Here are 100 books that The Colors of Us fans have personally recommended if you like
The Colors of Us.
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I’m an award-winning children’s book author and photo-illustrator of over sixty picture books. I got my first camera when I was five years old and have been taking pictures ever since. I realized in college that photography was my passion, and I studied photojournalism at the Newhouse School at Syracuse University. Soon after I received graduate degrees in early childhood education and museum education at Bank Street College of Education. After teaching kindergarten, first, and second grade, I combined my passions to create books. My books have always been about inclusivity and diversity. I hope all children can find themselves in my books to help them navigate the world they live in.
I loved this book because it is a board book for a larger age group of kids and shows a range of kids and their skin color, showing kids doing what kids do—playing, learning, and living their lives.
I also love that this is a board book and appeals to younger children who are observing and trying to process the world they live in. Also, it is an early introduction to racism. This book represents all colors, and it is about inclusivity and the joy of being who you are.
1
author picked
Our Skin
as one of their favorite books, and they share
why you should read it.
This book is for kids age
2,
3,
4, and
5.
What is this book about?
Developed by experts in the fields of early childhood and activism against injustice, this topic-driven board book offers clear, concrete language and beautiful imagery that young children can grasp and adults can leverage for further discussion.
While young children are avid observers and questioners of their world, adults often shut down or postpone conversations on complicated topics because it's hard to know where to begin. Research shows that talking about issues like race and gender from the age of two not only helps children understand what they see, but also increases self-awareness, self-esteem, and allows them to recognize and confront…
In a time of alternative facts and the loss of a shared sense of reality, A Foot is Not a Fish playfully illustrates the difference between what is true and what is not through absurd fun comparisons that every child—and parent—will instantly understand.
I’m an award-winning children’s book author and photo-illustrator of over sixty picture books. I got my first camera when I was five years old and have been taking pictures ever since. I realized in college that photography was my passion, and I studied photojournalism at the Newhouse School at Syracuse University. Soon after I received graduate degrees in early childhood education and museum education at Bank Street College of Education. After teaching kindergarten, first, and second grade, I combined my passions to create books. My books have always been about inclusivity and diversity. I hope all children can find themselves in my books to help them navigate the world they live in.
This book is great for young kids as an introduction to the fact that we all come in many different skin colors and the joy of these differences is a good thing.
I really like the rhymes which add a playful tone for young readers. I also really like the energy of this book that makes for a fun read aloud.
“A cheeky meditation on the everyday miraculousness of skin. . . . It’s freewheeling fun.” — Publishers Weekly (starred review)
Is there anything more splendid than a baby’s skin? Cocoa-brown, cinnamon, peaches and cream. As children grow, their clever skin does, too, enjoying hugs and tickles, protecting them inside and out, and making them one of a kind. Fran Manushkin’s rollicking text and Lauren Tobia’s delicious illustrations paint a breezy and irresistible picture of the human family — and how wonderful it is to be just who you are.
I’m an award-winning children’s book author and photo-illustrator of over sixty picture books. I got my first camera when I was five years old and have been taking pictures ever since. I realized in college that photography was my passion, and I studied photojournalism at the Newhouse School at Syracuse University. Soon after I received graduate degrees in early childhood education and museum education at Bank Street College of Education. After teaching kindergarten, first, and second grade, I combined my passions to create books. My books have always been about inclusivity and diversity. I hope all children can find themselves in my books to help them navigate the world they live in.
I love this book because it is photographs showing real kids and real skin colors.
I also love that it is bilingual. I like that it offers information about our ancestors and how geography makes a difference in your skin color because of the amounts of sun and melanin. It also includes activity ideas.
Celebrate the essence of one way we are all special and different from one anotherour skin color! This bilingual (English/Spanish) book offers children a simple, scientifically accurate explanation about how our skin color is determined by our ancestors, the sun, and melanin. It’s also filled with colorful photographs that capture the beautiful variety of skin tones. Reading this book frees children from the myths and stereotypes associated with skin color and helps them build positive identities as they accept, understand, and value our rich and diverse world. Unique activity ideas are included to help…
I’m an award-winning children’s book author and photo-illustrator of over sixty picture books. I got my first camera when I was five years old and have been taking pictures ever since. I realized in college that photography was my passion, and I studied photojournalism at the Newhouse School at Syracuse University. Soon after I received graduate degrees in early childhood education and museum education at Bank Street College of Education. After teaching kindergarten, first, and second grade, I combined my passions to create books. My books have always been about inclusivity and diversity. I hope all children can find themselves in my books to help them navigate the world they live in.
I love this book because it is an activity book about skin color.
It helps children think about color and race in a thoughtful yet simple way to better understand the subject. I also like how it acknowledges families and ethnicities and how, even in one family, skin colors can be different.
Different Differenter is a beautifully-illustrated, full-color, activity book for children that thoughtfully addresses everyday skin color consciousness (and bias) in a way that's easy to understand.
Children's rich observations and questions about color, caste, race elicit accurate yet straightforward responses. Jyoti's art-and-craft-based book takes you on a playful and creative discovery to find answers that work for you and your family--while creatively introducing facts of history and 15-plus new words. Make art. Perform a play for the nanas when they're in town. Eat a yummy homemade dessert. Ooh! and aah! about how each member of the family has a different…
I’m a fan of many kinds of stories, but the novel is my favorite form. I love most genres, especially historical and literary. My favorite reads are sagas, not to escape life but rather to experience more of life, immersing myself in a sweeping yet intimate journey into someone else’s world. In my favorite fiction, the protagonists are women or girls who discover their power. Not superpowers, but the real deal: intelligence, compassion, courage. The secret sauce is when an author accomplishes this without a wink—without the heroic woman becoming a caricature of unexpected masculinity or precious femininity. I want novels about women with potential as unlimited as men.
This is one of the strongest survivors I've met in historical fiction. I related to Gussie feeling like an outsider in her family, though for different reasons. I’m a mixed-race woman of Latina, Asian, and Anglo roots, and grew up bouncing between family members in an ethnic patchwork of neighborhoods. Like Gussie, I don’t look or act like anyone in my family—or anywhere.
Like Gussie, I’ve never conformed to society’s expectations of “ladies.” Some see my opinionated, independent, wandering nature as masculine—again, like Gussie. Her confidence, adventurousness, and determination are qualities I’ve cultivated with gusto. Her loneliness feels familiar, but it clarifies the bonds she creates and her loyalty to those she loves. Though most folks in Gussie’s world consider her plain, I find her beautiful.
A six-generation tale told from the perspective of matriarch Gussie Locke explores how abandonment played a pivotal role in her life, from her decision to run away from home and her struggles as a single mother to her own daughter's flight and her grandchildren's efforts to find answers, in a story set against the panoramic backdrop of the American West in the twentieth century. 15,000 first printing.
I first heard about Melungeons when a babysitter told me they would “git” me if I didn’t behave. She said they lived in caves outside our East Tennessee town and had six fingers on each hand. I consigned these creatures to myth and nightmares, until a cousin informed me that some of our shared ancestors were Melungeons and showed me scars from the removal of his extra thumbs. For the next ten years I visited sites related to Melungeons and interviewed many who claimed Melungeon ancestry, running DNA tests on some. This research yielded my memoir Kinfolks: Falling Off The Family Tree and my historical novel Washed In The Blood.
This book features a trio of true-life stories from the 18th, 19th, and early 20th centuries about families whose ancestors were enslaved but who, by a variety of stratagems, managed to cross the color line and become “white” in the eyes of others – and eventually in the eyes of their own descendants. These stories illustrated for me the actual permeability of racial categories, hinging largely on one’s physical appearance and possessions. In other words, the lighter your skin and the larger your bank account, the greater the possibility that others will allow you to be whoever you say you are.
"An astonishingly detailed rendering of the variety and complexity of racial experience in an evolving national culture." -The New York Times Book Review
In the Obama era, as Americans confront the enduring significance of race and heritage, this multigenerational account of family secrets promises to spark debate across the country. Daniel J. Sharfstein's sweeping history moves from eighteenth-century South Carolina to twentieth-century Washington, D.C., unraveling the stories of three families who represent the complexity of race in America. Identifying first as people of color and later as whites, the families provide a lens through which to examine how people thought…
4.5 billion years ago, Earth was forming - but nothing could have survived there…
From Cells to Ourselves is the incredible story of how life on earth started and how it gradually evolved from the first simple cells to the abundance of life around us today. Walk with dinosaurs, analyse…
I’m most drawn to stories of overcoming. My own childhood was about exactly that-overcoming a multi-generational inheritance of family separation and orphaned children. When I wrote my first book about that story, A Chance in the World, an unanticipated magic unfolded: I began to receive stories of strangers from all across the world who wrote to tell me their own story of overcoming. Each and every day I hear from someone and the steady stream of those stories of overcoming affirms something I have to come to learn: we all have a story and none of us look like that story.
Even a casual glance at today’s headlines will show how race continues to be a perplexing issue in our society. And it shouldn’t be. But we need examples of how to navigate the complexities of race and McBride’s powerful memoir shows us how.
His deep love – and appreciation – for his mother and coming to terms with her story while still standing in his own truth as a Black man is instructive and inspiring…and a reminder that there is nothing greater than love.
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'A triumph' - New York Times Book Review
'A startling, tender-hearted tribute to a woman for whom the expression tough love might have been invented' - The Times
'As lively as a novel, a well-written, thoughtful contribution to the literature on race' - Washington Post
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MORE THAN TWO YEARS ON THE NEW YORK TIMES BESTSELLER LIST
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From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction, came this modern classic that Oprah.com calls one of the best memoirs of a generation and that…
I can’t guess how many great poems I have committed to memory. In waiting rooms, or in the checkout line, I recite them to myself. In this way, poetry helps me not only understand the world we live in, but live in it without going crazy. And while I love all poetry, I’ve always found that poetry in traditional forms—with meter and rhyme—is easier to remember. That’s one reason why I’ve always been drawn to formal verse. In my own poetry, I strive to uphold that tradition, while inventing new forms that spring organically from the subject at hand. I trust these books will demonstrate I’m not alone.
This book, justly honored with the Pulitzer Prize, surprised me with its formal range and intensity of experience.
Trethewey is celebrated as a chronicler of our collective history, but I was far more taken with the poems of personal history—and, more specifically, personal loss. The poems that examine the absence left by her mother’s untimely death are, to me, the defining poems of the book. These often exemplify her gift for presenting the most telling detail or selecting the word that will resonate on the broadest level.
Let me hone in on one poem, “Myth,” a recasting of the Orpheus story. What astonished me about this poem was the formal structure. It consists of two sections of nine lines, each arranged in terza rima stanzas. The second section rewrites the first half—in reverse! The effect is to convey the experience of descending into the darkness of the underworld and then…
Winner of the 2007 Pulitzer Prize for poetry and former U.S. Poet Laureate, Natasha Trethewey's elegiac Native Guard is a deeply personal volume that brings together two legacies of the Deep South. The title of the collection refers to the Mississippi Native Guards, a black regiment whose role in the Civil War has been largely overlooked by history. As a child in Gulfport, Mississippi, in the 1960s, Trethewey could gaze across the water to the fort on Ship Island where Confederate captives once were guarded by black soldiers serving the Union cause.? The racial legacy of the South touched Trethewey's…
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Too often, “Black-Jewish relations” has been used as a shorthand for “African American non-Jewish/white Jewish relations. Gibel Azoulay, herself both Black and Jewish, not only shatters the myths of this dichotomy, but plunges into deeper questions of what constitutes identity and lived experience in the first place.
What shapes one’s “Jewish” or “Black” identity? What is “biracial” or “multiracial” and can it be disentangled from its American political and historical context?
Ultimately, she concludes, these ways of “being in the world” serve to both challenge and undermine the essentialist and confining classifications surrounding us.
How do adult children of interracial parents-where one parent is Jewish and one is Black-think about personal identity? This question is at the heart of Katya Gibel Azoulay's Black, Jewish, and Interracial. Motivated by her own experience as the child of a Jewish mother and Jamaican father, Gibel Azoulay blends historical, theoretical, and personal perspectives to explore the possibilities and meanings that arise when Black and Jewish identities merge. As she asks what it means to be Black, Jewish, and interracial, Gibel Azoulay challenges deeply ingrained assumptions about identity and moves toward a consideration of complementary racial identities. Beginning with…
The Real Boys of the Civil War
by
J. Arthur Moore,
The Real Boys of the Civil War is a research about the real boys who served during the war, opening with a historiography research paper about their history along with its 7-page source document. It then evolves into a series of collections of their stories by topic, concluding with a…
I’m a lecturer at the University of Liverpool who researches 19th century American literature. A year studying in central Pennsylvania sparked my interest in early US writing and led me to a PhD in the subject. I’m fascinated in how American literature of this period both upholds and challenges the founding myths of the nation - liberty, egalitarianism, progress – and how new genres, such as science fiction and the gothic, develop over the century.
Another example of early African American fiction, The Garies and their Friends is the second novel published by a Black American. Following the lives of an interracial couple moving from Savannah to Philadelphia, their middle-class Black friends, and the racism they face, The Garies is one of the first texts to examine free Black life in depth. Writing an anti-racist novel, Webb criticizes the legal structures and extra-legal white supremacist violence that prohibit Black safety and success in the ‘free’ North.
In this novel set in antebellum America, the Garies -- a white southerner, his mulatto slave-turned-wife, and their two children-have moved to Philadelphia from Georgia. Originally published in London in 1857, and never before available in paperback, The Gages and Their Friends was the second novel published by an African American and the first to chronicle the experience of free blacks in the pre-Civil War northeast. The novel anticipates themes that were to become important in later African American fiction, including miscegenation and "passing", and tells the story of the Garies and their friends, the Ellises, a "highly respectable and…
