter, the author of “Suzanne” and “Hallelujah.” He is not quite as well-known as a poet, but that’s how he started and he’d already published books of verse before his first album appeared. He also wrote two novels, the first when he was in his 20s. It is entitled The Favourite Game and it’s an autobiographical, Jewish, coming-of-age story. It’s so good it seems like an early Philip Roth novel.

In an interview, Cohen once said, “There’s no story so fantastic that I cannot imagine myself the hero. And there’s no story so evil that I cannot imagine myself the villain.” His protagonist is a little of both in this book. And the prose, as you might imagine is beautiful, simpler perhaps than in his poetry,… show more.

From early childhood, I was deeply involved with classical music. But I was never able to explain its power and appeal to others—nor, indeed, to myself. Despite chatter to the contrary, I was convinced that music was not simply about “emotions.” From Langer, I learned that the arts are more effectively described as capturing the forms and the juxtapositions of diverse feelings.

Langer also modeled how to integrate philosophical and psychological ways of thinking. That amalgam stimulated me to become a founding member of Project Zero (PZ) at Harvard University, the research organization with which I have been associated since 1967. PZ has been built on ideas about “the human use of symbols and symbol systems,” as detailed by Langer as well as her contemporary (and PZ founder), Nelson Goodman.

I have to put Brecht on this list. Which Brecht? I don’t know, but I find myself coming back to the Journals more often than anything else. These record his responses to the world between 1934 and 1955, but the war years are the most gripping.

Once more, it is the seamlessness with which art and politics come together that characterizes Brecht’s achievement. Brecht is the touchstone, the rock, the ground to which I often return. Brecht’s prose—concrete, direct, transparent—has had more effect on me than any other author. I call it not just “getting to the point” but “getting it right.”

Any Maugham story has to be great. This collection is no exception. Usually a character in his own stories, Maugham will play the part of reader’s confidant, recounting a story about a friend of his, or a friend of a friend, as it were second-hand. I particularly like how he handles the theme of money in this collection (unlike Balzac, who introduces money with a truncheon): no big deal; but such a bother. Each story seems a trifling anecdote, distanced, cursory ̶ until the perfect note of pathos slips in. And Matisse’s simple line drawings complement Maugham’s prose nicely.

Because of the way she writes about the past and the way she writes about the present. Because she is at once straightforward and lyrical. Because she writes about places and people with the same acuity and insight. Because she writes with certainty about ambiguity.