Here are 100 books that From the Terrace fans have personally recommended if you like
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When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
This roman à clef about billionaire Howard Hughes has everything you covet in a great beach read: money, power, sex, betrayal.
The rugged tycoon Jonas Cord and the screen siren Rita Marlowe tussle, tangle, couple, uncouple, and everything in between over decades and continents, and Robbins’s talent for saucy dialogue and spicier plotlines furiously bubbles to the surface in perhaps the last great book he wrote before his own life—as dramatic as anything he penned—and his work both began to crumble.
It’s hardly short (the original hardback clocks in at a hefty 650-plus pages), but I could not get enough of its blazing, take-no-prisoners leads as they barreled through the worlds of show business, aviation, and business to conquer the world.
Attacked, damned, praised and read around the world, THE CARPETBAGGERS was first published in 1961 and shelved high enough that the kids couldn't get their hands on it.
Set in the aviation industry and Hollywood in the 1930s, it is said the lead protaganist Jonas Cord is based on Bill Lear and Howard Hughes. It is the original sex and money blockbuster: a cracking story driven relentlessly forward by the sheer power and boldness of Robbins' writing.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
The first great American trashy novel, Peyton Place today seems rather tame, but in its day, it was scandalous. Plucking it from my mother’s bookcase when I was 14, I was engrossed by its roaring passion and sensational secrets.
Set in a small New England town, the book set the stage for the modern soap opera, and I wolfed it down like a big box of candy. It reminds me of those great, heady melodramas of the 1950s (and was itself made into a fabulously sudsy film in 1957), an intoxicating mix of all things forbidden.
I adored the fact that it was literary, which it doesn’t get enough credit for. I think its opening line—“Indian summer is like a woman…”—is one of the best in mid-20th Century literature.
When Grace Metalious's debut novel about the dark underside of a small, respectable New England town was published in 1956, it quickly soared to the top of the bestseller lists. A landmark in twentieth-century American popular culture, Peyton Place spawned a successful feature film and a long-running television series—the first prime-time soap opera.
Contemporary readers of Peyton Place will be captivated by its vivid characters, earthy prose, and shocking incidents. Through her riveting, uninhibited narrative, Metalious skillfully exposes the intricate social anatomy of a small community, examining the lives of its people—their passions and vices, their ambitions and defeats, their…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
One of the great lions of mid-20th-century literature, Irwin Shaw is probably best known for Rich Man, Poor Man, which became television’s first big miniseries. But this book, chronicling the dark glamour of the Cannes Film Festival in 1970, centers on the antihero Jesse Craig, a burned-out film producer trying to regain relevance in an arena that worships the new.
Reading it today, you can’t help but wish that kind of effortless European style and chic still existed. It also contains one of my favorite exchanges in a novel, when a young woman asks Craig, “If you had to do it all over again, would you?” and he responds wearily, “No one gets to do it all over again.” Oh, snap!
'They were honest mean and thieves, pimps and panderers and men of virtue. Therewere beautiful women and delicious girls, handsome men with the faces of swines...' 'They were all gamblers in a game with no rules, placing their bets debonairly or in the sweat of fear...' These are some of the characters in Irwin Shaw's bestselling EVENING IN BYZANTIUM. The place is Cannes, the setting, a film festival. The hero is Jesse Craig, forty-eight years old, whose survival is at stake in the midst of this gaudy carnival.
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
Ok, so this is not technically midcentury (it was published in 1977), but I had to include one of those amazing 1970s yarns. I chose this one because I remember reading this as an adolescent and feeling it was sort of like a more adult, sophisticated Nancy Drew book, replete with cliffhangers at the end of each chapter.
This global potboiler, about a beautiful pharmaceutical heiress marked for murder, has enough twists and turns to keep anyone reading way past bedtime. I think it also planted the seed for me to write my own novels of courageous, Grace Kelly-style heroines caught up in the throes of romantic mystery and adventure.
One of Sidney Sheldon's most popular and bestselling titles, repackaged and reissued for a new generation of fans.
The daughter of a rich and powerful father, Elizabeth Roffe is young, beautiful - and sole heir to a billion dollar fortune.
Then tragedy strikes. Her father is killed in a freak accident and Elizabeth must take command of his mighty global empire, the pharmaceutical company Roffe and Sons. It makes Elizabeth the richest girl in the world. But someone, somewhere, is determined that she must die.
From the backstreets of Istanbul to the upmarket offices of New York,…
I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.
Joseph, a Berkeley student and the son of a Jewish mother and a Muslim father, receives a mysterious package from his estranged father. He embarks on a journey to understand a family mystery that can be traced back a thousand years.
I really cared about all of the characters who strive to lead good lives and demonstrate the many ways in which responsibility, forgiveness, love, and kindness shape the way we see and act in the world.
In this “wonderfully rich” (San Francisco Chronicle) novel from the author of the internationally bestselling The Oracle of Stamboul, a young man journeys from California to Cairo to unravel centuries-old family secrets.
“This book is a joy.”—Rabih Alameddine, author of the National Book Award finalist An Unnecessary Woman
WINNER OF: THE AMERICAN LIBRARY ASSOCIATION’S SOPHIE BRODY AWARD • THE NATIONAL JEWISH BOOK AWARD IN FICTION • THE SAMI ROHR PRIZE FOR JEWISH LITERATURE • Named One of the Ten Best Books of the Year by the BBC • Longlisted for the Northern California Independent Booksellers Association Fiction Prize •…
As a professional counselor by trade, I’m fascinated by the machinations of the human mind, what drives us, and how our primeval urges can overcome our learned and acceptable behaviors. Accordingly, I enjoy both reading and writing books that expose and explore the dark side of our psyche and the dichotomy of human nature. I particularly appreciate stories that balance evil with redemption, rescue, or retribution.
I love a tense, character-driven thriller, and this one was set in a remote town I’ve visited.
I love that the book is set in 1963, a decade that had particular significance for Australian women, their roles, and the expectations placed upon them.
It’s not fast-moving, but the setting is an almost palpable character in its own right. I found it dark, rife with corruption, violence, oppressive heat, and both the best and the worst of what Australia has to offer.
'From screen to page, Matt Nable's ability to breathe life into vivid characters shines against the grittiness of the harsh Australian landscape.' - Jane Harper, author of The Dry
'a thrilling, heart-stopping novel that fans of The Dry are going to love' - Weekender
'Nable renders the past both tangible and real and it's riveting' - Sue Turnbull, The Age
'must read' - Who Weekly
Darwin, Summer, 1963.
The humidity sat heavy and thick over the town as Senior Constable Ned Potter looked down at a body that had been dragged from the shallow marshland.…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I’m autistic, with a passion for narrative structure and my brain is exceptional at predicting twists, so something genuinely surprising is a rare treat I crave and value. As a queer and trans person, I’m always looking for content in which I can see myself and my loved ones. I’m obsessed with YA thrillers that don’t just keep me guessing but also give me messy, brilliant, unforgettable queer characters to root for. These are the books that stuck with me, made me lose sleep to finish, and gave me new queer icons to love. I hope you enjoy them as much as I did!
I’m an absolute sucker for a ‘what really happened that night’ tale and this is one of my all time favourites due to the unreliable narration and the sense of slowly creeping dread.
The core of this book is the messy tangle of friendship, obsession, and unspoken longing, which I can never get enough of. Throughout my first read of the story, I re-evaluated what I thought I knew, and went back to the start over and over. I had to know who was lying…
Jessica Wong is the kind of girl nobody notices. She's also the kind of girl who sees everything. There's no one better at overlooking Jess than her best friend, Angie. Jess can live without Angie knowing her real feelings, just so long as they're best friends. But when Angie meets Margot, Jess recognises that things will never be the same. Worse still, Margot is one of the rare people who sees exactly how Jess feels about Angie. As Angie falls hard for Margot and gets caught up with Margot's wealthy friends, Jess's life begins to fall apart. If she isn't…
As a queer, disabled YA author, I focus on writing stories that reflect the complexities of identity, disability, and mental health. I believe every teen who is disabled and/or struggles with mental illness deserves to see themselves represented, but I’m also passionate about stories that allow able-bodied readers to gain insight into new perspectives. These book recommendations showcase diverse voices and highlight a disabled experience, and I hope books like these will foster a new generation that values inclusivity and representation. Happy reading!
I was deeply moved by this poetic in-verse novel that compassionately addresses harsh realities like coping with mounting stress and being a Black teen in America.
I felt a strong connection to the characters, who were well-developed and authentic, particularly the protagonist grappling with agoraphobia. The conversations about mental health were a nuanced and vulnerable exploration of expectations imposed on Black people dealing with mental health challenges.
I'm safe here. That's how Sadie feels in her girlfriend's arms on a perfect Summer day. But then her girlfriend suddenly breaks up with Sadie. Moments later, she witnesses a scene of police brutality, which upends what now feels like a mirage of security.
I'm not safe anywhere. That's how Sadie feels every day after. So she retreats to her house. Her therapist gives her suffocating isolation a name-agoraphobia. Meanwhile, Sadie's best friend Evan updates her on the protests taking place outside. Sadie wants to be a part of it. But she can't. Or can she?
I always want to be where I am not. This was why I read sci-fi and fantasy as a child. This was why I left the country of my birth and became a professional nomad. This is why I am spellbound by mountains I will never climb and oceans I will never dive into. Imagination can take you everywhere. It took me to the academy, where speculative literature became my scholarly field, and to the publishing world, where I am now getting ready for the launch of my eighth novel. When you are at home nowhere, you are at home everywhere–including on the summits of impossible mountains.
I love ghost stories. But I am rather tired of old houses with creaky furniture. The strangest and most dangerous monsters lurk in the wilderness, in the remote and inaccessible corners of the natural world. And what is more remote and inaccessible than Kanchenjunga, the third-highest mountain in the world, located on the border between Nepal and India?
I have always admired those mountain climbers of the past who, with inadequate equipment and minimal knowledge, braved the unknown dangers of the heights. Paver’s beautifully written novel is a historical mystery and a ghost story at one, whose final twist is as vertiginous as the pinnacle of the sacred mountain.
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
As a queer, disabled YA author, I focus on writing stories that reflect the complexities of identity, disability, and mental health. I believe every teen who is disabled and/or struggles with mental illness deserves to see themselves represented, but I’m also passionate about stories that allow able-bodied readers to gain insight into new perspectives. These book recommendations showcase diverse voices and highlight a disabled experience, and I hope books like these will foster a new generation that values inclusivity and representation. Happy reading!
I was absolutely hooked by the theme of chaotic teenage girldom and hilariously relatable characters, but the thoughtful discussions centering on disability and identity were simply fabulous!
I greatly enjoyed the portrayal of universal feelings of youth—confusion, longing for adventure, and a quest for meaning. The protagonist, who is autistic and Palestinian, highlights representation the world desperately needs more of.
A contemporary teen romance novel, now available in paperback, featuring a Palestinian-Canadian girl trying to hide her autism diagnosis while navigating her first year of high school, for fans of Jenny Han and Samira Ahmed.
Fifteen-year-old Jessie, a quirky loner obsessed with the nineties, is diagnosed as autistic just weeks before starting high school. Determined to make a fresh start and keep her diagnosis a secret, Jessie creates a list of goals that range from acquiring two distinct eyebrows to getting a magical first kiss and landing a spot in the school play. Within the halls of Holy Trinity High,…
