Books like Lady Eve's Last Con — picked by fans

This book is bonkers in the best way.

Beryl is accidentally abducted by Zylar, an alien from the planet Barath, and the two end up competing in a series of deadly trials to win the right to be together.

If you’d told me how invested I would become in the romance between Zylar, a chitin-armored extraterrestrial who’s sweet but a little lacking in confidence, and Beryl, a no-nonsense former childcare worker from Missouri, I wouldn’t have believed you. 

Their journey is both funny (Zylar calls Beryl "Terrible One" after misreading her smile as a threat display) and touching, as they work with each other to explore their differences and find compromises.

Oh, and did I mention there’s a talking dog?

This is the first romance book I ever read.

It’s possible this is the reason behind my deep-seated belief that all romances should include comedy and science fiction, because Douglas Adams is the master of both.

But it’s not just hilarious and full of great SF ideas (like dolphins saving humanity by retrieving a replacement Earth from a parallel universe) – the romance between Arthur and Fenchurch is genuinely swoonworthy, to the point where I picked a passage from the book as a reading at my wedding.

When I heard the words "Regency romance in space," I was already sold, but A Civil Campaign exceeded my expectations to become one of my favorite books of all time.

It’s hard to overstate the joy I experienced watching Miles Vorkosigan, military strategist and genius, fall flat on his face as he tries to woo quiet, intense widow Ekaterin Vorsoisson.

Navigating the complex social dynamics of the feudal colony planet of Barrayar, Miles’s romantic quest culminates in a proposal that rivals Darcy’s first attempt in its fist-in-mouth awfulness, and a love confession via letter that’s learn-by-heart-worthy.

This book made me laugh out loud from the first page.

But the way it puts the com in romcom isn't the only special thing about it. The worldbuilding is surprisingly deep and sharply observed, offering a glimpse of a scarily plausible near future – protagonist Trinity works as a remote Uber driver, masquerading as self-driving AI because the real technology isn’t reliable enough.

And the characters are beautifully drawn: Trinity’s journey out of trauma to reclaiming her identity is heartwarming, and biosynthetic humanoid love interest Li Wei is equal parts hot, quirky, and adorable.

I’m an absolute sucker for a ‘what really happened that night’ tale and this is one of my all time favourites due to the unreliable narration and the sense of slowly creeping dread.

The core of this book is the messy tangle of friendship, obsession, and unspoken longing, which I can never get enough of. Throughout my first read of the story, I re-evaluated what I thought I knew, and went back to the start over and over. I had to know who was lying…

This is one of those books I love because you literally cannot put it down until you have reached the final page, and when you do, you are left with a lingering sense of sadness that the book is over.

I love it as a reader, and I admire it as a writer, because it shows how to handle an intense plot with a firm hand, page after page, without losing momentum and without giving the reader a moment to breathe—something I have also tried to achieve in my own books.

In addition, the plausibility of the plot, the dark places where the characters move, the politicians, and those other figures who are always kept hidden from us and who carry out the crimes of power, create an almost disturbingly realistic picture that we should not ignore, because it reveals the true face of power.

This book is an old standard but one of the best books ever written on how to write. More about the writing process than story, per se, it is still essential for any writer interested in upping their story development game. Don’t be put off by the focus on “young writers” in the title; this is for old and young.

Gardner systematically guides the reader through both theory and practicum, delivering a primer on how to not just write solid fiction but how to think like a writer. I love this book.

At first glance, this book of short stories is about Denver gentrification, but the volume is much more – a series of studies of how Native and Mexican women remember and revisit the “lost territory” of northern New Mexico and southern Colorado when they head to the Rocky Mountain metropolis.

I love that rather than look back East or out West when seeking home, the women of Fajardo-Anstine’s work look northward and southward, to the past and to the future. I was not at all surprised to learn that Fajardo-Anstine consulted with Prof. Vanessa Fonseca-Chávez for her work. Fonseca-Chávez’s Following the Manito Trail oral history project let me keep listening for similar voices.

This novel's compelling cover reeled in this reader straightaway and, indeed, delivers with a plot that captures the gothic folk horror genre in a tidy and well-written package.

As I read it, it felt like Harvest Home and The Wicker Man were seated on either shoulder. Overarching the story is also a "morality play" at work, expertly woven in. Bonus points for historical roots and an English village setting.

So original, so folky horror, so good and, simply put, a treat.

I once asked Agnes Nixon, the creator of All My Children and other legendary daytime serials, how she became so good at plotting them. She replied, “I am a very good eavesdropper.”

I suspect O’Hara was, too. His 1959 epic (900 pages!) about a social-climbing, status-mad banker and the fashionable coterie of vipers he navigates to attain success at any cost is dipped in old-money style and privilege masking an ever-rotting core.

It’s packed with the one thing any great beach read needs: people keeping secrets who will do anything to protect them.