Books like Mexican WhiteBoy

Like many adults, I love a good YA story. YA books take us back to our younger days when we were stronger, faster, and likely better-looking, but also to the confusing transitional time of being a teenager. Mostly, I love reading and writing YA novels because despite being about hard topics–friendship, disease, toppling the patriarchy–they are hopeful. In this confusing, stressful world, we need a little optimism. With that in mind, I offer you five of my favorite YA books that I think adults will love, too.

I am a multicultural published author from California. I attended different schools growing up, reading classic literature that I couldn't relate to, resulting in becoming a reluctant reader. I didn't live in historical time periods. My skin was a lighter shade of brown. In my world, I met kids from diverse backgrounds, who spoke slang and had personal hardships. Where were the books like that? That's why I wrote Graffiti Girl. To share a realistic, multicultural approach so the reluctant reader could have characters they could see themselves in. That's why I chose these books, in no specific order, that share contemporary, urban stories involving people of different cultures, who face unique hardships.

I am a multicultural published author from California. I attended different schools growing up, reading classic literature that I couldn't relate to, resulting in becoming a reluctant reader. I didn't live in historical time periods. My skin was a lighter shade of brown. In my world, I met kids from diverse backgrounds, who spoke slang and had personal hardships. Where were the books like that? That's why I wrote Graffiti Girl. To share a realistic, multicultural approach so the reluctant reader could have characters they could see themselves in. That's why I chose these books, in no specific order, that share contemporary, urban stories involving people of different cultures, who face unique hardships.

I spent 16 years teaching in NYC public schools, six of them on Rikers Island the world's biggest jail where I helped incarcerated teens improve their reading and writing skills. That experience helped to launch me on my own writing career. The job of the author? To hold up a mirror to society and reflect upon the page what the reader may not have experienced yet or missed seeing in the world outside the borders of a book.

I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.

I wasn’t a sporty teen, but I discovered rock climbing in my twenties and that later inspired my first novel, The Art of Holding On and Letting Go. I’m also a social worker, and even though my main character Cara is a competitive climber and the book features gripping (ha!) rock climbing scenes, the story is about much more – love and loss, finding home, the transformative power of nature. Sports and athleticism (or lack thereof) are something we can all relate to. What a great starting point for exploring our multi-faceted lives.

Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.

I’m an award-winning children’s book author and photo-illustrator of over sixty picture books. I got my first camera when I was five years old and have been taking pictures ever since. I realized in college that photography was my passion, and I studied photojournalism at the Newhouse School at Syracuse University. Soon after I received graduate degrees in early childhood education and museum education at Bank Street College of Education. After teaching kindergarten, first, and second grade, I combined my passions to create books. My books have always been about inclusivity and diversity. I hope all children can find themselves in my books to help them navigate the world they live in.

I have been a lawyer for more than 50 years and I love what I do. I also want to share my enthusiasm for what I regard as the world’s most exciting profession, where every day is a little different. I am also a legal writer. But I don’t just write for other lawyers. I want to make the law accessible to everyone. That includes anyone who may be thinking seriously about a legal career but has yet to make the leap.

EM Forster said, "Only Connect." That has inspired my life and work. The Oxford Times published my Oxtopian castaway series, and those life stories were turned into three books. The castaways, with links to Oxford, were from five continents. One of those castaways was Kenyan-born Nancy Mudenyo Hunt. Nancy founded the Nasio Trust, which has transformed the lives of hundreds of disadvantaged young people in West Kenya and Oxfordshire. With friends, I’m currently fundraising to build the first community library in West Kenya. Nancy asked if we could write a book together, and we did. We wrote a novel inspired by her life.