Books like Stolen Lives — picked by fans

Good writers of historical fiction blend layers of fact and fantasy together into an irresistible kaleidoscope. The very best of them are time travellers. And, that’s what Jane Johnson certain is… for her magical novel, set in the days of Sultan Moulay Ismail, sucks the reader back through centuries to a time when the Barbary Coast was a wild rumpus of a place – peppered with palaces and pirates, treasure, secrets, intrigue, and danger. I love this book because it’s not a dry historical read, so much as an intricate observation on the relationship between people, both elegant and deeply touching.

Far too many foreigners, myself included, have rocked up in Morocco and set to work recording versions of traditional tales for an outside audience. Almost all of them have realized that, what they imagined would be a straightforward exercise, was a near-impossible feat. One of the few European writers who have succeeded, and succeeded exceptionally well, is BBC reporter Richard Hamilton. As I read The Last Storytellers, I marvelled at how well he succeeded where so many others failed. The reason is that Hamilton has two qualities in abundance: patience and sensitivity. Reading the stories he presents takes me to the central square in Marrakech, Jma al Fna. I can see it, feel it, smell it, and, most importantly, I can hear the storytellers there recounting tales that pre-date A Thousand and One Nights.

The books I like about certain places tend to be written by people who have not been born and raised there. It’s because the author has detachment, which makes their sense of observation all the keener. But, best books about places seem to be by authors who have some ancestral connection to that place. It’s as though they’re attached to it through their genes. Saeida Rouass, was born in London to Moroccan parents. From the very first line on the very first page of her book Assembly of the Dead, you can feel she’s not English, but rather that she’s connected by some magical alchemy to Morocco, the land of her ancestors. Rouass is a dazzling writer, one who bridges East and West in the most exceptional and unusual way.

This book is about a young mother who takes her two daughters to Marrakech, Morocco in the 1960s so she can study Sufism, which, although not technically a “cult” does seem rather cult-like when described from the point of view of a five-year-old child who is watching her mother do strange ritual spinning to try to annihilate her ego.

You might remember the 1998 movie adaptation of this book starring Kate Winslet, but I think the book is better because of its dreamy, almost other-worldly descriptions of street life in Marrakech. This gem of a book is steeped in childlike wonder and longing and it will be over far too soon.

Shah, a self-proclaimed “broke writer,” somehow affords a Moroccan mansion with maids, gardeners, and endless renovations. He doesn’t bother to develop his wife and kids as characters—they get even less attention than an extra in a movie. But at least you get to see Morocco through his self-obsessed eyes, which, fortunately, pay a lot of attention to detail. His immaculate use of sensory details will give you a traveling experience for even less than a Ryan Air flight. The book is a prime choice for anyone who wants to dive into Moroccan culture with all its superstitions. 

Jane Green is an icon in every sense, and this is my absolute favorite of her many bestselling books. I love stories with a strong sense of place, stories that transport me. This book does just that, whisking the reader to a forgotten scene from the Swinging 60s, an ex-pat community in Marrakesh once frequented in real life by the Rolling Stones, the Beatles, Yves Saint Laurent, and other luminaries of the era.

The narrator is an outsider who falls under the spell of Talitha Getty, a magnetic actress and model who presides over the whole swirling scene. This novel feels like the literary equivalent of a starry summer night. 

Reluctant Reception is a worthwhile read in that it addresses refugee policy from the perspective of Egypt, Morocco, and Turkey, three states located in the Middle East and North Africa. Norman argues that, like other states in the Global South, these states are often perceived as transit countries for migrants and refugees, who ultimately want to reach Europe. Norman shows, however, that these states’ lack of a strong formalized refugee policy hides the fact that political and economic interests play a major role in informing their response to migrants and refugees.

Norman also shows that apparent disinterest in migration is part of a deliberate strategy that countries in the Global South use in order to have international organizations, as well as Western governments (the latter being keen on limiting migration from the Global South), provide for the basic costs of hosting migrants and refugees. Reluctant Reception not only provides compelling… show more.

A deeply visual book, full of intricate details of craftwork and intimate moments of daily life, this is described as an ‘ideal photo album’ of Morocco, and it’s a very enjoyable and beautiful book to explore if you are planning to go to Morocco or longing to return after a trip there. A really lovely way to immerse yourself in Moroccan culture for a little while. 

Another powerful debut on border-crossing, this novel begins with a frame-chapter or a prologue of sorts called “The Trip” that shows a group of Moroccans fleeing to Spain for a better life on a ramshackle boat. The following subsections, “Before” and “After,” zoom into the lives of the characters introduced in the opening chapter to highlight the socio-economic reasons leading them to risk their lives by crossing the Mediterranean Sea illegally, and their gritty fate once the boat fails them, as they’re stranded in Spain or deported to Morocco. Some critics have called the novel a collection of interconnected stories, although the book’s “prologue” is hardly a standalone story; it aligns the novel instead with an alternative structural aesthetic, one that recalls the frame narratives of oral storytelling traditions like The Thousand and One Nights, an obvious influence on the book. 

This is an exciting new book by Meredith Hindley. Instead of Humphrey Bogart and Rick’s Café, this book features interesting real people, such as the famous singer Josephine Baker, who, although not members of armed forces, still did their part to help the Allied cause. After conducting extensive research in archives and secondary sources, Hindley crafted an engaging narrative in which she connects exiles who gathered information about the Germans with the fight for control of North Africa and the Mediterranean. I recommend this book because it provides a human dimension to the story of the Battle for North Africa.