Here are 100 books that That Summer in Kalagarh fans have personally recommended if you like
That Summer in Kalagarh.
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I'm a writer for kids and YA based in Pune, India and it’s been my passion to read books for this age group, from the time I was that age. Unfortunately, when I borrowed books from my library as a boy, so many kids and YA books were either not at all “story like” (moralistic or preachy) or we had to read books from abroad. Fortunately, Indian kids and YA literature has blossomed and provided us many excellent writers, some of whom are now household names. I interviewed some of them for my podcast on books Literary Gupshup. It's my desire to make readers outside India more aware of the wonderful kids’ books in India.
As a child, I loved—and still love—reading the stories of Sherlock Holmes, Agatha Christie, and the Hardy Boys.
But my favorite was Feluda, a series of mystery stories or novellas created by ace filmmaker Satyajit Ray.
Ray’s Feluda stories revolve around a fictional detective called Feluda, who travels across India’s vibrant landscapes, from the caves of Ajanta Ellora in the west, to Jaipur in the north, to Chennai in the south, to many more, and outside India too.
Ray’s detective stories are well rooted in Indian culture, very clean, and virtually without any “Adult” content, and only a bit of violence but make for interesting and gripping reading despite it.
Written originally in Bengali language, it is translated very well. It is eminently suitable for readers of all age groups.
This omnibus edition features the ever-popular adventures of Satyajit Ray's enduring creation, the professional sleuth Pradosh C. Mitter (Feluda). In his escapades, Feluda is accompanied by his cousin Topshe and the bumbling crime writer Lalmohan Ganguly (Jatayu). From Jaisalmer to Simla, from the Ellora Caves to Varanasi, the trio traverse fascinating locales to unravel one devious crime after another.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I'm a writer for kids and YA based in Pune, India and it’s been my passion to read books for this age group, from the time I was that age. Unfortunately, when I borrowed books from my library as a boy, so many kids and YA books were either not at all “story like” (moralistic or preachy) or we had to read books from abroad. Fortunately, Indian kids and YA literature has blossomed and provided us many excellent writers, some of whom are now household names. I interviewed some of them for my podcast on books Literary Gupshup. It's my desire to make readers outside India more aware of the wonderful kids’ books in India.
Just a Train Ride Awayis a wonderful, simply written book, a very quick and profound read, and it carries a lot of lucid and clear language.
Kids and adults alike will enjoy the book.
The plot is full of deep insights and comments on Indian society. The plot is straightforward: A boy, Santosh, travels by train, from Mumbai to Kolkata to meet his father.
What happens on the way, and conversations he has, leaves an indelible impression on him.
I'm a writer for kids and YA based in Pune, India and it’s been my passion to read books for this age group, from the time I was that age. Unfortunately, when I borrowed books from my library as a boy, so many kids and YA books were either not at all “story like” (moralistic or preachy) or we had to read books from abroad. Fortunately, Indian kids and YA literature has blossomed and provided us many excellent writers, some of whom are now household names. I interviewed some of them for my podcast on books Literary Gupshup. It's my desire to make readers outside India more aware of the wonderful kids’ books in India.
Nature and wildlife are something I always enjoyed, and loved from my school days.
Flute in the Forest is a truly memorable story, mesmerizing and beautiful, rooted in the landscape of South India’s forests.
It focuses on Atiya Sardare, a daughter of a forest officer, and her treks into the forest. It is on these treks she hears the sound of a flute playing, and resolves to learn to play it.
Atiya’s flute playing calms a rogue elephant in the forest, Rangappa. I recommend it to anyone who loves a moving story.
'Thirteen-year-old Atiya will win the hearts of young readers. Although physically handicapped; her adventurous spirit takes her on lonely rambles into the wildlife sanctuary. She knows the ways of the jungle and its creatures great and small. A charming story; full of incident and good feeling. Atiya's flute has a special magic of its own.'-Ruskin Bond
Atiya Sardare lives with her dad, a forest officer. An only child, afflicted by polio, she finds solace and peace in the jungle, exploring it on short, secret, often dangerous treks. On one occasion she hears the haunting notes of a flute. It gives…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I'm a writer for kids and YA based in Pune, India and it’s been my passion to read books for this age group, from the time I was that age. Unfortunately, when I borrowed books from my library as a boy, so many kids and YA books were either not at all “story like” (moralistic or preachy) or we had to read books from abroad. Fortunately, Indian kids and YA literature has blossomed and provided us many excellent writers, some of whom are now household names. I interviewed some of them for my podcast on books Literary Gupshup. It's my desire to make readers outside India more aware of the wonderful kids’ books in India.
Who among us as, as kids and not so kids, has not dreamt of running away from home? We all have, let’s be frank.
But in Zai Whitaker’sAndamans Boy, Arif actually does it. Arif is sick and tired of the oppressive and shabby treatment by his aunt and uncle. He is also tired of life in a major city like Mumbai.
One night, he decides to run away, far far away to the deep south city of Chennai, from where he catches a boat to Andaman Islands. These islands are full of a large tribal population, and he quickly discovers nature of tribal society.
Full of frolic and fun, it also asks the fundamental question: what is development and how do we define the word “civilized”?
I am a professional historian who came to the Indian world years ago through studies of epic, mythology, and gender. When I read the Mahabharata, I was surprised that its internal coherence was not apparent. I connected with authors such as Alf Hiltebeite, who saw things in the same way. By then, I found evidence that its author used different materials, including Greco-Roman. And that his work was set at the time—around the turn of the era—when Afro-Eurasia was united in a very intense network of relations, exchanging merchandise, ideas, and many other things (including viruses). I have been trying to find out things about this brilliant author since.
I liked this book very much because it is a brave book. It is becoming more and more difficult to accept that ancient Indian culture was influenced by outside influences, as is the case with all parts of the world.
But at the time, it was already a debated issue. This book advocated an open perspective on the Indian past and present. I was very pleased to see the author's lack of prejudice and wide knowledge. I enjoyed it very much.
I am a professional historian who came to the Indian world years ago through studies of epic, mythology, and gender. When I read the Mahabharata, I was surprised that its internal coherence was not apparent. I connected with authors such as Alf Hiltebeite, who saw things in the same way. By then, I found evidence that its author used different materials, including Greco-Roman. And that his work was set at the time—around the turn of the era—when Afro-Eurasia was united in a very intense network of relations, exchanging merchandise, ideas, and many other things (including viruses). I have been trying to find out things about this brilliant author since.
I wanted to end my list with another book by an Indian author. This is a text similar to Acharya's, a text that impressed me when I found it and that almost no one cites.
This is an author who argues not only that there are external influences in ancient India but that it is a constant in Indian history and that there is no reason to be ashamed of it. Why should there be? It is a basic text in the good sense of the word, a brave book that deserves to be reread.
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
Having driven a motorbike around Africa, walked through parts of India, Pakistan, and Afghanistan, and ridden a horse along the Silk Road, which culminated in three travel books, a Discovery Channel film, and Wild Frontiers the award-winning travel company I set up, I think it’s fair to say I know a thing or two about travel. With over 100 countries under my belt, discovering new places and meeting new people has always been my passion. The books I have chosen here are ones that I think best communicate both a physical and a mental journey, that draw you into a story with a beginning a middle, and an end, and leave you knowing more about both a region of the world and human nature.
As much a love story as a traveller’s tale, the wonderful book is more about the relationship between Mark Shand and his trusty elephant, Tara, as it is about India. A truly heart-warming adventure sees the author buy Tara and ride her 600 miles across dusty back roads, through jungle paths, and along state highways, to the world’s biggest elephant fair in Sonepur. Tara, who found a home at Kipling Camp in Madhya Pradesh is still alive today, which is more than can be said for the poor author, Mark, who died in a freak accident stepping off a sidewalk in New York a few years ago. How strange life can be.
With the help of a Maratha nobleman, Mark Shand buys an elephant named Tara and rides her over six hundred miles across India to the Sonepur Mela, the world's oldest elephant market. From Bhim, a drink-racked mahout, Shand learned to ride and care for her. From his friend Aditya Patankar he learned Indian ways. And with Tara, his new companion, he fell in love. "Travels on my Elephant" is the story of their epic journey across India, from packed highways to dusty back roads where communities were unchanged for millennia. It is also a memorable, touching account of Tara's transformation…
I'm a clinical psychologist who also writes about and teaches Buddhist philosophy, psychology, and meditation. I've had the great good fortune to be closely mentored by a number of elder Tibetan teachers who were educated in old Tibet. Over the decades, when seeking wisdom and compassion in the midst of life's challenges, I've repeatedly found inspiration, education, solace, and guidance along my own path in the enlightened and enlightening life stories of a number of the great scholar/yogis of the Himalayan Buddhist traditions.
Naropa was an important figure in Indian Tantric Buddhism whose lineages gained great popularity in Tibet. His life story beautifully embodies many archetypal elements of the spiritual journey in a way that has proved compelling, inspiring, and educational for Buddhist practitioners for well over a millenium. He goes from being a great scholar to a seeker who bears many hardships to an enlightened master. If you yourself are someone deeply committed to a spiritual journey, then it's likely that you'll find moments of your own experience reflected back for you in his remarkable story.
In the history of Tibetan Buddhism, the eleventh-century Indian mystic Nâropa occupies an unusual position, for his life and teachings mark both the end of a long tradition and the beginning of a new and rich era in Buddhist thought. Nâropa's biography, translated by the world-renowned Buddhist scholar Herbert V. Guenther from hitherto unknown sources, describes with great psychological insight the spiritual development of this scholar-saint. It is unique in that it also contains a detailed analysis of his teaching that has been authoritative for the whole of Tantric Buddhism.
This modern translation is accompanied by a commentary that relates…
There’s a surging Western school of thought which claims that there’s no Asia. Really? Just look at my personal cultural connections with all corners of Asia. As a Hindu Sindhi Singaporean, I can relate directly to India and Southeast Asia, which has an Indic base. My name, “Mahbubani”, has Arabic/Persian roots. “Mahbub” means “beloved”. My mother took me to Buddhist temples when I was a boy, too, giving me an intimate connection with China, Japan, and Korea. In short, Asia is intimately connected. The goal of my ten books has been to give voice to the larger Asian story in a world imprisoned by Western perspectives.
As the great Asian renaissance gathers momentum in the 21st century, many young Asians will begin to rediscover their own cultures and civilizations, just as the West did in its first cultural renaissance in the 15th century. Few understand classical Indian civilization as well as Amartya Sen does.
Since Asian cultures are associated with despotism and Western cultures with individual liberties, Sen says, “The claim that the basic ideas underlying freedom and tolerance have been central to Western culture over the millennia and are somehow alien to Asia is, I believe, entirely rejectable.” Living up to the spirit of the title of his book, Sen demonstrates in this book that he’s an argumentative Indian and Asian. Argumentative Asians will eventually win the argument with the West.
From Nobel prize-winning economist Amartya Sen, The Argumentative Indian: Writings on Indian Culture, History and Identity brings together an illuminating selection of writings on contemporary India.
India is an immensely diverse country with many distinct pursuits, vastly different convictions, widely divergent customs and a veritable feast of viewpoints.
Out of these conflicting views spring a rich tradition of skeptical argument and cultural achievement which is critically important, argues Amartya Sen, for the success of India's democracy, the defence of its secular politics, the removal of inequalities related to class, caste, gender and community, and the pursuit of sub-continental peace.
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I am an author whose work has reverberated globally in the fields of Sustainability, Jain Studies, Film Studies, and Diaspora Studies. With over 30 years of experience in academia and the corporate world, I have held the position of Head of Department (HoD) for Humanities and Languages. As the Director of The India Centre at FLAME University, I have led numerous initiatives to promote Indian culture and scholarship, including international conferences, research projects, and cultural events, leaving an indelible mark on the global academic landscape. My suggested five books are also in these fields.
This book examines the function and representation of religion in Indian cinema and demonstrates that the interplay between the modern and the traditional in modern India is a natural aspect of daily existence. It discusses India's various cinemas while focusing on Bollywood, the Hindi film industry in Mumbai.
The devotional genre, which peaked during the height of the nationalist movement in the 1930s and 1940s, the mythological genre, which carries on India's long tradition of retelling Hindu myths and legends by drawing from sources like the national epics of the Mahabharata and the Ramayana, and Bombay-produced films that portray India's Islamicate culture, including historical, courtesan, and "Muslim social" genres, are all covered in Rachel Dwyer's engaging conversation.
Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas.
Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and…
