Here are 100 books that The Art of Fiction fans have personally recommended if you like
The Art of Fiction.
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Writing is in my blood – my grandmother wrote poetry, my mother writes novels, and over the last twenty-plus years I’ve written just about everything (and now I teach writing at my local university). I’ve loved stories for as long as I can remember. While my fiction career may be newly revived, I spent over 20 years as a pop culture commentator, poking at the minutia of the stories I love. I think stories may be one of the most important things in our culture – they inspire us, they brighten our day, they bring us to tears, and sometimes when we are lost they show us the way.
This will be one of my more controversial picks – there are plenty of people who disagree with Campbell as a folklorist, a mythographer, and with his depiction of the Hero’s Journey. But, what is important about Campbell is his exploration of whythe elements that appear in stories have the impact they do on our psyche, and how they fit together. One may not agree with all of Campbell’s conclusions, but I don’t think there’s a writer out there who won’t benefit from his exploration of the subject. I know I did.
Joseph Campbell's classic cross-cultural study of the hero's journey has inspired millions and opened up new areas of research and exploration. Originally published in 1949, the book hit the New York Times best-seller list in 1988 when it became the subject of The Power of Myth, a PBS television special. The first popular work to combine the spiritual and psychological insights of modern psychoanalysis with the archetypes of world mythology, the book creates a roadmap for navigating the frustrating path of contemporary life. Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
It started with Goosebumps. Then came Buffy the Vampire Slayer and Stephen King. King led me to Kubrick, DePalma, Reiner, and Cronenberg, where my passion for film and screenwriting was sparked. This passion eventually led me to write my book. On that path, these 5 books helped me understand storytelling better: how it helps us understand the machinations of the world; makes sure our messages reach our audience; how language can tell its own story; how to find the spirit within the structure; and how storytelling can change your life. My world is richer thanks to these books. My ideas of what is possible are broader. Hopefully, they’ll do the same for you.
I read this book years ago, and it has become such a part of my DNA that I barely remember not knowing the ideas it introduces. A lot of screenwriting books focus on structure and premise, trying to decide what kind of event should happen by which page. This book gave me a freer, more spiritual way to think about and structure stories.
Vogler’s book—heavily influenced by Joseph Campbell’s Hero with a Thousand Faces—showed me how to think of stories as mythical journeys, almost Jungian in their symbolism. How even the most modern or intimate story can be seen as a warrior’s journey into an unknown land; How stories can benefit from being a few degrees closer to dreams or the unconscious.
I've been an avid fan of the book ever since, and can barely think of storytelling separately from the ideas in it.
Originally an influential memo Vogler wrote for Walt Disney Animation executives regarding The Lion King, The Writer’s Journey details a twelve-stage, myth-inspired method that has galvanized Hollywood’s treatment of cinematic storytelling. A format that once seldom deviated beyond a traditional three-act blueprint, Vogler’s comprehensive theory of story structure and character development has met with universal acclaim, and is detailed herein using examples from myths, fairy tales, and classic movies. This book has changed the face of screenwriting worldwide over the last 25 years, and continues to do so.
When your storytelling simulates imagined physiological experiences, it guides your listeners to vicariously see, hear, smell, taste, and touch the world of your story. While my books suggest six kinds of stories and four buckets to find stories, I also use these favorite resources for training my brain to think in sensory language. Dip in to find a steady supply of metaphors, images, mannerisms, and context builders that make your story come alive. Current strategies that maximize clicks rarely tap into the wealth of sensory language needed to build epic, long-lasting results.
Yes, it says for writers, but this book is a great resource for in-person storytelling. On these pages are thousands of ideas on how you can show, not tell.
Comb through ideas on how to express a character’s emotion with posture, tone, and mannerisms. Don’t just say, “he looked guilty.” Look up “guilt” and find ways to indicate guilt without telling people what to think. Have your guilty character “avert her eyes,” “shift her feet,” “pull at her collar,” or “suddenly lose her appetite.” I regularly flick through this book to train my imagination on the sensory cues that make a story come alive.
The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 55 new entries!
One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much.
If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes:
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
For years everyone thought the only two options for writing were to pants or plot, i.e., wing it or outline. Turns out there is another method and Lisa Cron lays that out in her book.
I found this to be a truly valuable resource based on science and creative process. Cron’s book takes you from idea to actual writing using an innovative and original take on the conventional writing process.
Following on the heels of Lisa Cron's breakout first book, Wired for Story, this writing guide reveals how to use cognitive storytelling strategies to build a scene-by-scene blueprint for a riveting story.
It’s every novelist’s greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page one rewrite.
The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot). Story coach Lisa Cron…
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
Beginning, middle, and an end—what writer doesn’t know about these three concepts? Well, Aristotle is the guy who wrote about these ideas in his book, and thousands of years later we’re still using them and thinking about them.
The foundations of modern literature and theater rest on this book and every writer should be familiar with its ideas and concepts. Story is story, and Aristotle started the ball rolling for everyone who is interested in storytelling.
One of the most powerful, perceptive and influential works of criticism in Western literary history
In his near-contemporary account of classical Greek tragedy, Aristotle examines the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis ('purification'). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals. The Poetics has…
A dozen years ago, I decided to publish short stories. I figured it’d be easy. After all, I’d published textbooks and countless research papers. It turned out I was wrong. Writing fiction is hard. My stories read like my math publications, but without the math. Then I had the good fortune to join a writing group that included experienced, published authors. Their guidance taught me the basics of the craft. I supplemented their mentorship by reading books on writing. It was like going to graduate school all over again. This list of books is the distillation of those dozen years of learning. I’m still learning. I expect I’ll never quit.
I sold three novels before I found this book, and it transformed how I think about writing. If you want to write stories that grab your readers by the throat and makes them want more, this is the book for you. Swain’s basic premise is simple: fiction is movement, action, and reaction. He deduces from this specific, actionable ways to construct compelling sentences that turn movement to action, action to scenes, and scenes to stories. Swain’s influence on screenwriting is everywhere, from The Rockford Files toThe Mandalorian. His influence on contemporary fiction is just as pervasive. His ideas about “motivation reaction units” and “scenes/sequel pairs” are now in many “how-to” books, but no one describes them better than the man who invented them.
Techniques of the Selling Writer provides solid instruction for people who want to write and sell fiction, not just to talk and study about it. It gives the background, insights, and specific procedures needed by all beginning writers. Here one can learn how to group words into copy that moves, movement into scenes, and scenes into stories; how to develop characters, how to revise and polish, and finally, how to sell the product.
No one can teach talent, but the practical skills of the professional writer's craft can certainly be taught. The correct and imaginative use of these kills can…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
A dozen years ago, I decided to publish short stories. I figured it’d be easy. After all, I’d published textbooks and countless research papers. It turned out I was wrong. Writing fiction is hard. My stories read like my math publications, but without the math. Then I had the good fortune to join a writing group that included experienced, published authors. Their guidance taught me the basics of the craft. I supplemented their mentorship by reading books on writing. It was like going to graduate school all over again. This list of books is the distillation of those dozen years of learning. I’m still learning. I expect I’ll never quit.
I love both science fiction and mysteries, so naturally I’ve written novels that combine the two. I know enough science to realize how annoying it is when an author gets a simple thing wrong, like confusing a measure of distance (ahem, a parsec) with a unit of time. When I needed to write about a detective investigating a crime scene, I knew I needed better background than watching Lenny on Law and Order. That’s where this book comes in. Wingate is a former cop and CSI investigator in addition to having a PhD in English, and provides detailed and practical notes, drawn from personal experience, on the scene of the crime. Besides pointing out an excellent reference, the point of this recommendation is to do the research and get the details right no matter the genre.
Provides information on how evidence is measured, collected, identified, and analyzed, the timetable of activity at a crime scene, and technical terms and professional techniques used.
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
Every story belongs to a genre and genre is a part of story development. I found this book to be the best available explaining what genres are and how they work to support the process of story development.
Truby’s book lays out each major story genre, its beats, dynamics, and place in the world of storytelling. This is an essential reference every writer needs on their bookshelf.
A guide to understanding the major genres of the story world by the legendary writing teacher and author of The Anatomy of Story, John Truby.
Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses―movie studios, production companies, video game studios, and publishing houses―buy and sell them. Writers…
Some of my favorite things in life are talking about story, learning about story, reading story, and writing story. I have been blessed to be invited to teach and speak about kissing books all over the United States and Canada.
This is one of the first books I read about writing that gave me that A-HA feeling. Originally published in 1999, it’s still relevant and foundational. What does your character want? Why? And what is standing in their way? It seems like a simple concept, but it isn’t easy! And boy, oh boy, if you are missing one of those elements, it can be the difference between a page-turner and a wall-banger (when a reader throws your book against the wall because you just wasted their time.)
Without really understanding what your character wants and why, writers risk nonsensical plot progression and alienating the reader.
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I’m autistic, with a passion for narrative structure and my brain is exceptional at predicting twists, so something genuinely surprising is a rare treat I crave and value. As a queer and trans person, I’m always looking for content in which I can see myself and my loved ones. I’m obsessed with YA thrillers that don’t just keep me guessing but also give me messy, brilliant, unforgettable queer characters to root for. These are the books that stuck with me, made me lose sleep to finish, and gave me new queer icons to love. I hope you enjoy them as much as I did!
I’m an absolute sucker for a ‘what really happened that night’ tale and this is one of my all time favourites due to the unreliable narration and the sense of slowly creeping dread.
The core of this book is the messy tangle of friendship, obsession, and unspoken longing, which I can never get enough of. Throughout my first read of the story, I re-evaluated what I thought I knew, and went back to the start over and over. I had to know who was lying…
Jessica Wong is the kind of girl nobody notices. She's also the kind of girl who sees everything. There's no one better at overlooking Jess than her best friend, Angie. Jess can live without Angie knowing her real feelings, just so long as they're best friends. But when Angie meets Margot, Jess recognises that things will never be the same. Worse still, Margot is one of the rare people who sees exactly how Jess feels about Angie. As Angie falls hard for Margot and gets caught up with Margot's wealthy friends, Jess's life begins to fall apart. If she isn't…
