100 Books Like From the Terrace

This roman à clef about billionaire Howard Hughes has everything you covet in a great beach read: money, power, sex, betrayal.

The rugged tycoon Jonas Cord and the screen siren Rita Marlowe tussle, tangle, couple, uncouple, and everything in between over decades and continents, and Robbins’s talent for saucy dialogue and spicier plotlines furiously bubbles to the surface in perhaps the last great book he wrote before his own life—as dramatic as anything he penned—and his work both began to crumble.

It’s hardly short (the original hardback clocks in at a hefty 650-plus pages), but I could not get enough of its blazing, take-no-prisoners leads as they barreled through the worlds of show business, aviation, and business to conquer the world.   

The first great American trashy novel, Peyton Place today seems rather tame, but in its day, it was scandalous. Plucking it from my mother’s bookcase when I was 14, I was engrossed by its roaring passion and sensational secrets.

Set in a small New England town, the book set the stage for the modern soap opera, and I wolfed it down like a big box of candy. It reminds me of those great, heady melodramas of the 1950s (and was itself made into a fabulously sudsy film in 1957), an intoxicating mix of all things forbidden.

I adored the fact that it was literary, which it doesn’t get enough credit for. I think its opening line—“Indian summer is like a woman…”—is one of the best in mid-20th Century literature. 

One of the great lions of mid-20th-century literature, Irwin Shaw is probably best known for Rich Man, Poor Man, which became television’s first big miniseries. But this book, chronicling the dark glamour of the Cannes Film Festival in 1970, centers on the antihero Jesse Craig, a burned-out film producer trying to regain relevance in an arena that worships the new.

Reading it today, you can’t help but wish that kind of effortless European style and chic still existed. It also contains one of my favorite exchanges in a novel, when a young woman asks Craig, “If you had to do it all over again, would you?” and he responds wearily, “No one gets to do it all over again.” Oh, snap!

Ok, so this is not technically midcentury (it was published in 1977), but I had to include one of those amazing 1970s yarns. I chose this one because I remember reading this as an adolescent and feeling it was sort of like a more adult, sophisticated Nancy Drew book, replete with cliffhangers at the end of each chapter.

This global potboiler, about a beautiful pharmaceutical heiress marked for murder, has enough twists and turns to keep anyone reading way past bedtime. I think it also planted the seed for me to write my own novels of courageous, Grace Kelly-style heroines caught up in the throes of romantic mystery and adventure. 

I’m a school librarian, so I couldn’t pass up a book about a librarian who works in an island school! This is set on Galveston Island, and the Texas culture there definitely brings its own flavor to the story.

The friendly community feel of the school and town really appealed to me and gave this book a cozy dimension despite its darker themes. A new principal arrives and immediately begins ruining the happy librarian’s life with new rules that she fights at every step—so naturally, the two begin to fall in love. I loved the animals in this book. I couldn’t stop smiling when I finished this one.

Joseph, a Berkeley student and the son of a Jewish mother and a Muslim father, receives a mysterious package from his estranged father. He embarks on a journey to understand a family mystery that can be traced back a thousand years.

I really cared about all of the characters who strive to lead good lives and demonstrate the many ways in which responsibility, forgiveness, love, and kindness shape the way we see and act in the world. 

This is a brilliantly plotted book with a fascinating protagonist.

It’s fair to say that Cam Killick has issues stemming from his time in the Marines. He starts looking into a decades-old case of a family who went missing on the way back from a party. It was widely accepted that their car had probably crashed into the marshes and had lain there for thirty years. But when Cam finds the car, the remains of the family are nowhere to be found.

I read fiction to experience the delicious sensation of seeing the world through a protagonist’s eyes—the exhilarating leap into another time and place. As a teen, I often daydreamed about bumping into a favorite music performer. Part coming-of-age tale, part fish-out-of-water adventure, this novel follows innocent and strait-laced Mary Jane as she gets a crash course in how other people live when a famous rock star and his movie-star wife check into rehab at the house where she’s working as a summer nanny.

I shared Mary Jane’s sense of awe and curiosity and admired the grit and care she brought to the often out-of-control adults around her. This novel is a joy to read and a masterclass in character creation and development—I recommend it for aspiring and experienced writers.

I was immediately taken with author/filmmaker Nicholas Meyer's brilliant pairing of a flailing, cocaine-addicted Sherlock Holmes with a winningly rendered Sigmund Freud, whom a desperate Doctor Watson has recruited to save the self-destructive detective.

Freud’s efforts eventually teased out the darkest of secrets driving Holmes’ notorious substance abuse in a manner I found enthralling. I believe the best historical novels confidently ground you in a time and a place that captivates but also conjures a reality all their own in their blending of fact and fiction, which this novel does in spades.

I’ve revisited it many times over the years. A wonderful film adaptation by Meyer was also released many years ago, starring Nichol Williamson as Holmes and Alan Arkin as Freud.

I am not a plotter. I have always wished I was. But nope, sorry, Gwen. That said, this is still an amazing book. Even if you are a discovery writer (sometimes called pantster for writing by the seat of your pants), thinking about your plot in terms of pacing, story elements, backstory, characterization, and setting…and thinking about them in a logical way is beneficial.

Kudos if you can write it down in a notebook before you start drafting. That’s not in my wheelhouse.