Here are 69 books that Scene of the Crime fans have personally recommended if you like
Scene of the Crime.
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Writing is in my blood – my grandmother wrote poetry, my mother writes novels, and over the last twenty-plus years I’ve written just about everything (and now I teach writing at my local university). I’ve loved stories for as long as I can remember. While my fiction career may be newly revived, I spent over 20 years as a pop culture commentator, poking at the minutia of the stories I love. I think stories may be one of the most important things in our culture – they inspire us, they brighten our day, they bring us to tears, and sometimes when we are lost they show us the way.
This will be one of my more controversial picks – there are plenty of people who disagree with Campbell as a folklorist, a mythographer, and with his depiction of the Hero’s Journey. But, what is important about Campbell is his exploration of whythe elements that appear in stories have the impact they do on our psyche, and how they fit together. One may not agree with all of Campbell’s conclusions, but I don’t think there’s a writer out there who won’t benefit from his exploration of the subject. I know I did.
Joseph Campbell's classic cross-cultural study of the hero's journey has inspired millions and opened up new areas of research and exploration. Originally published in 1949, the book hit the New York Times best-seller list in 1988 when it became the subject of The Power of Myth, a PBS television special. The first popular work to combine the spiritual and psychological insights of modern psychoanalysis with the archetypes of world mythology, the book creates a roadmap for navigating the frustrating path of contemporary life. Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
When your storytelling simulates imagined physiological experiences, it guides your listeners to vicariously see, hear, smell, taste, and touch the world of your story. While my books suggest six kinds of stories and four buckets to find stories, I also use these favorite resources for training my brain to think in sensory language. Dip in to find a steady supply of metaphors, images, mannerisms, and context builders that make your story come alive. Current strategies that maximize clicks rarely tap into the wealth of sensory language needed to build epic, long-lasting results.
Yes, it says for writers, but this book is a great resource for in-person storytelling. On these pages are thousands of ideas on how you can show, not tell.
Comb through ideas on how to express a character’s emotion with posture, tone, and mannerisms. Don’t just say, “he looked guilty.” Look up “guilt” and find ways to indicate guilt without telling people what to think. Have your guilty character “avert her eyes,” “shift her feet,” “pull at her collar,” or “suddenly lose her appetite.” I regularly flick through this book to train my imagination on the sensory cues that make a story come alive.
The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 55 new entries!
One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much.
If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes:
A dozen years ago, I decided to publish short stories. I figured it’d be easy. After all, I’d published textbooks and countless research papers. It turned out I was wrong. Writing fiction is hard. My stories read like my math publications, but without the math. Then I had the good fortune to join a writing group that included experienced, published authors. Their guidance taught me the basics of the craft. I supplemented their mentorship by reading books on writing. It was like going to graduate school all over again. This list of books is the distillation of those dozen years of learning. I’m still learning. I expect I’ll never quit.
I sold three novels before I found this book, and it transformed how I think about writing. If you want to write stories that grab your readers by the throat and makes them want more, this is the book for you. Swain’s basic premise is simple: fiction is movement, action, and reaction. He deduces from this specific, actionable ways to construct compelling sentences that turn movement to action, action to scenes, and scenes to stories. Swain’s influence on screenwriting is everywhere, from The Rockford Files toThe Mandalorian. His influence on contemporary fiction is just as pervasive. His ideas about “motivation reaction units” and “scenes/sequel pairs” are now in many “how-to” books, but no one describes them better than the man who invented them.
Techniques of the Selling Writer provides solid instruction for people who want to write and sell fiction, not just to talk and study about it. It gives the background, insights, and specific procedures needed by all beginning writers. Here one can learn how to group words into copy that moves, movement into scenes, and scenes into stories; how to develop characters, how to revise and polish, and finally, how to sell the product.
No one can teach talent, but the practical skills of the professional writer's craft can certainly be taught. The correct and imaginative use of these kills can…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
This book is an old standard but one of the best books ever written on how to write. More about the writing process than story, per se, it is still essential for any writer interested in upping their story development game. Don’t be put off by the focus on “young writers” in the title; this is for old and young.
Gardner systematically guides the reader through both theory and practicum, delivering a primer on how to not just write solid fiction but how to think like a writer. I love this book.
This classic guide, from the renowned novelist and professor, has helped transform generations of aspiring writers into masterful writers—and will continue to do so for many years to come.
John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing. Gardner’s lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topics—from the nature of aesthetics to the shape of…
I so love thrillers because they delve into that area of ourselves that can be ‘safely’ afraid and give you that adrenaline rush that nature taught us is fight or flight. Thrillers teach us lessons, too, about people and the psychology of the most dangerous ones in our society. Through reading into this genre, I learned a lot about life before I even lived it, and I learned to recognize the less wholesome traits that humanity can have. What’s fascinating to me most is exploring those dark sides of the human psyche in order to make comparisons on what is right or wrong with some people’s behavior.
This is a psychological thriller with a difference. This story appears to be one thing and is, in fact, something else. Following the path of a struggling working mother with post-natal depression, we see the world through her paranoid eyes.
What I really enjoyed about this book is the unexpected twists and turns. Is she really imagining this, or did she see that little girl on the platform? It makes you question everything, including the motives of those surrounding the main character (always a good thing!). It is a masterpiece of misdirection and an unreliable narrator.
I am the girl on the platform. When new mother Bridget catches her train home from London, she witnesses something terrible: a young girl is taken from the platform, right before her eyes.
No one knows where I am. But no one is reported missing and with Bridget the only witness, she is written off as an attention seeker. Nobody believes her - not even her own husband.
Can you find me? But Bridget knows what she saw, and becomes consumed with finding the little girl. Only she can save the child's life... but…
I grew up in a Jewish home more focused on comedy than religion. I readMad Magazine, watched The Three Stooges, and listened to Allan Sherman. The idea of a bar mitzvah was a cruel surprise, sprung on me at age 10. I flunked Hebrew school, yet got accepted at Yale. I majored in a Jewish girl who later broke my heart. So I began writing my first novel. It "almost" got published—another sad story—and I took a job with an editor in NYC who specialized in paranormal non-fiction. That was the spark for The Violet Crow—and my love for comic crime fiction. A new novel, Reveille in Birdland, is scheduled for completion in 2023.
I couldn't get enough of the character, Rocco Schiavone, from the TV series Ice Cold Murders, so I decided to check out the original novels by Antonio Manzini.They are equally good—or better. Rocco is a police inspector from Rome who gets transferred to Aosta, an alpine ski resort town. In Black Run, Rocco instructs his provincial team in big-city police techniques, including cutting corners and avoiding superiors.He contrives useless errands to get his two dumbest cops out of the office. And he introduces his classification of Things That Are a Pain in the Ass, with "sand in your clams" at Level Seven and "unsolved homicide" at Level 10. Black Runbegins on the slopes, at Level 10, with the discovery of an unidentified corpse mangled by a snowcat.
'He'd almost walked right over it when he finally saw it for what it was: a stain of red blood, churned into the white blanket of snow...'
After getting on the wrong side of the wrong people in Rome, Deputy Police Chief Rocco Schiavone is exiled to Aosta, a small, touristy alpine town far from the cobbled streets and fritto misto of his beloved city.
Rocco's talent for solving crimes is matched only by his disdain for the rules and his eye for a beautiful woman. But when a mangled body is found on the ski slopes, he soon discovers…
A fake date, romance, and a conniving co-worker you'd love to shut down. Fun summer reading!
Liza loves helping people and creating designer shoes that feel as good as they look. Financially overextended and recovering from a divorce, her last-ditch opportunity to pitch her firm for investment falls flat. Then…
As a mystery author, I’ve long been drawn to stories about missing persons, particularly novels featuring missing mothers. I suspect the special appeal of books about missing moms is because my own mother was M-I-A during my childhood. Whereas my older sisters lost our mother to mental illness at the tender ages of four and seven, in some ways, I was fortunate because I was an infant when our mom was institutionalized and, thus, had never fully bonded with her. And yet, the longing for my mother was ever-present. She left behind a large empty space in our family.
As the daughter of a mom who suffered a mental breakdown shortly after my birth, I have always been strongly interested in stories of mothers who experience emotional difficulties following the births of their children. In this book, a young woman abandons her infant in a hospital shortly after giving birth and disappears.
Her husband attributes her behavior to postpartum psychosis, a malady that she’s been monitored for throughout her pregnancy, given her own mother’s struggles with the disorder. But is that what really led to the mom’s sudden disappearance? Told in multiple viewpoints, it’s unclear who is telling the truth about what happened to the young mother. I found the plot twist at the end of this propulsive tale especially satisfying.
'A twisty-turny thriller that kept me gripped until the fantastic shock ending!' - bestselling author Jackie Kabler
'I did this. The most awful thing...'
Romilly disappeared hours after giving birth, leaving behind her baby. Now, those closest to her rally around to look after the little girl, and to figure out what drove Romilly to do such a thing.
Her husband Marc has an explanation that makes total sense. But is the easiest solution always the right one? And does someone in Romilly's tight circle know more than they are letting on?
I’ve always been besotted with crime fiction. As a journalist in Scotland, I got to experience real-life crime on a daily basis. And the world of cozy crime fiction became a very valuable, indispensable escape for me. So, when it came to coming up with my characters for The Bingo Hall Detectives, I knew that I had to create a cast, a setting, a mystery even, that would take me out of the relentlessness of the real world and into the confines of a bloody good read. And I’m so glad I did. The Bingo Hall Detectives series is very dear to me and I’m very lucky to be able to bring it to readers.
I love a great mystery and I adore fantastic characters.
That’s why A Spoonful of Murder is so high on my list. It’s cozy crime with attitude. Having a detective story that doesn’t feature any actual detectives is the challenge for all cozy crime writers.
And J.M. Hall does this with such verve, vigour, and lightness of touch that you find it impossible not to fall in love with Liz, Pat, and Thelma.
There’s a wonderful fraternity amongst us cozy crime writers and I’m very lucky to count Mr. Hall as a friend. He makes me want to be a better author, just to keep up with him!
I grew up in New York City, the only child of a busy editor/publisher and a classical musician. We lived in a two-hundred-year-old brownstone that was full of history and books. Often, my fictional and real worlds overlapped. I explored the dark spaces in our old house and imagined the ghosts that might still dwell there. I sat in eight-foot-high windows in the summer and near fireplaces with Victorian marble mantels in winter and read Nancy Drew, Alice in Wonderland, Tolkien, Poe, Shakespeare, and more. Those stories dropped like seeds into my psyche and eventually bloomed into the thrillers and mysteries I write today.
Lisa Jewell is a master of psychological suspense, and I felt this was one of her best. I love true crime podcasts, so using a podcaster as a protagonist and having clips from her show in the story added a layer of reality to the fiction.
The main character meets a woman with the same birthday as her while out celebrating. She decides to do a podcast series around the theme of birthday twins—an innocent, even fun beginning to a story that becomes anything but. For much of the book, the main character knew something was very, very wrong but had no idea where the menace was coming from. It made me squirm—in a good way. I couldn’t put it down.
Buy now and prepare to be hooked from the Number One bestselling thriller author . . .
* AN INSTANT SUNDAY TIMES BESTSELLER * * OVER 6,000 FIVE STAR REVIEWS * * AUDIBLE NO.1 SIX WEEKS IN A ROW *
'Gloriously dark' Lucy Foley 'A moody, slippery novel' Gillian McAllister 'One hundred percent brilliant' Clare Mackintosh 'Shocking and creepy and glorious' Nicola Walker 'Utterly addictive' Claire Douglas ___________
Celebrating her 45th birthday at her local pub, podcaster Alix Summer crosses paths with an unassuming woman called Josie Fair. Josie is also celebrating her 45th.
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
I’m a Romanian American author who arrived in the US with a job in software development. In more than twenty years as an immigrant, I’ve struggled with the same problems these novels explore: how to build a home in a new land, away from my family; how to fit in or make my peace with not belonging; how to be the parent of American-born children whose culture is different from my native one. I’m familiar with the US immigration system from my yearslong citizenship application, and I also interviewed an immigration lawyer extensively for my thriller.
In this gripping courtroom drama, an explosion in Miracle Creek, Virginia, destroys the business of South Korean immigrants Pak and Young Yoo and puts their daughter Mary into a monthslong coma. As arguments mount against the woman accused of starting the fire, Young struggles with a question many immigrants must face. Maybe she shouldn’t have brought her child to the US, where Mary struggles as a teenager and where she was almost killed. The tension between the two generations resonated with me as a parent and immigrant. As Young hopes to discover who caused the explosion that killed two other people, she must also help Mary imagine a future in their adoptive country.
'That wonderful, brilliant sort of book you want to shove at people as soon as you've finished so they can experience it for themselves' Erin Morgenstern
A thrilling debut novel for fans of Liane Moriarty and Celeste Ng about how far we'll go to protect our families - and our deepest secrets.
In rural Virginia, Young and Pak Yoo run an experimental medical treatment device known as the Miracle Submarine - a pressurised oxygen chamber that patients enter for "dives", used as an alternative therapy for conditions including autism and infertility. But when the Miracle Submarine mysteriously explodes, killing two…
