Here are 100 books that Pigeon Feathers fans have personally recommended if you like
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My taste in music is as eclectic as my bookshelf. I read everything from poetry to Greek tragedies and listen to both historical and contemporary music. When I first imagined Shelby’s story, I aimed to capture how music transforms us, how it shifts our moods and shapes our memories. As I set out to write the first draft, I had never heard of social-emotional learning. However, writing this book, along with my YA novel, A Song for the Road, inspired me to pursue a master’s degree in Humanities focusing on Social-emotional Learning and Creative Writing. I also teach teens and adults how to write compelling emotional fiction.
When I was a teenager, I would have felt very much at home at the vintage record store in London where this story is set. (In fact, my hometown is named London, except my London is in Canada.) The quirky clerks who work there adore their boss, Rob Fleming, and spend their days attempting to outwit one another with music trivia and compiling funny and far-reaching Top Five lists.
As Rob negotiates a recent breakup, he must sort through his ex-girlfriend’s belongings and the emotional baggage he’s collected over the years. Though Rob is an adult, this still feels like a coming-of-age tale. I came away from the book resonating with the bittersweet awareness of what it means to become an adult with a list of careers if time and money were no object.
"I've always loved Nick Hornby, and the way he writes characters and the way he thinks. It's funny and heartbreaking all at the same time."—Zoë Kravitz
From the bestselling author of Funny Girl, About a Boy, A Long Way Down and Dickens and Prince, a wise and hilarious novel about love, heartbreak, and rock and roll.
Rob is a pop music junkie who runs his own semi-failing record store. His girlfriend, Laura, has just left him for the guy upstairs, and Rob is both miserable and relieved. After all, could he have spent his life with someone who has a…
Hemingway's Goblet is a rollicking read about a mismatched relationship between a middle-aged commitment-phobic university professor in London and one of his female students, a Korean 15 years younger than him. He is accused of sexually harassing her, but somehow their relationship survives as they join forces to seek to…
Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
How could I not love this book? It’s set in the lovely (really!) city of Pittsburgh, and it’s about a lost weekend of literary hijinks and stoned debauchery.
The protagonist, Grady Tripp, is a young male writer making something of an ass of himself, but Chabon makes him so sympathetic, I can’t help rooting for him even as he digs himself in even deeper.
The dialogue crackles, the supporting characters are vivid and colorful, and the plot sweeps the reader up into a whirlwind of incredibly fun trouble.
A deft parody of the American fame factory and a piercing portrait of young and old desire, WONDER BOYS is a modern classic from the Pulitzer Prize-winning author of THE ADVENTURES OF KAVALIER & CLAY.
Grady Tripp is an over-sexed, pot-bellied, pot-smoking, ageing wunderkind of a novelist now teaching creative writing at a Pittsburgh college while working on his 2,000-page masterpiece, WONDER BOYS. When his rumbustious editor and friend, Terry Crabtree, arrives in town, a chaotic weekend follows - involving a tuba, a dead dog, Marilyn Monroe's ermine-lined jacket and a squashed boa constrictor.
I grew up in the eighties, and that means I grew up watching movies such as Sixteen Candles, The Breakfast Club, Pretty in Pink, and Say Anything. Thirty years after watching those movies, some iconic scenes have stuck with me: the characters of The Breakfast Club sliding across the hallway to Simple Minds’ song “Don’t You Forget About Me,” John Cusack holding the boombox over his head while blaring Peter Gabriel’s “In Your Eyes,” and the Psychedelic Furs “Pretty in Pink” song playing on the soundtrack of a movie by the same name. The books in this list do a lot with those same ingredients of heartbreak, music, and hope that the characters who so often remind me of myself might find love.
The phrase “girl in a band” in the title got me to pick this book up off a table in the bookstore. I am the kind of guy who will pick up five or so books at a bookstore, take them over to the most comfortable spot I can find, and read the first few pages to see if I want to buy any of them.
The writer Kim Gordon was in an indie post-punk band called Sonic Youth, and I had just barely heard of them. After three years in Sonic Youth, Kim marries one of her fellow band members, and they stay married for 29 years. This book starts when the two of them take the stage together for the last time as they head for divorce and the band's breakup.
“They say when a marriage ends,” Gordon writes on the first pages, “that little things you never…
A new edition, part of the Faber Greatest Hits series -- books that have taken writing about music in new and exciting directions for the twenty-first century.
In Girl in a Band Kim Gordon, founding member of Sonic Youth and role model for a generation of women, tells her story. She writes frankly about her route from girl to woman and pioneering icon within the music and art scene of New York City in the 1980s and 90s as well as marriage, motherhood, and independence.
Filled with the sights and sounds of a changing world and a remarkable life, Girl…
Stories, essays & dialogues about art, imagination & the erotic life. A young man named Charles writes a series of erotic tales, and his bookish friend Lisa offers light-hearted critiques of them.
Some stories feel like erotic meditations or random erotic moments in a young man's life. Others start with…
I grew up in the eighties, and that means I grew up watching movies such as Sixteen Candles, The Breakfast Club, Pretty in Pink, and Say Anything. Thirty years after watching those movies, some iconic scenes have stuck with me: the characters of The Breakfast Club sliding across the hallway to Simple Minds’ song “Don’t You Forget About Me,” John Cusack holding the boombox over his head while blaring Peter Gabriel’s “In Your Eyes,” and the Psychedelic Furs “Pretty in Pink” song playing on the soundtrack of a movie by the same name. The books in this list do a lot with those same ingredients of heartbreak, music, and hope that the characters who so often remind me of myself might find love.
The cover of this book has a stack of mix tapes on it and that’s what got me first: that the writer was going to explain love using the metaphor of a mix tape. As a person who has made hundreds of mix tapes myself—and later burned CDs and after that arranged playlists on Spotify—that the phrase mix tape was in the title was enough for me to pick up the book. Plus, I remember back in the 80s when I sat around waiting for a song to come on the radio so I could record it, and that was how I made my first tapes.
Each chapter in this book starts with an image of a mix tape with the songs listed on it. The writer uses the songs on the tape to write about his relationships. The first chapter ends with this line: “I’m going to be up…
“The happiest, saddest, sweetest book about rock ‘n’ roll that I’ve ever experienced.”—Chuck Klosterman
Mix tapes: We all have our favorites. Stick one into a deck, press play, and you’re instantly transported to another time in your life. For Rob Sheffield, that time was one of miraculous love and unbearable grief. A time that spanned seven years, it started when he met the girl of his dreams, and ended when he watched her die in his arms. Using the listings of fifteen of his favorite mix tapes, Rob shows that the power of music to build a bridge between…
I consider myself a disruptor of sorts, both in my life and in the art I make (I’m an actor, too). So I am by nature drawn to novels that bend and reshape (and sometimes ignore altogether) the rules and conventions that are supposed to govern the novelist’s craft and lead me to experience the world—and often the art of writing fiction itself—in ways I have never experienced either before. The novels on my list do just that.
I studied with Joe Heller at City College in New York, earned my MA in Creative Writing under his tutelage.
Catch-22 is his most well-known and celebrated work, of course; nevertheless, I consider his second novel, Something Happened, his deeply unsettling portrait of Bob Slocum, a mid-level executive in a disintegrating marriage and estranged from his children who is navigating the minefield of his corporate life, and the devastating anxiety, soul-numbing alienation and paralyzing dread his journey produces that bears fruit at last in the tragedy he has expected and feared and sought desperately to avoid for so long, to be his true masterpiece.
It provided me with an essential lesson in the use of narrative tension to engage readers on a deeper, more subliminal level and keep them engaged until the very last word.
Structurally, stylistically, even thematically, echoes of Something Happened permeate my own novel: the often…
Bob Slocum was a promising executive. He had an attractive wife, three children, a nice house, and as many mistresses as he desired. His life was settled and ordered; he had conformed and society demanded he be happy - or at least pretend to be, But the pretence was becoming more and more difficult, as Slocum's discontent grew into an overwhelming sense of desolation, frustration and fear. And then something happened. . .
I am a reader and an author. Both my reading and writing diets are deeply grounded in gothic novels. This list mixes up some of the classics from way back with more recent works. All of them give the flavor of this fascinating realm in literature. There is nothing more satisfying than lucking into a story that is truly original, too, which these recommendations are. Find a comfy perch with a drink of your choosing and take some time with these books. I wouldn’t steer you wrong, and I stand behind all five of these recommendations.
This novel's compelling cover reeled in this reader straightaway and, indeed, delivers with a plot that captures the gothic folk horror genre in a tidy and well-written package.
As I read it, it felt like Harvest Home and The Wicker Man were seated on either shoulder. Overarching the story is also a "morality play" at work, expertly woven in. Bonus points for historical roots and an English village setting.
So original, so folky horror, so good and, simply put, a treat.
'Withered Hill is the ultimate nightmare destination' Laird Barron
Inside
A year ago Sophie Wickham stumbled into the isolated Lancashire village of Withered Hill, naked, alone and with no memory of who she is.
Surrounded by a thick ring of woodland, its inhabitants seem to be of another world, drenched in pagan, folklorish traditions.
As Sophie struggles to regain the memories of her life from before, she quickly realises she is a prisoner after multiple failed escape attempts. But is it the locals who keep her trapped, with smiles on their faces, or something else,…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
Brandt cuts through the mystique that “writing can’t be taught” and encourages writers to discover the creative and rational aspects of their consciousness—an approach that excites me as a writer and a teacher.
Brandt’s approach is useful for beginning writers and also for writers going through a dry period. I recommend it to all my students.
A reissue of a classic work published in 1934 on writing and the creative process, Becoming a Writer recaptures the excitement of Dorothea Brande's creative writing classroom of the 1920s. Decades before brain research "discovered" the role of the right and left brain in all human endeavor, Dorothea Brande was teaching students how to see again, how to hold their minds still, and how to call forth the inner writer.
"My friends are my estate." This quote from Emily Dickinson (which I like so much, I’ve put in my novel!) gives a proper dignity to the concept of friendship. Friends can be overlooked in fiction, often just there to show that the main character isn’t a complete loner. Friendships are portrayed as less interesting and important than romances. Yet in real life, romantic relationships come and go, whilst friends are there for you, no matter what. Or at least, the best ones are. I’m a passionate believer in stories which reflect the importance, and complexity, of what, for many of us, are our longest-lasting relationships.
Set in the past and based on real people, this is a gripping story about an unofficial relationship that crosses class divides.
The closeness between poet Elizabeth Barret and her maid, known by her surname, Wilson, is never properly acknowledged as a friendship. But that’s what it is, as Wilson gradually gets to know everything about her mistress, particularly her forbidden love for fellow poet Robert Browning, and Barret comes to increasingly rely on the dependable Wilson.
This book is a fabulous and creative imagining of these real lives, and of a deep friendship that is horribly betrayed when things go wrong.
London 1844, and a shy young woman has arrived to take up a new position in the grandeur of No. 50, Wimpole Street. Subtly and compellingly, Lady's Maid gives voice to Elizabeth Wilson's untold story, her complex relationship with her mistress, Elizabeth Barrett, and her dramatic role in the most famous elopement in history.
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
This book is an old standard but one of the best books ever written on how to write. More about the writing process than story, per se, it is still essential for any writer interested in upping their story development game. Don’t be put off by the focus on “young writers” in the title; this is for old and young.
Gardner systematically guides the reader through both theory and practicum, delivering a primer on how to not just write solid fiction but how to think like a writer. I love this book.
This classic guide, from the renowned novelist and professor, has helped transform generations of aspiring writers into masterful writers—and will continue to do so for many years to come.
John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing. Gardner’s lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topics—from the nature of aesthetics to the shape…
When I was nine, my family kayaked 100 miles on the Yukon River. Each night from my sleeping bag, I heard wolves howling, and each day we saw moose, grizzly bears, and even a fur-clad trapper. I was utterly enchanted by the wilderness and the experience of moving through the landscape silently, without disturbing the wildlife. I have never shaken the awestruck feeling of seeing those animals, free in their ample territory, and my work as a writer has remained entwined with wild nature and the far north ever since. I am deeply inspired by women writers who approach these subjects with reverence, passion, and unique perspectives.
This novel grabs you by the collar and won’t let go (and that’s a very good thing)!
I was riveted from the first page by the book’s powerful blend of fiction, memoir, and myth, which illuminates the life of a contemporary Inuk girl coming of age. Author Tanya Tagaq is a renowned throat singer from Ikaluktutiak, Nunavut, whose writing is as profoundly moving as her music.
I love how this book balances the kaleidoscopic world of a girl coming of age – including violent, dark events, tender moments, and the elemental histories and contemporary disruptions that connect Inuit culture to its ancestral landscapes as well as the present moment.
Longlisted for the 2018 Scotiabank Giller Prize Shortlisted for the 2019 Amazon First Novel Award Shortlisted for the 2019 Kobo Emerging Writer Prize Winner of the 2019 Indigenous Voices Award for Published Prose in English Winner of the 2018 Alcuin Society Awards for Excellence in Book Design – Prose Fiction Longlisted for the 2019 Sunburst Award
From the internationally acclaimed Inuit throat singer who has dazzled and enthralled the world with music it had never heard before, a fierce, tender, heartbreaking story unlike anything you've ever read.
Fact can be as strange as fiction. It can also be as dark,…
