Books like Travels on my Elephant — picked by fans

I am an author and natural navigator. I set up my natural navigation school in 2008 and am the author of award-winning and internationally bestselling books, including The Natural Navigator (2010) The Lost Art of Reading Nature’s Signs (2014), How to Read Water (2016), and The Secret World of Weather (2021), some of the world’s only books covering natural navigation. I have spent decades hunting for clues and signs in nature, across the globe, which may be why I am sometimes nicknamed: “The Sherlock Holmes of Nature”.

I’ve always wanted to travel and have always been obsessed with exploring the natural world with my camera. Over the past 30 years I’ve been lucky to film in 120+ countries and meet thousands of inspiring people in the most unlikely of places. Experience has taught me that there are certain core positive traits that unify us all and help bind us to the natural world within which we live. The books I’ve chosen remind me of how complicated, beautiful, and precious; and how full of wonder and mystery our planet is. They have helped inspire me to pack my bags and get out there to explore it for myself. 

Having driven a motorbike around Africa, walked through parts of India, Pakistan, and Afghanistan, and ridden a horse along the Silk Road, which culminated in three travel books, a Discovery Channel film, and Wild Frontiers the award-winning travel company I set up, I think it’s fair to say I know a thing or two about travel. With over 100 countries under my belt, discovering new places and meeting new people has always been my passion. The books I have chosen here are ones that I think best communicate both a physical and a mental journey, that draw you into a story with a beginning a middle, and an end, and leave you knowing more about both a region of the world and human nature.

I left home in Melbourne to spend a year travelling in Asia when I was in my mid-twenties. I ended up living abroad for a decade in London, Bangladesh, and Myanmar before returning to Sydney in 2016. My first book is about the four years I lived in Myanmar and I’m currently writing my second, which is about the year I spent backpacking from Cambodia to Pakistan. My third book will be about the three years I worked as a journalist in Bangladesh. My plan is to write a ‘trilogy’ of memoirs. Living abroad has enriched my life and travel memoirs are one of my favourite genres, both as a reader and a writer.

I'm a writer for kids and YA based in Pune, India and it’s been my passion to read books for this age group, from the time I was that age. Unfortunately, when I borrowed books from my library as a boy, so many kids and YA books were either not at all “story like” (moralistic or preachy) or we had to read books from abroad. Fortunately, Indian kids and YA literature has blossomed and provided us many excellent writers, some of whom are now household names. I interviewed some of them for my podcast on books Literary Gupshup. It's my desire to make readers outside India more aware of the wonderful kids’ books in India. 

I have had an affinity for nature since my childhood, but I did not train as an ecologist. An increasing concern about the environment, and the people more adversely affected by ecological degradation, made me switch careers early. I have worked on issues around conservation, land and forest rights of indigenous communities, and on the importance of nature in cities. Today I am an educator with a responsibility to communicate not only about environmental issues, but why it is a priority for communities in India. I am proud to be a part of the community of women writers on the environment in India whose voices and experiences need to be heard.

I started writing fiction and writing about fiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.  

I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.

Suspense thrillers were staple “reading food” in my college and young adult days, and my love for them continues. I always craved thrillers that are based on WWII, the Cold War, and secret scientific advances and that offered fresh historical perspectives and dared to challenge popular narratives while delighting the readers with dexterously woven fictional tales. And then, most importantly, it is the feeling the author has conducted genuine, painstaking research bringing out captivating, reasoned nuggets of history that I find most satisfying.

I am a professional historian who came to the Indian world years ago through studies of epic, mythology, and gender. When I read the Mahabharata, I was surprised that its internal coherence was not apparent. I connected with authors such as Alf Hiltebeite, who saw things in the same way. By then, I found evidence that its author used different materials, including Greco-Roman. And that his work was set at the time—around the turn of the era—when Afro-Eurasia was united in a very intense network of relations, exchanging merchandise, ideas, and many other things (including viruses). I have been trying to find out things about this brilliant author since.