Books like India — picked by fans

Ever since I followed a girlfriend on the hippie trail through Asia (see: Around the World In A Bad Mood) at 25, I had my life changed from fledgling novelist to travel writer—when, despite my professed difficulties, major magazines started calling me to see the world on their dime. I also was able to center three more book accounts of my wanderings on major life passions (Latin baseball, Brazilian music and Chinese food), so that I had enriching experiences even when the royalties weren't. I have taught courses on "travel lit" everywhere from Berkeley to Kuala Lumpur and honed a philosophy of travel writing as the ultimate in wide-eyed amateurism.

Ever since I followed a girlfriend on the hippie trail through Asia (see: Around the World In A Bad Mood) at 25, I had my life changed from fledgling novelist to travel writer—when, despite my professed difficulties, major magazines started calling me to see the world on their dime. I also was able to center three more book accounts of my wanderings on major life passions (Latin baseball, Brazilian music and Chinese food), so that I had enriching experiences even when the royalties weren't. I have taught courses on "travel lit" everywhere from Berkeley to Kuala Lumpur and honed a philosophy of travel writing as the ultimate in wide-eyed amateurism.

Ever since I followed a girlfriend on the hippie trail through Asia (see: Around the World In A Bad Mood) at 25, I had my life changed from fledgling novelist to travel writer—when, despite my professed difficulties, major magazines started calling me to see the world on their dime. I also was able to center three more book accounts of my wanderings on major life passions (Latin baseball, Brazilian music and Chinese food), so that I had enriching experiences even when the royalties weren't. I have taught courses on "travel lit" everywhere from Berkeley to Kuala Lumpur and honed a philosophy of travel writing as the ultimate in wide-eyed amateurism.

As an English professor, I teach all kinds of literature, but I’m especially drawn to creative and experimental works that cross over different languages, cultures, and geographical regions. I’m drawn to writers who test the limits of language. Joseph Conrad chose to write in English, his third language (after Polish and French), which he learned from the polyglot world of sailing. Conrad’s English is populated by multiple other languages. When I discovered the Indonesian writer Pramoedya Ananta Toer, I was compelled to learn both Dutch and Indonesian in order to read the prison notes, then available only in Dutch, and the many stories and novels not yet translated into English. 

As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.

Suspense thrillers were staple “reading food” in my college and young adult days, and my love for them continues. I always craved thrillers that are based on WWII, the Cold War, and secret scientific advances and that offered fresh historical perspectives and dared to challenge popular narratives while delighting the readers with dexterously woven fictional tales. And then, most importantly, it is the feeling the author has conducted genuine, painstaking research bringing out captivating, reasoned nuggets of history that I find most satisfying.

I'm a retired medical doctor and have been at various times a military officer, a paediatric surgeon, and a university professor. My passion for this topic was ignited when I was a member of UNESCO’s Maritime Silk Route Expedition, sailing on a voyage retracing the ancient Silk Road of the Sea, with a team of scholars—historians, archaeologists, writers, film-makers—each an expert on some aspect of the Silk Routes. After retiring from medical practice, I have devoted my time to researching more about the Maritime Silk Route – reading, visiting places, listening, and talking with other experts. Having acquired much knowledge about the subject, I wrote Sri Lanka, Serendib, and the Silk Road of the Sea.

Thanks to access to a good community library, I developed an interest in history from the age of seven. My interest in India grew when I married Indian-born Atam Vetta. After teaching, I set up a business and was director of Oxford Antiques Centre. In 1998, while chair of the Thames Valley Art and Antique Dealers Association, I was invited to become the art and antiques writer for The Oxford Times. That was how my freelance writing career began but since 2016 I have concentrated on writing fiction and poetry but make occasional contributions to The Madras Courier.

Though religious violence is an odd obsession for a nice guy like me, the topic was forced on me. Having lived for years in the Indian Punjab, I was struck by the uprising of Sikhs in the 1980s. I wanted to know why, and what religion had to do with it. These could have been my own students. It is easy to understand why bad people do bad things, but why do good people—often with religious visions of peace—employ such savage acts of violence? This is the question that has propelled me through a half-dozen books, including the recent When God Stops Fighting: How Religious Violence Ends. 

I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.