Here are 100 books that From the Terrace fans have personally recommended if you like
From the Terrace.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
This roman à clef about billionaire Howard Hughes has everything you covet in a great beach read: money, power, sex, betrayal.
The rugged tycoon Jonas Cord and the screen siren Rita Marlowe tussle, tangle, couple, uncouple, and everything in between over decades and continents, and Robbins’s talent for saucy dialogue and spicier plotlines furiously bubbles to the surface in perhaps the last great book he wrote before his own life—as dramatic as anything he penned—and his work both began to crumble.
It’s hardly short (the original hardback clocks in at a hefty 650-plus pages), but I could not get enough of its blazing, take-no-prisoners leads as they barreled through the worlds of show business, aviation, and business to conquer the world.
Attacked, damned, praised and read around the world, THE CARPETBAGGERS was first published in 1961 and shelved high enough that the kids couldn't get their hands on it.
Set in the aviation industry and Hollywood in the 1930s, it is said the lead protaganist Jonas Cord is based on Bill Lear and Howard Hughes. It is the original sex and money blockbuster: a cracking story driven relentlessly forward by the sheer power and boldness of Robbins' writing.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
The first great American trashy novel, Peyton Place today seems rather tame, but in its day, it was scandalous. Plucking it from my mother’s bookcase when I was 14, I was engrossed by its roaring passion and sensational secrets.
Set in a small New England town, the book set the stage for the modern soap opera, and I wolfed it down like a big box of candy. It reminds me of those great, heady melodramas of the 1950s (and was itself made into a fabulously sudsy film in 1957), an intoxicating mix of all things forbidden.
I adored the fact that it was literary, which it doesn’t get enough credit for. I think its opening line—“Indian summer is like a woman…”—is one of the best in mid-20th Century literature.
When Grace Metalious's debut novel about the dark underside of a small, respectable New England town was published in 1956, it quickly soared to the top of the bestseller lists. A landmark in twentieth-century American popular culture, Peyton Place spawned a successful feature film and a long-running television series—the first prime-time soap opera.
Contemporary readers of Peyton Place will be captivated by its vivid characters, earthy prose, and shocking incidents. Through her riveting, uninhibited narrative, Metalious skillfully exposes the intricate social anatomy of a small community, examining the lives of its people—their passions and vices, their ambitions and defeats, their…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
One of the great lions of mid-20th-century literature, Irwin Shaw is probably best known for Rich Man, Poor Man, which became television’s first big miniseries. But this book, chronicling the dark glamour of the Cannes Film Festival in 1970, centers on the antihero Jesse Craig, a burned-out film producer trying to regain relevance in an arena that worships the new.
Reading it today, you can’t help but wish that kind of effortless European style and chic still existed. It also contains one of my favorite exchanges in a novel, when a young woman asks Craig, “If you had to do it all over again, would you?” and he responds wearily, “No one gets to do it all over again.” Oh, snap!
'They were honest mean and thieves, pimps and panderers and men of virtue. Therewere beautiful women and delicious girls, handsome men with the faces of swines...' 'They were all gamblers in a game with no rules, placing their bets debonairly or in the sweat of fear...' These are some of the characters in Irwin Shaw's bestselling EVENING IN BYZANTIUM. The place is Cannes, the setting, a film festival. The hero is Jesse Craig, forty-eight years old, whose survival is at stake in the midst of this gaudy carnival.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
Ok, so this is not technically midcentury (it was published in 1977), but I had to include one of those amazing 1970s yarns. I chose this one because I remember reading this as an adolescent and feeling it was sort of like a more adult, sophisticated Nancy Drew book, replete with cliffhangers at the end of each chapter.
This global potboiler, about a beautiful pharmaceutical heiress marked for murder, has enough twists and turns to keep anyone reading way past bedtime. I think it also planted the seed for me to write my own novels of courageous, Grace Kelly-style heroines caught up in the throes of romantic mystery and adventure.
One of Sidney Sheldon's most popular and bestselling titles, repackaged and reissued for a new generation of fans.
The daughter of a rich and powerful father, Elizabeth Roffe is young, beautiful - and sole heir to a billion dollar fortune.
Then tragedy strikes. Her father is killed in a freak accident and Elizabeth must take command of his mighty global empire, the pharmaceutical company Roffe and Sons. It makes Elizabeth the richest girl in the world. But someone, somewhere, is determined that she must die.
From the backstreets of Istanbul to the upmarket offices of New York, Bloodline is a…
My taste in music is as eclectic as my bookshelf. I read everything from poetry to Greek tragedies and listen to both historical and contemporary music. When I first imagined Shelby’s story, I aimed to capture how music transforms us, how it shifts our moods and shapes our memories. As I set out to write the first draft, I had never heard of social-emotional learning. However, writing this book, along with my YA novel, A Song for the Road, inspired me to pursue a master’s degree in Humanities focusing on Social-emotional Learning and Creative Writing. I also teach teens and adults how to write compelling emotional fiction.
I read fiction to experience the delicious sensation of seeing the world through a protagonist’s eyes—the exhilarating leap into another time and place. As a teen, I often daydreamed about bumping into a favorite music performer. Part coming-of-age tale, part fish-out-of-water adventure, this novel follows innocent and strait-laced Mary Jane as she gets a crash course in how other people live when a famous rock star and his movie-star wife check into rehab at the house where she’s working as a summer nanny.
I shared Mary Jane’s sense of awe and curiosity and admired the grit and care she brought to the often out-of-control adults around her. This novel is a joy to read and a masterclass in character creation and development—I recommend it for aspiring and experienced writers.
"I LOVED this novel....If you have ever sung along to a hit on the radio, in any decade, then you will devour Mary Jane at 45 rpm." -Nick Hornby
Almost Famous meets Daisy Jones & The Six in this "delightful" (New York Times Book Review) novel about a fourteen-year-old girl's coming of age in 1970s Baltimore, caught between her straight-laced family and the progressive family she nannies for-who happen to be secretly hiding a famous rock star and his movie star wife for the summer.
In 1970s Baltimore, fourteen-year-old Mary Jane loves…
It’s hard to pinpoint where my interest in cold cases began, but I remember reading about the Isdal Woman and being intrigued. She was found in Norway in 1970, badly burned, with the labels cut off her clothes. Police discovered fake identities and disguises in suitcases left at the railway station, but, to this day, have no idea who she was. I’m a member of several Facebook groups where people investigate cold cases, and I’m always amazed at how these clues can be put together so many years later. Or, in some cases, how some people go unnamed, or crimes unsolved despite all the resources at our fingertips.
This is a brilliantly plotted book with a fascinating protagonist.
It’s fair to say that Cam Killick has issues stemming from his time in the Marines. He starts looking into a decades-old case of a family who went missing on the way back from a party. It was widely accepted that their car had probably crashed into the marshes and had lain there for thirty years. But when Cam finds the car, the remains of the family are nowhere to be found.
'Compelling and so atmospheric ... the perfect new crime series to dive into' HEAT 'Rob Parker is a master of the stone-cold twist' JANICE HALLETT 'Brilliant pacing ... a great addition to your to-be-read stacks' PRIMA 'The very definition of a one-sitting read' ROBERT RUTHERFORD
Cam Killick left the special forces with a handful of medals, stories he can't share and PTSD so bad he can only find peace under water. Working as a salvage diver in the Norfolk Broads keeps him sane, and the county's many tales of the lost keep him busy.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
When I produced a recording of lost works by Alexander Zemlinsky with Riccardo Chailly for Decca Records in 1984, I soon realized that a wealth of music had been lost during the Nazi years that had never been recovered. After initiating and supervising the recording series Entartete Musik for Decca, the first retrospective of major works lost during the Nazi years, I headed research in this subject at London University’s Jewish Music Institute. I was a music curator at Vienna’s Jewish Museum. YUP published one of my books, and I am a co-founder of the Research Center and Archive “Exilarte” based at Vienna’s University of Music and Performing Arts.
This is somehow the antidote to Roth’s novel. It is a daunting read, often thought of as a Viennese answer to Proust. What was fascinating was its very unsentimental and often quite funny representation of wealthy Viennese society. Musil is a seductive writer and it is easy to keep reading even while wondering when something might actually happen.
Like Roth, the effect of the novel is cumulative–only after reading it suddenly comes together. It also balances the presentation of Vienna as a city of musicians and poets and gives us the politicians, the mathematicians, the scientists, and the economists. The central character is himself a mathematician with little comprehension of the finer arts.
It is 1913, and Viennese high society is determined to find an appropriate way of celebrating the seventieth jubilee of the accession of Emperor Franz Josef. But as the aristocracy tries to salvage something illustrious out of the collapse of the Austro-Hungarian Empire, the ordinary Viennese world is beginning to show signs of more serious rebellion. Caught in the middle of this social labyrinth is Ulrich: youngish, rich, an ex-soldier, seducer and scientist.
Unable to deceive himself that the jumble of attributes and values that his world has bestowed on him amounts to anything…
As a child, finding reality both overwhelming and boring, I was drawn to movies. My father, a New York City disc jockey also at odds with reality, had contacts at a sixteen-millimeter movie rental company. He often brought films home, shown in a makeshift screening room he set up in our basement. Singin’ in the Rain, the classic musical, made a great impression there. Its funny first scene at a movie premiere featured a pompous star’s ennobling account of his early days, comically contradicted by the tacky, scrounging, painfully undignified truth. What lay behind Hollywood's glamor, smiles, and success soon became as interesting to me as what was on the screen.
Gavin Lambert adapted the works of D. H. Lawrence and Tennessee Williams for the films Sons and Lovers and The Roman Spring of Mrs. Stone. He directed one interesting, low-budget, Paul Bowles-like movie, Another Sky. His prose work is insightful about the behind-the-scenes world of the movies.
The linked stories in this book memorably spotlight hangers-on and working-class people on the edges of entertainment. Also of interest is Inside Daisy Clover, his novel about a teen tomboy star which became an affected, bombastic, entertaining Natalie Wood movie.
The land along Pacific Palisades is apt to slip away without warning, hence the road-side signs - SLIDE AREA. Narrated by a script-writer, Lambert's widely-acclaimed 1959 Hollywood classic of lonely souls marooned on a glittering wasteland is a perceptive and sensitive study of human emotion.
It’s not my fault! My foremothers were strong, capable, compassionate women. Angry with the silence around women in history, I have been passionate about restoring the voices and contributions of women to history and culture. I have written several books on neglected aspects of women's history that have been translated into 12 languages. While a voracious reader of history, I enjoy historical fiction (when it’s done well). I will never recommend a novel that does not respect this. And I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel.
Set in a beguinage in 1310 Paris, which is churning with palace intrigue and the pyres of the Inquisition. I felt drawn into the lives of these beguines as they strive to hold their place in society with strong political forces set against their independent lifestyle.
I felt the smells, sights, and sounds of medieval Paris. An innocent Maheut arrives, unintentionally stirring up life among the beguines as they and the girl try to outwit the Inquisitors. Maheut is hunted, but the beguines are not sure by whom, and she won’t talk. A great resolution.
'A rich, surprising and devastating story of a female institution long-forgotten' Marj Charlier, author of The Rebel Nun
A heretical text, a vengeful husband, a forbidden love...
It's 1310 and Paris is alive with talk of the trial of the Templars. Religious repression is on the rise, and the smoke of execution pyres blackens the sky above the city. But sheltered behind the walls of Paris's great beguinage, a community of women are still free to work, study and live their lives away from the domination of men.
When a wild, red-haired child clothed in rags arrives at the beguinage…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve loved murder mysteries since I first discovered the genre. As a child, I loved watching Morse, Miss Marple,and other detectives as they got to the bottom of whodunit. I was hooked. It wasn’t long before I started to read books starring these detectives. I really love the way that female amateur detectives often have far more ideas of what’s going on and why things have happened than the men who populate the books. What woman can’t resist reading about another woman who just gets to the bottom of it all? I know I can’t, but these books are some of the very best in the genre.
My all-time favorite amateur detective is Miss Marple, and if I had to pick a favorite book she is in, it would be this one. I love the idea of a quiet, mostly ignored spinster who most people dismiss being the one character who seems to know exactly what is going on and what people are up to.
I really like the way Miss Marple figures out why the main character thinks she is going mad and proves that she isn’t. In this book, Miss Marple really proves her status as one of the best amateur detectives, and I love it.
