Here are 100 books that The House of Broken Bricks fans have personally recommended if you like
The House of Broken Bricks.
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If I were a supermarket pie, my label would say, ‘Made in the UK with Chinese ingredients.’ Born in Wales to parents from Guangzhou and Hong Kong, my Cantonese is appalling, I’m bad at maths, and I can barely ride a bike without falling off. In short, I am an example of a real-life person and not a cliché or stereotype from the sorts of books we used to have to read if we wanted to see diverse characters. It’s about time the stories we read and the shows we watch become so effortlessly diverse that we don’t even notice. I hope my novels are playing a part in making that commonplace.
This is another book I read that made me think that the story of immigration into a provincial, rather than big city, setting was something people would read. It also made me think, that all parents, immigrants or not, have a massive calling to be deeply embarrassing.
Marina’s story to publication is an inspiring one, too. She was fifty-eight when this, her debut novel, was published.
Concealed inside this comic tale of an octogenarian newly widowed father, finding romance with a much younger Ukrainian barmaid is a lesson that all immigrants must one day learn. Just because someone else is from the old country too, it does not necessarily mean they have your best interests at heart.
A Short History of Tractors in Ukrainianis bestselling author Marina Lewycka's hilarious and award winning debut novel.
'Two years after my mother died, my father fell in love with a glamorous blonde Ukrainian divorcee. He was eighty-four and she was thirty-six. She exploded into our lives like a fluffy pink grenade, churning up the murky water, bringing to the surface a sludge of sloughed-off memories, giving the family ghosts a kick up the backside.'
Sisters Vera and Nadezhda must aside a lifetime of feuding to save their emigre engineer father from voluptuous gold-digger Valentina. With her proclivity for green satin…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
My name is Annemarie and I’ve been reading stories almost as soon as I was taught how to read. I’ve also been writing them. My fascination with the supernatural came about, I guess because an active imagination for a small child comes almost naturally from a fear of the dark. The dark held many terrors for me, and in a perverse contrariness, this prompted an interest in supernatural beings. As far as I’m concerned, it’s all real, and the more we know about them, the better. Or at least, that’s what I deduce from my never flagging interest, and I guess that’s why there’s always an element of the supernatural/paranormal in all my stories.
This is part of a book series, and as soon as I plucked the first one off the shelf at the British Council Library, I was hooked. This was the first series of books I was able to start and finish since I gave birth. Having been such a voracious reader before, it was a relief to get back to it.
But the Prisoner of Azkaban held my heart because the boy who lived finally met someone who could be just his person. His grown up. And Sirius Black was just so cool. Magic counts as supernatural, right?
It's time to PASS THE MAGIC ON - with brand new children's editions of the classic and internationally bestselling series
The third book in the global phenomenon series that changed the world of books forever
When the Knight Bus crashes through the darkness and screeches to a halt in front of him, it's the start of another far from ordinary year at Hogwarts for Harry Potter. Sirius Black, escaped mass-murderer and follower of Lord Voldemort, is on the run - and they say he is coming after Harry.
In his first ever Divination class, Professor Trelawney sees an omen of…
I'm a mother, and at one time, I was a single mother going through a very bitter divorce. I know what it's like to panic that your child will be in an accident, or that the other parent will kidnap the child (even if observers would say I'm overreacting). Looking back, my experience as a mother has permeated both my fiction and nonfiction writing in unplanned ways. Why does my second novel start with a mother kidnapping her own daughter? Why does the subtitle of my fourth nonfiction book cite "Parenting and Other Daily Dilemmas in an Age of Political Activism"?
For me, this novel combines the best of three sharply different types of books: It's a dystopian novel that paints an enthralling (and terrifying) portrait of an invented world. It's a page-turner.
And it's a story that hit some deep emotions in me. The basic narrative is that Frida, the harried and divorced mom of toddler Harriet, leaves Harriet alone while she dashes off to get herself a latte. Okay, that's stupid and risky, though Harriet is unharmed.
But in this book's world, that's enough to land Frida in a "reform school" from which it's almost impossible to prove yourself "perfect" enough to be released. As the story spiraled worse and worse, I couldn't believe this was happening.
I couldn't read another word; no, I couldn't put it down.
THE INSTANT NEW YORK TIMES BESTSELLER AN OBAMA'S 2022 SUMMER READING PICK
'A taut and propulsive take on the cult of motherhood and the notion of what makes a good mother. Destined to be feminist classic - it kept me up at night' PANDORA SYKES 'A haunting tale of identity and motherhood - as devastating as it is imaginative' AFUA HIRSCH 'Incredibly clever, funny and pertinent to the world we're living in at the moment' DAISY JOHNSON
'We have your daughter'
Frida Liu is a struggling mother. She remembers taking Harriet from her cot and changing her nappy. She remembers…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
If I were a supermarket pie, my label would say, ‘Made in the UK with Chinese ingredients.’ Born in Wales to parents from Guangzhou and Hong Kong, my Cantonese is appalling, I’m bad at maths, and I can barely ride a bike without falling off. In short, I am an example of a real-life person and not a cliché or stereotype from the sorts of books we used to have to read if we wanted to see diverse characters. It’s about time the stories we read and the shows we watch become so effortlessly diverse that we don’t even notice. I hope my novels are playing a part in making that commonplace.
This is the book that made me think an East Asian woman could be the hero of her own book, not just the supporting character in someone else’s. I knew I loved Dan’s previous work, and when I discovered he’d written a book about someone East Asian set in the far west of Wales, it felt possible for someone like me to write and be written about.
Surrounded by the sort of character-ful Welsh-types from a work by Dylan Thomas, Miyuki Woodward embarks on a Midas-like project to turn base material into gold. I liked Miyuki’s holiday habit of going to the pub each night on her own to have a pint and read her book, Bliss, just like this funny book about heartbreak and hope.
Like a Welsh Amélie set in a pub, Gold is a tender, understated tale of love, loss, and growing up. It is also vintage Dan Rhodes, one of the most critically beloved novelists working today. Miyuki Woodward, lover of beer and microwaveable food, has been taking a two-week vacationaway from her companionto the same seaside town in Wales for the last eight years. She is made to feel at home at the salty seaside pub, where Short Mr. Hughes, Tall Mr. Hughes, and Mr. Puw are happy to add her to their trivia-contest team. This year, following an impulsive artistic…
EM Forster said, "Only Connect." That has inspired my life and work. The Oxford Times published my Oxtopian castaway series, and those life stories were turned into three books. The castaways, with links to Oxford, were from five continents. One of those castaways was Kenyan-born Nancy Mudenyo Hunt. Nancy founded the Nasio Trust, which has transformed the lives of hundreds of disadvantaged young people in West Kenya and Oxfordshire. With friends, I’m currently fundraising to build the first community library in West Kenya. Nancy asked if we could write a book together, and we did. We wrote a novel inspired by her life.
Barack Obama’s father was part of the story of Kenya’s road to freedom, and yet his son, Barrack, hardly knew him. His father met Barack’s mother while on a scholarship to the USA but abandoned her and his son when he returned to Kenya in 1964 and became a senior economist in the Kenyan Ministry of Finance.
We researched his life when writing our book. My co-author, Nancy Mudenyo Hunt, is also of Luo ancestry. Her father attended Obama’s funeral. This memoir is a testimony to the struggle of children of mixed heritage to decide on their identity. I find it sad that the young Obama is identified by the father who left him and not by his mother who cherished him.
#1 NEW YORK TIMES BESTSELLER • ONE OF ESSENCE’S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS
In this iconic memoir of his early days, Barack Obama “guides us straight to the intersection of the most serious questions of identity, class, and race” (The Washington Post Book World).
“Quite extraordinary.”—Toni Morrison
In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father—a figure he knows more…
I experienced severe trauma at an early age in life, which involved numerous challenges that tested my resilience and inner strength. However, through perseverance, self-reflection, and seeking support, I was able to overcome these obstacles and emerge stronger than ever. My experiences have taught me the importance of resilience, the power of healing, and the transformative impact of sharing stories, including the messy ones. I believe that by recommending books that explore these themes, I can inspire and empower others who may be facing similar challenges to find hope, resilience, and a path toward healing.
This book is a poignant portrayal of trauma, resilience, and the enduring quest for healing. Trethewey's memoir delves into the deeply personal aftermath of a crime, exploring themes of loss, memory, and the complexities of identity.
Her lyrical prose, emotional depth, and narrative richness resonated with me as I wrote my own true crime memoir, offering readers a profound exploration of the human spirit's capacity to confront tragedy and find moments of grace amidst adversity.
'A meditation on race, and class, and grief ... Uplifting, but just wrenching' BARACK OBAMA
ONE OF BARACK OBAMA'S BEST BOOKS OF 2020
AN INSTANT NEW YORK TIMES BESTSELLER
A NEW YORK TIMES BOOK OF THE YEAR
WINNER OF THE ANISFIELD-WOLF BOOK AWARD
SHORTLISTED FOR THE 2021 CARNEGIE MEDAL IN NON-FICTION
'This will be read for many, many years to come as a classic not just of the memoir genre but of contemporary writing' Simon Schama
'Astonishing' Thandiwe Newton
'As gripping as any thriller' Mail on Sunday
'A masterpiece' Elizabeth Gilbert
'Powerful' The Times
At age nineteen, Natasha Trethewey had…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I read (and write) biography as much for history as for an individual life story. It’s a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.
We all know of Sarah and Angelina Grimké, sisters who, before the Civil War, left their South Carolina home and became well-known abolitionists in the North.
But the family also included their brother Henry, a brutal, slave-holding man, his three children by Nancy Weston, an enslaved woman in his household, and their descendants. Two brothers became part of the post-Civil War Black elite and one descendant, Angelina Weld Grimké, made a name for herself as a poet during the Harlem Renaissance.
In addition to reexamining the legacy of Sarah and Angelina, author Kerri Greenidge reminds readers how families were formed under the sword of slavery and that recovery from its wounds is incomplete, even today.
Sarah and Angelina Grimke-the Grimke sisters-are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality.
I’m a lecturer at the University of Liverpool who researches 19th century American literature. A year studying in central Pennsylvania sparked my interest in early US writing and led me to a PhD in the subject. I’m fascinated in how American literature of this period both upholds and challenges the founding myths of the nation - liberty, egalitarianism, progress – and how new genres, such as science fiction and the gothic, develop over the century.
Another example of early African American fiction, The Garies and their Friends is the second novel published by a Black American. Following the lives of an interracial couple moving from Savannah to Philadelphia, their middle-class Black friends, and the racism they face, The Garies is one of the first texts to examine free Black life in depth. Writing an anti-racist novel, Webb criticizes the legal structures and extra-legal white supremacist violence that prohibit Black safety and success in the ‘free’ North.
In this novel set in antebellum America, the Garies -- a white southerner, his mulatto slave-turned-wife, and their two children-have moved to Philadelphia from Georgia. Originally published in London in 1857, and never before available in paperback, The Gages and Their Friends was the second novel published by an African American and the first to chronicle the experience of free blacks in the pre-Civil War northeast. The novel anticipates themes that were to become important in later African American fiction, including miscegenation and "passing", and tells the story of the Garies and their friends, the Ellises, a "highly respectable and…
I've been book-besotted my entire life. I've read, studied, taught, reviewed, and written books. I went to “gradual” school, as John Irving calls it, earning a PhD in literature before gradually realizing that what I really loved was writing. For me, books contain the intellectual challenge of puzzles, the fun of entertainment, the ability to fill souls. They have changed my life, and the best compliments I have received are from readers who say my books have changed theirs. I read widely and indiscriminately (as this list shows) because I believe that good books are found in all genres. But a book about books? What a glorious meta-adventure.
Magical doors that appear out of nowhere, a fantastical book that may not be fiction, some truly sketchy villains, a quest, and an intrepid heroine.
The author had me at fantastical book, but what I love about this novel is the world and character building, that feeling of opening the cover and being somewhere that has nothing to do with ordinary life.
And yet, there is mystery. And romance. A lost father. A daring daughter. You’ll want to race through it, but slow down at the same time, just to savor the ride.
"A gorgeous, aching love letter to stories, storytellers, and the doors they lead us through...absolutely enchanting."—Christina Henry, bestselling author of Alice and Lost Boys
LOS ANGELES TIMES BESTSELLER! Finalist for the 2020 Hugo, Nebula, Locus, and World Fantasy Awards.
In the early 1900s, a young woman embarks on a fantastical journey of self-discovery after finding a mysterious book in this captivating and lyrical debut.
In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Maybe it was too much reality TV growing up, especially being raised on figures like Tiffany "New York" Pollard or A Different World's Whitley Gilbert, but bad girl protagonists are insta-buys for me. I love them, and I have a particular fondness for when they're black girls. We're already seen as so angry, but bad girl books show you not only why a girl could get to be so angry but also that you ain't seen nothing yet. I need more people to see how much joy there is in rage, and I chose to explain it with YA horror because it's a genre so driven by catharsis and mood that it's a perfect fit.
Maddy is not, and never will be, a bad girl. She's just a scared girl that did some very, very bad things.
That doesn't mean I wasn't cheering her on. Maddy is the kind of heroine that I fantasized about jumping into the pages to fight for. I cussed out many a side-character in my head, just wishing they would try to talk to me like that so I could give them what they deserve.
But Maddy gets her lick back without my help - and it's a remorseless gorefest. The ending of this book is part slasher, part action film that I needed. After getting frustrated with all her hardships, I needed Maddy’s revenge to take over the book, just like her rage took over her.
* AN INSTANT NEW YORK TIMES BESTSELLER * INDIE BESTSELLER * JUNIOR LIBRARY GUILD SELECTION * KIDS' INDIE NEXT LIST PICK * NPR BEST PICK * KIRKUS BEST BOOK OF THE YEAR *
New York Times bestselling author Tiffany D. Jackson ramps up the horror and tackles America's history and legacy of racism in this suspenseful YA novel following a biracial teenager as her Georgia high school hosts its first integrated prom.
When Springville residents-at least the ones still alive-are questioned about what happened on prom night, they all have the same explanation . . . Maddy did it.
