100 Books Like The Favourite Game

Shapiro’s Edsel appeared in 1971, well after Shapiro had established himself as one of America’s greatest poets and 25 years after he won the Pulitzer Prize. Like many novels by poets, the protagonist is a writer, in this case a poet named Edsel Lazerow. Also like many other novels in this grouping the setting is academia. I’m particularly fond of academic satires, from John Barth’s Giles, Goat Boy, to Richard Russo’s Straight Man, to the novels of British writer, David Lodge. Perhaps I enjoy these romps because I am a failed academic—I went to college for five years without getting a degree. They had the audacity to suggest that I take Zoology! Anyway, this novel is a hoot, and unjustly forgotten.

Quit Monks or Die! is something else indeed. It’s a mystery novel and a good one. It is set, yes! in academia, where a scientist and a graduate assistant are both found murdered. The scientist was working on an experiment involving monkeys. Does that have to do with why he was killed? Its cracker-jack plot, which involves animal rights, is complex but lucidly and expertly laid out. It's not just who done it, but what was done? This is not Kumin’s only novel but I believe it’s her only mystery.

This book is more autobiographical, based on his struggle with alcoholism. Berryman had already written a book of poems, The Dream Songs (my favorite book of poems), which practically reads like a novel. It’s full of wit and playfulness and jerry-rigged syntax. Recovery is also witty but not quite as playful. It’s darker, of course. Perhaps one’s perception of it is colored by the knowledge that Berryman had committed suicide in 1972, a year before its release. So, it’s a melancholy book, yet its difficulties are human and common and, here, well-wrought by a poet’s grace.

Pictures from an Institution, to my mind, is the best novel written by a poet. It’s comical, biting, engrossing, moving, and flat-out entertaining. Once again, we are back in academia, at a woman’s college based loosely on Sarah Lawrence, and never has academia been skewered more amusingly. Regarding the college, one character muses, “You Americans do not rear children, you incite them; you give them food and shelter and applause.” The novel’s jokes—aphorisms, wisecracks, putdowns—come so fast and furious one could lose track of the story, if the story itself were not so interesting…and jovial. It’s funnier than throwing a hardboiled egg into an electric fan. Pictures from an Institution is also learned and wise and, underneath the drollery, there is a basic humanism that does not allow you to dismiss the book as mere satire.

My favorite line from this book is “When you have been a refugee, abandoned all your loves and belongings, your memories become your belongings.”

I appreciated this book when I read it the first time, and I recently re-read it. Immigrant stories are half-and-half: how it was there, and how it is here. For those of us who are second or third-generation, we rely upon those who remember or record how it was there. 

Often those stories focus on only the good things, omitting the trauma. Hakakian wonderfully balances the memories of Iran in its beauty and ugliness. This is an excellent snapshot of revolution-era Iran and how Jews were able to interact with their Muslim neighbors before and after the fall of the Shah.

An immersive, impressionistic snapshot of Williamsburg, Brooklyn, as it was in the 1920s and early 1930s, when it was known not for hipsters, craft beer, and creative facial hair but as a Jewish slum rife with yentas and gangsters. Fuchs published this book in 1934 and swiftly followed it up with two more novels, Homage to Blenholt and Low Company. The books didn’t sell, but Fuchs catapulted himself out of the ghetto and into a respectable West Coast life as a Hollywood screenwriter. Only after Fuchs had all but stopped writing fiction did these early books receive a warm reassessment from the likes of John Updike and Jonathan Lethem. Full disclosure: Fuchs was my great uncle! He was the older brother of my maternal grandfather.

Takeaway Men is a novel that proves once again that you can never forget. Aron and Judy Lubinski and their twin daughters, Bronka and Johanna, leave a Displaced Person Camp in Poland and immigrate to America, hoping to build a new life and escape the horrors of the Holocaust behind them. Through the kindness of Izzy, a cousin that immigrated earlier to America, they settle in Izzy and his wife, Faye's home in Queens, NY. In their neighborhood, we meet other immigrants, survivors, all working hard to build a better life for themselves and their children. Each of the other characters has a different story. They bring another perception of how people try to deal with the experiences of loss, trauma, doubt, and everyday complexities of life. We see this most clearly in the inner thoughts of Aron and Judy. Their struggle is, at times, painful and sorrowful and affects… show more.

A girl’s discomfort with puberty is only part of the story. The other part is 11-year-old Margaret growing up in an interfaith family with a Jewish father and Christian mother.

Margaret struggles to find a religious identity. She must contend with her father’s mother who hopes she embraces Judaism and her conservative Christian maternal grandparents who reject their daughter’s interfaith marriage. This powerful coming-of-age story has gotten recent attention from a recent film and challenges from book bans. For me, it’s another example of Judy Blume’s insight, humor, and humanity.

A well-written, well researched book by a prominent American archeologist and New Testament scholar that examines what we can now reliably know about the Jesus of history. Tabor carefully sifts through the conflicting evidence in the gospels, written 40-70 years after the death of Jesus, and illuminates his discussion with contemporary archeological finds. A paradigm changer in our search for the historical Jesus, not the Christ of faith.

I’ve read this short novel more than twenty times. It is the story of a young writer seeking a spiritual father in a famous author because his actual father is rejecting him for something he wrote. As a writer myself, I identified with the character’s deep need for paternal approval in the face of staying true to his art.

I return to Roth’s novel every couple of years because the story of a son seeking the blessings of a father, whether in his art or his life, continues to resonate with me, and with each reading I find something new in it. This novel is a minor classic and has a permanent place on my shelf.