Here are 100 books that The Blue Place fans have personally recommended if you like
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I grew up on science fiction: I was obsessed with Star Trek as a child, and as I got older, my love for space, aliens, and time travel spilled over into my taste in books. The Hitchhiker’s Guide to the Galaxy showed me that science fiction could be funny, and The Time Traveler’s Wife showed me that it could be romantic. But why not both at once? As a lifelong passionate reader, and now an author of two novels and counting, I love seeking out books that cross, blend, and transcend genres, as well as writing my own.
Fraimow combines a con-job storyline, a space diaspora setting, a 1920s aesthetic, and an unexpected sapphic romance, and somehow, it all works. I found myself totally immersed in the fragile glitz of New Monte, a kind of Monaco-in-space clinging to a satellite, where debutantes wear breathers as fashion accessories and extravagance masks the threat of scarcity.
And I fell in love with the characters: Ruthi, the cool, competent protagonist with a gift for wisecracks and a tender underside, and Sol, the chivalrous, sharp-suited, hoverbike-riding love interest, who develops from an intriguing antagonist into a fully-rounded human being who is Ruthi’s perfect match.
NAMED ONE OF THE BEST ROMANCE NOVELS OF 2024 BY THE NEW YORK TIMES
Ruth Johnson and her sister Jules have been small-time hustlers on the interstellar cruise lines for years. But then Jules fell in love with one of their targets, Esteban Mendez-Yuki, sole heir to the family insurance fortune. Esteban seemed to love her too, until she told him who she really was, at which point he fled without a word.
Now Ruth is set on revenge: disguised as provincial debutante Evelyn Ojukwu and set for the swanky satellite New Monte, she's going to make Esteban…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I’m autistic, with a passion for narrative structure and my brain is exceptional at predicting twists, so something genuinely surprising is a rare treat I crave and value. As a queer and trans person, I’m always looking for content in which I can see myself and my loved ones. I’m obsessed with YA thrillers that don’t just keep me guessing but also give me messy, brilliant, unforgettable queer characters to root for. These are the books that stuck with me, made me lose sleep to finish, and gave me new queer icons to love. I hope you enjoy them as much as I did!
I’m an absolute sucker for a ‘what really happened that night’ tale and this is one of my all time favourites due to the unreliable narration and the sense of slowly creeping dread.
The core of this book is the messy tangle of friendship, obsession, and unspoken longing, which I can never get enough of. Throughout my first read of the story, I re-evaluated what I thought I knew, and went back to the start over and over. I had to know who was lying…
Jessica Wong is the kind of girl nobody notices. She's also the kind of girl who sees everything. There's no one better at overlooking Jess than her best friend, Angie. Jess can live without Angie knowing her real feelings, just so long as they're best friends. But when Angie meets Margot, Jess recognises that things will never be the same. Worse still, Margot is one of the rare people who sees exactly how Jess feels about Angie. As Angie falls hard for Margot and gets caught up with Margot's wealthy friends, Jess's life begins to fall apart. If she isn't…
I have written four novels that involve crime in one way or another, but I do not consider myself a crime novelist. I simply find crime stories offer a compelling way to explore universal human experiences. I was a prosecutor when I was younger, so I try to bring a level of fluency in criminal law to my novels, but the usual warning applies: this is fiction, and it is better that a story be authentic than actually true.
In the current media environment, it is hard for us to do the one essential thing that novel readers must do: suspend disbelief—to read something that we know is not true, yet accept it as if it were true. It is a cynical time. We have learned to mistrust what we read.
So what is a novelist to do? Well, one way to win over skeptical readers is by a simple trick, one that I love (as both reader and writer): the novelist appears in his own novel. My novel uses a similar device, beginning with a novelist-narrator who bears a striking resemblance to me. These five novels all use a similar strategy.
The first book, American Pastoral, is one of my favorites. Philip Roth frequently borrowed from his own life in his novels, but to me, this is his most effective blend of fact and fiction. The novel lifts…
Philip Roth's fiction has often explored the human need to demolish, to challenge, to oppose, to pull apart. Now, writing with deep understanding, with enormous power and scope and great storytelling energy, he focuses on the counterforce: the longing for an ordinary life. Seymour 'Swede' Levov - a legendary high school athlete, a devoted family man, a hard worker, the prosperous inheritor of his father's glove factory - comes of age in thriving, triumphant, postwar America. He has a beautiful wife - Miss New Jersey 1949 - and a lively, precocious daughter, Merry. She is the apple of his eye…
When a mermaid masquerading as human boards a scientific research ship in her quest to reclaim an ancient treasure, she’s stalled by a suspicious marine geologist.
If the human’s interference weren’t so frustrating, she’d allow herself to be intrigued. But she’s not here to get to know people. Or flirt.…
I’ve loved murder mysteries since I first discovered the genre. As a child, I loved watching Morse, Miss Marple,and other detectives as they got to the bottom of whodunit. I was hooked. It wasn’t long before I started to read books starring these detectives. I really love the way that female amateur detectives often have far more ideas of what’s going on and why things have happened than the men who populate the books. What woman can’t resist reading about another woman who just gets to the bottom of it all? I know I can’t, but these books are some of the very best in the genre.
My all-time favorite amateur detective is Miss Marple, and if I had to pick a favorite book she is in, it would be this one. I love the idea of a quiet, mostly ignored spinster who most people dismiss being the one character who seems to know exactly what is going on and what people are up to.
I really like the way Miss Marple figures out why the main character thinks she is going mad and proves that she isn’t. In this book, Miss Marple really proves her status as one of the best amateur detectives, and I love it.
Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
In this beautifully subtle, thrilling, and finely drawn novel, Brian Morton captures a certain kind of relationship better than anyone else: an old and nearly forgotten male novelist named Leonard Schiller becomes infatuated with Heather Wolfe, the young, female graduate student who is writing her thesis about his work.
This is a novel about fame, intellectual companionship, and ambition, and Morton handles these themes with compassion, insight, and masterful control. I love this novel as much for its startling truths about human nature as for the brilliance of the writing itself.
Leonard Schiller is a writer in his seventies. All of his books are out of print; he's left no mark in literary history; a lifetime of dedicated labor has brought him few rewards. Heather Wolfe is a graduate student in her twenties. She read Schiller's novels when she was growing up, and they changed her life. She decides to write her master's thesis about Schiller's work, and she sets out to meet him.
Starting Out in the Evening is a novel about the unexpected consequences of that meeting--and the unexpected consequences of art. Heather blows into Schiller's life like a…
As a professional counselor by trade, I’m fascinated by the machinations of the human mind, what drives us, and how our primeval urges can overcome our learned and acceptable behaviors. Accordingly, I enjoy both reading and writing books that expose and explore the dark side of our psyche and the dichotomy of human nature. I particularly appreciate stories that balance evil with redemption, rescue, or retribution.
I love a tense, character-driven thriller, and this one was set in a remote town I’ve visited.
I love that the book is set in 1963, a decade that had particular significance for Australian women, their roles, and the expectations placed upon them.
It’s not fast-moving, but the setting is an almost palpable character in its own right. I found it dark, rife with corruption, violence, oppressive heat, and both the best and the worst of what Australia has to offer.
'From screen to page, Matt Nable's ability to breathe life into vivid characters shines against the grittiness of the harsh Australian landscape.' - Jane Harper, author of The Dry
'a thrilling, heart-stopping novel that fans of The Dry are going to love' - Weekender
'Nable renders the past both tangible and real and it's riveting' - Sue Turnbull, The Age
'must read' - Who Weekly
Darwin, Summer, 1963.
The humidity sat heavy and thick over the town as Senior Constable Ned Potter looked down at a body that had been dragged from the shallow marshland.…
A brilliant scholar, ancient libraries in danger due to war, suppressed women’s religious history, and a renegade monastery.
A doggedly determined Sofia Papandréou pursues evidence for women in leadership in early Christianity in the dusty corners of libraries, long ignored. Or worse, actively hidden away to deny women their heritage…
I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.
It lurks in the hazy landscape between magical realism and weird fantasy, which is an unusual thing per my reading experience for a coming-of-age story of a girl named Aisha from Mombasa. Her voyage to rescue her father from across an ocean of godlike sharks was a strange and unsettling experience to read.
Certainly one of the most unique (even if, in some fleeting moments, it reminded me of Hemingway’s Old Man and the Sea, which I found strictly okay).
It’s hard to pinpoint where my interest in cold cases began, but I remember reading about the Isdal Woman and being intrigued. She was found in Norway in 1970, badly burned, with the labels cut off her clothes. Police discovered fake identities and disguises in suitcases left at the railway station, but, to this day, have no idea who she was. I’m a member of several Facebook groups where people investigate cold cases, and I’m always amazed at how these clues can be put together so many years later. Or, in some cases, how some people go unnamed, or crimes unsolved despite all the resources at our fingertips.
This is a brilliantly plotted book with a fascinating protagonist.
It’s fair to say that Cam Killick has issues stemming from his time in the Marines. He starts looking into a decades-old case of a family who went missing on the way back from a party. It was widely accepted that their car had probably crashed into the marshes and had lain there for thirty years. But when Cam finds the car, the remains of the family are nowhere to be found.
'Compelling and so atmospheric ... the perfect new crime series to dive into' HEAT 'Rob Parker is a master of the stone-cold twist' JANICE HALLETT 'Brilliant pacing ... a great addition to your to-be-read stacks' PRIMA 'The very definition of a one-sitting read' ROBERT RUTHERFORD
Cam Killick left the special forces with a handful of medals, stories he can't share and PTSD so bad he can only find peace under water. Working as a salvage diver in the Norfolk Broads keeps him sane, and the county's many tales of the lost keep him busy.
As a queer, disabled YA author, I focus on writing stories that reflect the complexities of identity, disability, and mental health. I believe every teen who is disabled and/or struggles with mental illness deserves to see themselves represented, but I’m also passionate about stories that allow able-bodied readers to gain insight into new perspectives. These book recommendations showcase diverse voices and highlight a disabled experience, and I hope books like these will foster a new generation that values inclusivity and representation. Happy reading!
I was deeply moved by this poetic in-verse novel that compassionately addresses harsh realities like coping with mounting stress and being a Black teen in America.
I felt a strong connection to the characters, who were well-developed and authentic, particularly the protagonist grappling with agoraphobia. The conversations about mental health were a nuanced and vulnerable exploration of expectations imposed on Black people dealing with mental health challenges.
I'm safe here. That's how Sadie feels in her girlfriend's arms on a perfect Summer day. But then her girlfriend suddenly breaks up with Sadie. Moments later, she witnesses a scene of police brutality, which upends what now feels like a mirage of security.
I'm not safe anywhere. That's how Sadie feels every day after. So she retreats to her house. Her therapist gives her suffocating isolation a name-agoraphobia. Meanwhile, Sadie's best friend Evan updates her on the protests taking place outside. Sadie wants to be a part of it. But she can't. Or can she?
I have been fascinated by historical fiction since childhood, when I used to read historical stories for children by such writers as Rosemary Sutcliffe and Henry Treece, moving on to Dickens and Austen in my early teens. Many of the great books about girls growing up were written in the Victorian and Edwardian periods by e.g. Louisa M Alcott, L M Montgomery, and Laura Ingalls Wilder. I devoured all these since they seemed to take me into a different world. I am a fiction writer rather than a historian since it is the great stories offered by history that spark my passion!
A gripping portrayal of the "house for fallen women" funded by Angela Burdett-Coutts and managed by Charles Dickens in Victorian London.
Urania cottage offers refuge for prostitutes, petty thieves and the destitute who end up there for various reasons and respond to it in different ways.
I loved the way Halls skilfully depicts women from different classes. Josephine is a working-class woman who comes straight from prison, whereas Angela Burdett-Coutts is the richest woman in London, but her wealth cages her in a different way. I found this novel beautifully observed, unsentimental, and absorbing.
'Absorbing' Sunday Times 'Acutely observed and beautifully written' Daily Mail 'A writer of great originality' Kate Mosse 'Compelling' Good Housekeeping
THE INSTANT SUNDAY TIMES BESTSELLER, SET AGAINST CHARLES DICKENS' HOME FOR FALLEN WOMEN
The house she was promised, is the first clean page in a new book for girls like her . . .
1847, Shepherds Bush. Charles Dickens' home for fallen women is about to open its doors. Part refuge, part reformatory, the house and its location are top secret. Among it first inmates are Martha, arrived from a shelter for prostitutes, and Josephine, a convicted thief. But faced…
