Books like Telling Lies for Fun & Profit — picked by fans

Another book that focuses on story structure, and explains the difference between literary and commercial fiction without talking down to those of us who aspire to the latter. I found it full of illuminating visuals, excellent examples, and exercises to help me immediately apply his advice. And above all, remember that advice weeks later as I write more and more pages.

It works because he does more than expound. He *engages* the reader–mentally and physically. Reading the book is like taking a master class.

It was a wake-up call to me when I was a newly published author, and having researched and plotted and written and endlessly revised my book, I was also responsible for selling it. This is compounded by the fact that the ins and outs of the book business are changing at what seems like warp speed. For instance, self-publishing, which used to be poo-pooed as a last resort, has gone mainstream.

Jane Friedman is an expert on what’s happening, the good news and the bad, along with gory details and hard-nosed advice. And her book (and her blog…) helps would-be blissfully ignorant writers like me stay afloat and possibly even make a living writing. Jane doesn’t pull her punches.

Probably the #1 challenge for me as a mystery writer is holding the readers’ attention and keeping them engaged from Page One to The End. The answer is: create suspense. Keep the reader wondering What’s going to happen next. Ask unanswered questions. Not so much “Whodunnit?” but the more complex: “What’s going on here?”

This book contains interviews with Alfred Hitchcock, the premier master of suspense, talking to the great director Francois Truffaut and dissecting the how-to of creating suspense. His examples and explanations made me truly understand the choices I make when I structure a plot, a scene, or even a moment in the book. Do I want the reader to inhale or exhale or gasp, and why does it matter?  

When I was struggling to write my first mystery novel, I realized that I hadn’t a clue what makes a mystery novel a compelling page-turner. My Beta readers thought that my main character was flat. A cipher. I needed to transform the manuscript into a story that made the reader care about the characters (especially the protagonist). Not just present a clever trail of clues and red herrings.

This book focuses on screenwriting, but what McKee says about plotting in general (three-act structure, scene structure, etc.) is completely applicable to writing a mystery novel, and he gives such practical advice. Through this book, I understood the importance of a character arc. Reassuringly, it’s not rocket science.

I fully credit “Socks” with not only inspiring my early love of reading but also showing me that cats can be the main character in a book and be thoroughly delightful.

There’s no way I would be writing what I do now if not for this book. I have no idea how many times I’ve read it, but my childhood copy sits on my shelf to this day. There’s a reason it’s still listed as a “Teachers’ Pick” after over 50 years.

I love this classic novel; it is one of my old favorites.

Nowhere in the genre of young adult literature does there seem to be an author more subversive than Paula Danziger; here (and in the companion novel The Cat Ate My Gymsuit), she directly encourages the young reader to question adult authority and suggests that with protests and education about what rights the law gives (and withholds from) young people, it might be possible to effect change and increase their rights.

I also found it great that the novel shows the protagonist’s parents in raw realism–the father as a hypocritical, cheap, unlikable domestic despot, the mother as a shrinking violet who at first tends to excuse the father and conform to his expectations, but eventually starts questioning her stance when she sees her daughters rebel.

In the current media environment, it is hard for us to do the one essential thing that novel readers must do: suspend disbelief—to read something that we know is not true, yet accept it as if it were true. It is a cynical time. We have learned to mistrust what we read.

So what is a novelist to do? Well, one way to win over skeptical readers is by a simple trick, one that I love (as both reader and writer): the novelist appears in his own novel. My novel uses a similar device, beginning with a novelist-narrator who bears a striking resemblance to me. These five novels all use a similar strategy.

The first book, American Pastoral, is one of my favorites. Philip Roth frequently borrowed from his own life in his novels, but to me, this is his most effective blend of fact and fiction. The novel lifts… show more.

I like this novel because it is one of the few that I know of that features a blind musician like the protagonist of my novel. Also, I feel that the author offers fine descriptions of jazz piano and jazz music. This book was published in 1965, a turbulent time in America. The author depicts being black as a disability like blindness. I think William Melvin Kelley was an excellent novelist who deserves greater recognition.

I really enjoyed this novel by Sofía Segovia. She takes us to a mystical world. Exceptionally well described, the main character, Simonopio, sees things nobody else can see, visions of what is to come. Disfigured and covered in a blanket of bees, Simonopio is welcomed by Francisco and Beatriz Morales, who adopt and care for him as if they were their own. His swarm of bees always helps Simonopio, and his mission is to protect his adoptive family from threats, both human and those of nature. For me, this is a fascinating book that shows the beauty of this little boy.

Set in the past and based on real people, this is a gripping story about an unofficial relationship that crosses class divides.

The closeness between poet Elizabeth Barret and her maid, known by her surname, Wilson, is never properly acknowledged as a friendship. But that’s what it is, as Wilson gradually gets to know everything about her mistress, particularly her forbidden love for fellow poet Robert Browning, and Barret comes to increasingly rely on the dependable Wilson.

This book is a fabulous and creative imagining of these real lives, and of a deep friendship that is horribly betrayed when things go wrong.