Books like Four Short Stories — picked by fans

I have always loved stories, and I love the clash of ideas – political and philosophical, religious and atheistic. And if you can put them together in a novel, so much the better. But I insist that it has to be a real story, with real characters, not ciphers. They must be inconsistent, their ideas half-formed and subject to change. And they must be allowed to put their point of view with their own voice, so I’m never entirely sure what the author thinks. The characters have to be people I can care about, people I can love or hate, people whose fate can cause me anxiety, sorrow, or joy.

I have a Ph.D. in English from Lehigh University, where I studied and published articles on Chaucer’s Canterbury Tales, one of the greatest short fiction collections. I have written and published a number of short stories myself. I even won a contest for one of them. The tale told around the campfire is probably the oldest literary form there is, much older than the novel. The best short fiction, I believe, can “pack everything that a novel can hold into a story,” as Jorge Luis Borges said, and this is the kind of short fiction I believe I have found.

I have a Ph.D. in English from Lehigh University, where I studied and published articles on Chaucer’s Canterbury Tales, one of the greatest short fiction collections. I have written and published a number of short stories myself. I even won a contest for one of them. The tale told around the campfire is probably the oldest literary form there is, much older than the novel. The best short fiction, I believe, can “pack everything that a novel can hold into a story,” as Jorge Luis Borges said, and this is the kind of short fiction I believe I have found.

I have a Ph.D. in English from Lehigh University, where I studied and published articles on Chaucer’s Canterbury Tales, one of the greatest short fiction collections. I have written and published a number of short stories myself. I even won a contest for one of them. The tale told around the campfire is probably the oldest literary form there is, much older than the novel. The best short fiction, I believe, can “pack everything that a novel can hold into a story,” as Jorge Luis Borges said, and this is the kind of short fiction I believe I have found.

I’ve been teaching “Writing Humor and Comedy” at Drexel University (where I’m an English professor) twice a year forever, and I’m proud (and still a little awed) that at least one of my students has gone on to have a successful humor-writing career. My very first publication was a satirical story back in 1996, and in more recent years, my humor has been published in The Oxford University Press Humor Reader, McSweeney’s, and Points in Case. Writing funny fiction is my main focus as a novelist, and my sequel, The Great American Betrayal, was named one of "The Best Comedy Books of 2022" by New York magazine's Vulture.com.

I am drawn to what happens when writers skilled in one form of expression explore their ideas in another. Poets write with a sense of distillation. Prose allows for something different, the essay form bringing to the surface something more expansive, less concentrated. Clarity is constant, but it takes on a different rhythm, a spaciousness, a sense of one thing leading to another and another.

Born to three generations of poets, I’ve always appreciated a certain quality in the prose I read: lyricism. I want to catch my breath at a beautiful turn of phrase or gasp when I figure out a metaphor’s double meaning. My own writing seeks to reproduce that joy of discovery while preserving the plot-forward conventions of good speculative fiction. The books in this list balance literary style and genre expectations. Snatches of song, poetic prophesies, the perfect comparison—I hope these jewels delight my readers as much as they’ve delighted me in these works.

I am an author of literary fiction and nonfiction on the creative writing process. My passion is to provide resources for writers who want to create stories as artful literature that will last. A few years ago, I created a website that contains all my fiction and non-fiction, a newsletter, a workshop, and a blog. The website has received over five million visits. I've published six novels, thirty-seven short stories, thirty essays, twenty-six interviews, and dozens of literary quizzes. My fiction has received over fifty+ awards. I’ve written and presented an online video course: Creating Literary Story with Thinkific. I continue to serve writers who are eager to improve.

Even the purest of artists thrive under tension. For some artists, politics has provided a crucial source of tension which has led to great achievement. Usually, it doesn’t. Why? Because artists, like critics, are often poor at gauging political realities. (Artists are usually better off not getting involved with “ideological confusion and violence,” as Greenberg put it.) Occasionally, though, problems become so acute that being unserious about the world is not an option—the 1930s was like this for some, and maybe a second Trump presidency will have a similar effect on artists and critics today, although there is real room for doubt.

I was drawn to writing family drama because complex family dynamics are endlessly fascinating to me. I’m an adopted person whose parents went on to divorce and remarry. I have two teenagers of my own and I’ve found that there are a multitude of choices we have to make as parents, and sometimes dilemmas don’t have a clear answer. If we get it wrong, the effects on the people we love can be devastating. Love within families can be tricky. The gap between what we want and what we need can be vast. There’s so much to explore in family dramas!