Here are 100 books that Flute in the Forest fans have personally recommended if you like
Flute in the Forest.
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I'm a writer for kids and YA based in Pune, India and it’s been my passion to read books for this age group, from the time I was that age. Unfortunately, when I borrowed books from my library as a boy, so many kids and YA books were either not at all “story like” (moralistic or preachy) or we had to read books from abroad. Fortunately, Indian kids and YA literature has blossomed and provided us many excellent writers, some of whom are now household names. I interviewed some of them for my podcast on books Literary Gupshup. It's my desire to make readers outside India more aware of the wonderful kids’ books in India.
As a child, I loved—and still love—reading the stories of Sherlock Holmes, Agatha Christie, and the Hardy Boys.
But my favorite was Feluda, a series of mystery stories or novellas created by ace filmmaker Satyajit Ray.
Ray’s Feluda stories revolve around a fictional detective called Feluda, who travels across India’s vibrant landscapes, from the caves of Ajanta Ellora in the west, to Jaipur in the north, to Chennai in the south, to many more, and outside India too.
Ray’s detective stories are well rooted in Indian culture, very clean, and virtually without any “Adult” content, and only a bit of violence but make for interesting and gripping reading despite it.
Written originally in Bengali language, it is translated very well. It is eminently suitable for readers of all age groups.
This omnibus edition features the ever-popular adventures of Satyajit Ray's enduring creation, the professional sleuth Pradosh C. Mitter (Feluda). In his escapades, Feluda is accompanied by his cousin Topshe and the bumbling crime writer Lalmohan Ganguly (Jatayu). From Jaisalmer to Simla, from the Ellora Caves to Varanasi, the trio traverse fascinating locales to unravel one devious crime after another.
4.5 billion years ago, Earth was forming - but nothing could have survived there…
From Cells to Ourselves is the incredible story of how life on earth started and how it gradually evolved from the first simple cells to the abundance of life around us today. Walk with dinosaurs, analyse…
I'm a writer for kids and YA based in Pune, India and it’s been my passion to read books for this age group, from the time I was that age. Unfortunately, when I borrowed books from my library as a boy, so many kids and YA books were either not at all “story like” (moralistic or preachy) or we had to read books from abroad. Fortunately, Indian kids and YA literature has blossomed and provided us many excellent writers, some of whom are now household names. I interviewed some of them for my podcast on books Literary Gupshup. It's my desire to make readers outside India more aware of the wonderful kids’ books in India.
Just a Train Ride Awayis a wonderful, simply written book, a very quick and profound read, and it carries a lot of lucid and clear language.
Kids and adults alike will enjoy the book.
The plot is full of deep insights and comments on Indian society. The plot is straightforward: A boy, Santosh, travels by train, from Mumbai to Kolkata to meet his father.
What happens on the way, and conversations he has, leaves an indelible impression on him.
I'm a writer for kids and YA based in Pune, India and it’s been my passion to read books for this age group, from the time I was that age. Unfortunately, when I borrowed books from my library as a boy, so many kids and YA books were either not at all “story like” (moralistic or preachy) or we had to read books from abroad. Fortunately, Indian kids and YA literature has blossomed and provided us many excellent writers, some of whom are now household names. I interviewed some of them for my podcast on books Literary Gupshup. It's my desire to make readers outside India more aware of the wonderful kids’ books in India.
Who among us as, as kids and not so kids, has not dreamt of running away from home? We all have, let’s be frank.
But in Zai Whitaker’sAndamans Boy, Arif actually does it. Arif is sick and tired of the oppressive and shabby treatment by his aunt and uncle. He is also tired of life in a major city like Mumbai.
One night, he decides to run away, far far away to the deep south city of Chennai, from where he catches a boat to Andaman Islands. These islands are full of a large tribal population, and he quickly discovers nature of tribal society.
Full of frolic and fun, it also asks the fundamental question: what is development and how do we define the word “civilized”?
The summer holidays have finally arrived and Scout can’t wait for her adventure in the big rig with Dad. They’re on a mission to deliver donations of dog food to animal rescue shelters right across the state. There’ll be dad-jokes, rock-collecting, and a brilliant plan that will make sure everyone’s…
I'm a writer for kids and YA based in Pune, India and it’s been my passion to read books for this age group, from the time I was that age. Unfortunately, when I borrowed books from my library as a boy, so many kids and YA books were either not at all “story like” (moralistic or preachy) or we had to read books from abroad. Fortunately, Indian kids and YA literature has blossomed and provided us many excellent writers, some of whom are now household names. I interviewed some of them for my podcast on books Literary Gupshup. It's my desire to make readers outside India more aware of the wonderful kids’ books in India.
Ranjit Lal’s writing is always quirky, fun-loving but contains a touch of mystery. InThat Summer in Kalagarh,all these qualities are visible.
The main character is always teased as ‘elephant’ by her cousins. Ironically, on a holiday in the jungles of Uttarakhand in north India they encounter many real and not so real elephants!
What is the legend of the dead elephant, also called Gitanjali? Why does Gitanjali hear sounds nobody else can, deep inside the jungle?
A spine-tingling adventure, laced with dollops of keen observations and descriptions.
I am a professional historian who came to the Indian world years ago through studies of epic, mythology, and gender. When I read the Mahabharata, I was surprised that its internal coherence was not apparent. I connected with authors such as Alf Hiltebeite, who saw things in the same way. By then, I found evidence that its author used different materials, including Greco-Roman. And that his work was set at the time—around the turn of the era—when Afro-Eurasia was united in a very intense network of relations, exchanging merchandise, ideas, and many other things (including viruses). I have been trying to find out things about this brilliant author since.
I liked this book very much because it is a brave book. It is becoming more and more difficult to accept that ancient Indian culture was influenced by outside influences, as is the case with all parts of the world.
But at the time, it was already a debated issue. This book advocated an open perspective on the Indian past and present. I was very pleased to see the author's lack of prejudice and wide knowledge. I enjoyed it very much.
I am a professional historian who came to the Indian world years ago through studies of epic, mythology, and gender. When I read the Mahabharata, I was surprised that its internal coherence was not apparent. I connected with authors such as Alf Hiltebeite, who saw things in the same way. By then, I found evidence that its author used different materials, including Greco-Roman. And that his work was set at the time—around the turn of the era—when Afro-Eurasia was united in a very intense network of relations, exchanging merchandise, ideas, and many other things (including viruses). I have been trying to find out things about this brilliant author since.
I wanted to end my list with another book by an Indian author. This is a text similar to Acharya's, a text that impressed me when I found it and that almost no one cites.
This is an author who argues not only that there are external influences in ancient India but that it is a constant in Indian history and that there is no reason to be ashamed of it. Why should there be? It is a basic text in the good sense of the word, a brave book that deserves to be reread.
It’s Anny’s first day of middle school and, after years of being homeschooled, her first day of public school ever. In art, Larissa asks what kind of ESP is her favorite: telepathy, clairvoyance, precognition, or telekinesis? Tracy asks how she identifies: gay, straight, bi, asexual, pan, trans, or confused?
I lived the first 24 years of my life in Mumbai and traveled to many parts of India. I’ve had close friends of every community and religion and been fascinated by the incredible diversity. By studying historical crimes and how they were reported and investigated, I learned a great deal about the norms of Indian culture. Reading (and writing) historical mysteries allowed me to dive into past eras and immerse myself in the tumultuous events that have shaped our world today. While I’m obsessed with the turn of the 20th century, mysteries in later years also delight me. Enjoy this selection of mysteries set in India that reveal the inner workings of its diverse culture.
Sidhwa’s book describes the partition of India that formed present-day India and Pakistan. These tortured days and the tragedies and massacres that followed are viewed through the lens of a gentle and educated Parsi family. The narrator is Lenny, a young girl afflicted with polio, whose active observations center on the members of her family and servants. Her eighteen-year-old Ayah and the devotion of the ice-candy man play out against the backdrop of terrible hatred and betrayal, where religious affiliation trumps all, even what some call love, and others, lust.
This book had me weeping for days. Its simplicity is deceptive. The simple narration from a six-year-old is entirely believable, the confusion of what really happened, and what it means. But the adult me could read between the lines and understand the full measure of tragedy, the horror, the inevitable result. And I was glad that Lenny was too young…
A New York Times Notable Book: A girl’s happy home life is suddenly disrupted by the 1947 Partition of India in this “multifaceted jewel of a novel” (Houston Chronicle).
Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the many admirers that Ayah draws. It is in the company of these working-class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition.
As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and…
Thanks to access to a good community library, I developed an interest in history from the age of seven. My interest in India grew when I married Indian-born Atam Vetta. After teaching, I set up a business and was director of Oxford Antiques Centre. In 1998, while chair of the Thames Valley Art and Antique Dealers Association, I was invited to become the art and antiques writer for The Oxford Times. That was how my freelance writing career began but since 2016 I have concentrated on writing fiction and poetry but make occasional contributions to The Madras Courier.
If you already know a lot about India and are interested in an unusual insight into the role of temples in the history, culture, architecture, and myths of the subcontinent, then this is for you. It will also introduce you to thirteen writers who include journalists, academics, and authors. Each one was asked to write about one temple, recounting its origins and the mythology and history surrounding it. It’s beautifully illustrated by Mistunee Choudhury. You can enhance the experience by googling the locations. It has introduced me to some must-see places to go on my want to visit list. I visited the unforgettable temples of Khajuraho and they appear in my own book.
The great temples of the Indian subcontinent are uniquely fascinating spaces. Steeped in mythology and history, they are windows into a complex, often contrary culture. Where the Gods Dwell delves into the ‘(hi)stories’—history and mythology—of thirteen architectural marvels that have inspired awe, and not only in the hearts of the faithful.
Every essay in this book is an intriguing mix of historical detail, mythological narrative and architectural commentary, supplementing and complementing each other to tell a story that is more than the sum of its parts. From Pashupatinath in Nepal to the Nallur Kandaswamy in Sri Lanka, the Kamakhya in…
I graduated early from the University of Michigan - Ann Arbor to come back to my home country and work in Indian politics. Since then I’ve worked with a Member of Parliament, handled campaign design in states across India, and headed data analytics for India’s largest political party. This experience gave me an inside view of how politics operates and how elections are actually won. The fact that this was at a time when Indian politics was going through massive changes with micro-targeting, digital technologies and disinformation gaining ground made the experience even more unique. Based on this experience, my books detail how power is gained, (mis)used, and lost.
Although elections are dependent on how people choose to cast their ballot in the voting booth, politics is much larger than just elections. Political power isn’t just retained by convincing citizens to vote for you, it is sometimes also retained by crushing opposition voices and concocting fake narratives. This book shows how political parties in India have used organs of the state, including the police, investigative bodies, and intelligence agencies to consolidate power. It was a heartbreaking read, but it offered key insights into understanding how political power is actually wielded in the world’s largest democracy.
Eleven-year-old Sierra just wants a normal life. After her military mother returns from the war overseas, the two hop from home to homelessness while Sierra tries to help her mom through the throes of PTSD.
A banker by day and a cynical cartoonist-cum-blogger by night, I have traveled the world, have met many interesting people with compelling backgrounds, and have experienced many peculiar and beautiful things.
I love getting inspiration from my experiences and spinning stories out of that. As an author, I always look out for the unconventional ending fueled by my fervid imagination.
I prefer the medium of the short story as it keeps the author honest and sharp—no meandering into unrelated tangents.
Ruskin Bond is known more for his simple stories about everyday people in the Himalayan foothills (like a North Indian R.K. Narayan). He does throw in the odd story, which seems like a folktale with a surprising ending like A Face in the Night and The Eyes Have It. This livens up the collection more, as you don’t know when you will get one of the unexpected plot twists.
His books ooze with his love for his adopted country, and he writes with such tenderness about young characters that they are wholesome and fulfilling to read.
What I love most about him is that he is one of the most approachable and friendly authors. He spends hours sitting in his hometown’s main bookshop talking with readers and autographing their purchases.