Here are 100 books that Story Genius fans have personally recommended if you like
Story Genius.
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Ever since I was a little girl, I felt intimidated to use my voice when I needed to, or didn’t feel confident to speak up or show up to support myself. It wasn’t until I studied emotional intelligence (EI) that I started to learn the tools that helped me develop my confidence and step into my power. My book has many of these tools in it, and I am on a mission to help leaders embrace intentional shifts in behavior, or pauses, to redirect their energy to feel more confident, calm, and clear–without the overwhelm.
I read this book as part of my Search Inside Yourself (SIY) facilitator training when I worked at Google and later taught. I love this book because it’s full of science-based research on the power of mindfulness. I personally love all of Rick’s books and hosted him on my podcast, The Pausecast podcast (Ep. 17), where he blends his psychology and mindfulness expertise into easy and relatable concepts.
This book stuck out to me because Hanson shares how great teachers like Jesus, Moses, Mohammed, Gandhi, and the Buddha all had brains built essentially like anyone else's, yet they were able to harness their thoughts and shape their patterns of thinking in ways that changed history. I was inspired by their stories and also saw how I could model my own thinking in ways that better serve me and the world.
Jesus, Moses, Mohammed, Gandhi, and the Buddha all had brains built essentially like anyone else's, yet they were able to harness their thoughts and shape their patterns of thinking in ways that changed history.
With new breakthroughs in modern neuroscience and the wisdom of thousands of years of contemplative practice, it is possible for us to shape our own thoughts in a similar way for greater happiness, love, compassion, and wisdom.
Buddha's Brain joins the forces of modern neuroscience with ancient contemplative teachings to show readers how they can work toward greater emotional well-being, healthier relationships, more effective actions, and…
The Curious Reader's Field Guide to Nonfiction
by
Anne Janzer,
So many books, so little time! If you're a nonfiction fan, this field guide may help you make better choices about what to read.
Just like a field guide helps you identify plants or birds, this book helps you navigate the rich world of nonfiction. You’ll uncover how your favorite…
It started with Goosebumps. Then came Buffy the Vampire Slayer and Stephen King. King led me to Kubrick, DePalma, Reiner, and Cronenberg, where my passion for film and screenwriting was sparked. This passion eventually led me to write my book. On that path, these 5 books helped me understand storytelling better: how it helps us understand the machinations of the world; makes sure our messages reach our audience; how language can tell its own story; how to find the spirit within the structure; and how storytelling can change your life. My world is richer thanks to these books. My ideas of what is possible are broader. Hopefully, they’ll do the same for you.
I read this book years ago, and it has become such a part of my DNA that I barely remember not knowing the ideas it introduces. A lot of screenwriting books focus on structure and premise, trying to decide what kind of event should happen by which page. This book gave me a freer, more spiritual way to think about and structure stories.
Vogler’s book—heavily influenced by Joseph Campbell’s Hero with a Thousand Faces—showed me how to think of stories as mythical journeys, almost Jungian in their symbolism. How even the most modern or intimate story can be seen as a warrior’s journey into an unknown land; How stories can benefit from being a few degrees closer to dreams or the unconscious.
I've been an avid fan of the book ever since, and can barely think of storytelling separately from the ideas in it.
Originally an influential memo Vogler wrote for Walt Disney Animation executives regarding The Lion King, The Writer’s Journey details a twelve-stage, myth-inspired method that has galvanized Hollywood’s treatment of cinematic storytelling. A format that once seldom deviated beyond a traditional three-act blueprint, Vogler’s comprehensive theory of story structure and character development has met with universal acclaim, and is detailed herein using examples from myths, fairy tales, and classic movies. This book has changed the face of screenwriting worldwide over the last 25 years, and continues to do so.
I’ve been obsessed with the creative process since I was 8 and read Harriet the Spy and realized her writing saved her and after I spied on one of my parent’s cocktail parties and wondered why everybody was so dull (I was so cheeky). Still, it’s the quest that drives me: how do we be fully ourselves in this world and how does creativity help? I explore this question on my podcast Create Out Loud and in my weekly newsletter, and these books have helped me formulate, if not answers, creative and mindful practices that sustain me daily. I hope they inspire you too.
Most creatives struggle with maintaining a creative practice in the face of busted water heaters, draining day jobs, and pesky emotions especially anxiety and depression. Beth’s refreshingly honest handbook is built on the premise you must find a way to make your art no matter what. She’s also been a guest on my podcast Create Out Loud and I loved everything she shared.
The Artist's Way for the 21st century-from esteemed creative counselor Beth Pickens.
If
you are an artist, you need to make your art. That's not an
overstatement-it's a fact; if you stop doing your creative work, your
quality of life is diminished. But what do you do when life gets in the
way? In this down-to-earth handbook, experienced artist coach Beth
Pickens offers practical advice for developing a lasting and meaningful
artistic practice in the face of life's inevitable obstacles and
distractions. This thoughtful volume suggests creative ways to address
the challenges all artists must overcome-from making decisions about
time,…
The Curious Reader's Field Guide to Nonfiction
by
Anne Janzer,
So many books, so little time! If you're a nonfiction fan, this field guide may help you make better choices about what to read.
Just like a field guide helps you identify plants or birds, this book helps you navigate the rich world of nonfiction. You’ll uncover how your favorite…
I’ve been obsessed with the creative process since I was 8 and read Harriet the Spy and realized her writing saved her and after I spied on one of my parent’s cocktail parties and wondered why everybody was so dull (I was so cheeky). Still, it’s the quest that drives me: how do we be fully ourselves in this world and how does creativity help? I explore this question on my podcast Create Out Loud and in my weekly newsletter, and these books have helped me formulate, if not answers, creative and mindful practices that sustain me daily. I hope they inspire you too.
This is one of those secret gems of a book that hardly anybody has heard of but after you read it, you’ll be giving multiple copies away to every creative you know. Rich with real-life examples from working artists and writers, and Priscilla’s long history as a working creative and teacher, I have underlined an idea or suggestion on almost every page.
Minding the Muse is a practical handbook for the artist or writer—highly experienced, aspiring, or somewhere in between. Long draws from her extensive background as a poet, writer, and master teacher, but also gathers the insights and practices of a wide range of high-achieving artists, including mystery writer Raymond Chandler, choreographer Twyla Tharp, poet and performance artist Patti Smith, and the painter Joan Miró. Beginning with the first sparks of artistic creation—“Gathering, Hoarding, Conceptualizing”—Long moves through the various stages to “Completing Works” and “Poet as Peddler, Painter as Pusher: Marketing.” Every creative worker will find something here to take to…
I live and work in Santa Cruz, CA (close to Silicon Valley). I’ve been extremely fortunate to be a multi-time start-up founder, executive coach and consultant, and key contributor or operational leader at world-class brands like Apple, DreamWorks, Google, and SGI. In 2015, I had an epiphany that changed the direction of my life: that prioritization was the most important verb in business, but nobody had written a book that successfully demystified how individuals, teams, and organizations should do it. My book became a pandemic project. I sincerely hope it will help improve the world and make it a better place.
This book ought to be required reading for every high school student. I didn’t read it in high school. But I’m grateful I found and read it a short few years ago. Why? Because I’m never going to win the rat race. The harder I try, the worse off I’ll become because “the rats” keep getting bigger and faster.
While it's a truism to say that time is the most precious resource, until recently, I didn’t act that way. I know that each of us has limited time, energy, and resources. So, getting more comfortable with the fact that my life is finite is key. Becoming a productivity master is a fool's errand. And the author, Oliver Burkeman, does a stunning and entertaining job of helping you get off that treadmill to live a better, fuller, and more meaningful life.
"Provocative and appealing . . . well worth your extremely limited time." ―Barbara Spindel, The Wall Street Journal
The average human lifespan is absurdly, insultingly brief. Assuming you live to be eighty, you have just over four thousand weeks.
Nobody needs telling there isn’t enough time. We’re obsessed with our lengthening to-do lists, our overfilled inboxes, work-life balance, and the ceaseless battle against distraction; and we’re deluged with advice on becoming more productive and efficient, and “life hacks” to optimize our days. But such techniques often end up making things worse. The sense of…
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
Beginning, middle, and an end—what writer doesn’t know about these three concepts? Well, Aristotle is the guy who wrote about these ideas in his book, and thousands of years later we’re still using them and thinking about them.
The foundations of modern literature and theater rest on this book and every writer should be familiar with its ideas and concepts. Story is story, and Aristotle started the ball rolling for everyone who is interested in storytelling.
One of the most powerful, perceptive and influential works of criticism in Western literary history
In his near-contemporary account of classical Greek tragedy, Aristotle examines the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis ('purification'). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals. The Poetics has…
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
This book is an old standard but one of the best books ever written on how to write. More about the writing process than story, per se, it is still essential for any writer interested in upping their story development game. Don’t be put off by the focus on “young writers” in the title; this is for old and young.
Gardner systematically guides the reader through both theory and practicum, delivering a primer on how to not just write solid fiction but how to think like a writer. I love this book.
This classic guide, from the renowned novelist and professor, has helped transform generations of aspiring writers into masterful writers—and will continue to do so for many years to come.
John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing. Gardner’s lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topics—from the nature of aesthetics to the shape of…
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
Every story belongs to a genre and genre is a part of story development. I found this book to be the best available explaining what genres are and how they work to support the process of story development.
Truby’s book lays out each major story genre, its beats, dynamics, and place in the world of storytelling. This is an essential reference every writer needs on their bookshelf.
A guide to understanding the major genres of the story world by the legendary writing teacher and author of The Anatomy of Story, John Truby.
Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses―movie studios, production companies, video game studios, and publishing houses―buy and sell them. Writers…
I’m a military veteran who has read science fiction and fantasy since the second grade. After reading everything on my parent’s bookshelves, everything in the school and public libraries, I had a teacher recommend I become an author. I love stories about strong-willed individuals standing up for what they believe in and changing the world. I have a master’s degree in engineering, a love for well-built things and taking stuff apart to see how it works, and a fascination with people and how they behave. In addition to writing, I am an avid gamer and a dabbler in a variety of things, from metalworking to hiking.
I read this book in high school and absolutely loved the entire idea, of essentially a prisoner of war escape plan similar to The Great Escape, set in a science fiction universe against the scale and scope of a planet.
I love how the author took a main character that had been so strong and tough through seven previous books and made her vulnerable, gave her new room to grow, and allowed some of her supporting cast to shine as well.
For eight bloody years, Commodore Honor Harrington has been in the forefront of the battle between the Star Kingdom of Manticore and the vastly more powerful People's Republic of Haven. Now Honor has fallen, captured by the Peep Navy, turned over to the forces of State Security, and executed, her death shown on the interstellar network's nightly news. The Manticoran Alliance is determined to avenge her. Yet their military is over-extended and the People's Republic is poised to take the offensive once more. And neither protagonist is aware of events on a distant, isolated, inescapable prison planet called Hell. Honor…
I’m a lifelong reader, and over the years I’ve probably gotten to know thousands of characters. I don’t like it when they die, but their deaths can be so moving if done well. It really frustrates me when a beloved character dies and it doesn’t amount to anything. I’ve gotten attached to these people–they shouldn’t just die without impacting anything! But I love it when a death results in a plot twist or meaningful consequences for the remaining characters.
I read this whole series as a teenager, and I remember loving it but not following it very well–the story is spread over seven books, each flowing logically and naturally into the next. It was a little too big and complex for me at the time. I’ve started rereading them as an adult, and they are phenomenal.
The four-elements theme of world-building seemed very simple at first, even a little gimmicky, but as I got into it and discovered how the worlds were interconnected, it all fell into place for me: worlds meant to be elegantly interdependent are instead standing–and faltering–alone. I like how the worlds are populated by real people leading real lives, bringing the whole big picture to a more relatable level.
Hugh the Hand agrees to assassinate the king's son but is unprepared for the magical being who is his victim's guardian or for the difficulty that awaits him in the realm of the dwarves
