Here are 100 books that The Troubled Deep fans have personally recommended if you like
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It’s hard to pinpoint where my interest in cold cases began, but I remember reading about the Isdal Woman and being intrigued. She was found in Norway in 1970, badly burned, with the labels cut off her clothes. Police discovered fake identities and disguises in suitcases left at the railway station, but, to this day, have no idea who she was. I’m a member of several Facebook groups where people investigate cold cases, and I’m always amazed at how these clues can be put together so many years later. Or, in some cases, how some people go unnamed, or crimes unsolved despite all the resources at our fingertips.
I have to confess that I discovered these books after watching the TV series Department Q. As soon as I saw "Based on the books by Jussi Adler-Olsen," I knew I had to read them.
The books differ significantly from the TV show. For one thing, they are set in Copenhagen, not Scotland. But the dark humour and clever plots are still the same. In this, the first of the series, Carl Morck—who is recovering from an incident where two of his colleagues were shot—is made the head of Department Q, looking into cold cases.
His first case is the disappearance of a politician who we know is still alive, but no one—apart from Morck—is looking for him anymore, assuming he fell off a ferry.
Get to know the detective in charge of Copenhagen's coldest cases in the first electrifying Department Q mystery from New York Times bestselling author Jussi Adler-Olsen.
Carl Morck used to be one of Denmark's best homicide detectives. Then a hail of bullets destroyed the lives of two fellow cops, and Carl-who didn't draw his weapon-blames himself. So a promotion is the last thing he expects. But Department Q is a department of one, and Carl's got only a stack of cold cases for company. His colleagues snicker, but Carl may have the last laugh, because one file keeps nagging at…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
It’s hard to pinpoint where my interest in cold cases began, but I remember reading about the Isdal Woman and being intrigued. She was found in Norway in 1970, badly burned, with the labels cut off her clothes. Police discovered fake identities and disguises in suitcases left at the railway station, but, to this day, have no idea who she was. I’m a member of several Facebook groups where people investigate cold cases, and I’m always amazed at how these clues can be put together so many years later. Or, in some cases, how some people go unnamed, or crimes unsolved despite all the resources at our fingertips.
A small town bursting with secrets? A loner protagonist who is smart and funny, with a lot to prove? Where do I sign up?
Frankie Elkin is on a one-woman mission to find missing people that everyone else has given up on. She goes to Boston to look for a missing teenager but encounters a fair amount of resistance when she starts asking questions.
This book has a lot of heart and is one of those that demands to be read in one sitting.
I write psychological thrillers, and I find stories where the main character thinks they’re going crazy, particularly gripping, especially when it’s caused by (supposed) loved ones. I suspect it’s because these stories share an element of "this could happen to me." I’ve only written three books, but I’d say all of them have an element of gaslighting, probably because I sit down and think things like, What would it feel like if your best friend came back after many years, and you’re the only one who can tell it’s not her? It’s a deliciously creepy way to pass the time.
Lucy's best friend Savannah was murdered, and Lucy is suspected of having killed her. But Lucy can't remember anything about that night. Convenient? Plenty of people think so, including those closest to her. Is Lucy doing the gaslighting?
This plot is masterfully constructed, and I can’t say much more without spoilers. I loved it, and the gaslighting is out of this world.
**RICHARD & JUDY BOOK CLUB PICK** **INSTANT NEW YORK TIMES BESTSELLER** **THE SUNDAY TIMES 'PICK OF THE MONTH'** **PRIMA 'BOOK OF THE YEAR'** **WOMAN & HOME 'BOOK OF THE YEAR'** **WOMAN & HOME 'BOOK OF THE MONTH'** **TOP TEN KINDLE BESTSELLER**
'Edgy, thrilling, twisty - I loved it!' - LIANE MORIARTY 'A world-class whodunit' - STEPHEN KING 'Dark comedy and darker thrills' - ALEX MICHAELIDES 'Smart, surprising and very funny - wickedly entertaining' - SHARI LAPENA
Am I a murderer? You tell me . . .
Lucy Chase can't remember anything about the night her best friend was murdered. Lucky…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
It’s hard to pinpoint where my interest in cold cases began, but I remember reading about the Isdal Woman and being intrigued. She was found in Norway in 1970, badly burned, with the labels cut off her clothes. Police discovered fake identities and disguises in suitcases left at the railway station, but, to this day, have no idea who she was. I’m a member of several Facebook groups where people investigate cold cases, and I’m always amazed at how these clues can be put together so many years later. Or, in some cases, how some people go unnamed, or crimes unsolved despite all the resources at our fingertips.
I read this while recuperating from an operation, and it was the pick-me-up I needed.
What starts off as a current missing person’s case becomes an investigation into a cold case as it comes to light that the two cases could be linked. The sleuths in this case are retired spies, The Martini Club, and they are such a fun group of characters. It’s the second book of Tess Gerritsen’s to feature this cast of characters, and they have skills to outdo the local police chief, Jo—and occasionally get in her way.
INCLUDES A BONUS SHORT STORY BY LEE CHILD AND TESS GERRITSEN, STARRING JACK REACHER AND THE ENIGMATIC MAGGIE BIRD. . .
The Summer Guests is the exhilarating and gripping new thriller from Sunday Times bestselling author of The Spy Coast.
SPECIAL HARDBACK LIMITED EDITION - AVAILABLE WHILE STOCKS LAST
'I love this new series . . . The Summer Guests is a cracker of a mystery! I couldn't put it down.' SHARI LAPENA
'What a ride - The Summer Guests hooked me from the first explosive chapter. . . Immersive, compelling, utterly addictive - a masterclass in storytelling.' ANDREA MARA,…
I’ve always adored mysteries. My dad has the entire collection of Agatha Christie books, but even before I read those, I worked through his ancient original hardbacks of Enid Blyton's Famous Fivebooks and the less well-known Malcolm SavilleLone Pineseries. I love getting totally engrossed in a series, so I really get to BE the main character–I am one of four siblings, and when I wasn’t too busy reading, we were the Famous Five. I was George. I think I still am, to be perfectly honest–she was fiery, passionate, loved her dog, and wanted to serve justice and out the bad guys. What a role model!
A year or so ago, I read a lot of factual books about India, so I was delighted to find this Golden Age cozy mystery set in a land I was falling in love with through books. This book took me back to a pre-partition India still under British rule, with a realistic glimpse of life under colonialism alongside a hefty–hopefully less realistic–dose of murder and mystery.
I adored how Harini Nagendra created a strong, independent female character who still feels genuine and believable in the time and place in which the book is set–a time when most women were stifled, submissive, and governed by their husbands–and how the observations of colonization feel true to life while remaining both sympathetic and observant to the Indian culture and ways of life.
The setting is vividly portrayed, and the sights and sounds of 1920s India are an absolute delight. The main characters…
'The first in an effervescent new mystery series. . . a treat for historical mystery lovers looking for a new series to savour (or devour)' NEW YORK TIMES
'A gorgeous debut mystery with a charming and fearless sleuth . . . spellbinding' SUJATA MASSEY
'Told with real warmth and wit. . . A perfect read for fans of Alexander McCall Smith and Vaseem Khan' - ABIR MUKHERJEE
A NEW YORK TIMES NOTABLE BOOK OF 2022
Murder and mayhem . . . monsoon season is coming. _____________________________
Solving crimes isn't easy.
Add a jealous mother-in-law and having to wear a flowing…
It’s just my favorite trope, that’s all: the character who isn’t what he seems. I love the deception, I love the complications, I love the clues dropped along the way, I love the big reveal. I love the sensation I get when I, the reader, know just a little bit more than the characters do but still feel surprised and wonder when the whole truth is unveiled. When I sit down to write, I know I want to create that exact sensation in my readers.
This is the first in a long-running, action-packed science fiction series starring Miles Vorkosigan. He is brilliant, driven, ambitious, hyperactive, and neurotic. He also suffers from a chronic disability that makes him unfit for military service on his home planet. This is why he takes to the stars for a life of adventure and excitement under the pseudonym Miles Naismith, Admiral of the Dendarii Free Mercenaries.
This book is our introduction to Miles and shows the birth of the Naismith persona, and it is fabulous fun on every page. I devoured this series like potato chips.
NEW YORK TIMES BEST-SELLING AUTHOR. NEW EDITION OF THE BOOK THAT STARTED THE VOKOSIGAN SAGA LEGEND. WITH AN ALL-NEW INTRODUCTION BY LOIS MCMASTER BUJOLD!
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
When I was a little boy growing up in Philadelphia, I couldn’t have dolls. So I collected Hot Wheels, gave them all wild names and backstories, and moved them around through scandal and adventure on our pool table. As a voracious reader, I devoured hefty novels from my parent’s bookcase as a teenager, and in the 1980s, I adored prime-time soaps like Dallas and Dynasty. I also discovered great midcentury melodramas from filmmakers like Douglas Sirk and Mark Robson, leading to reading related books. Today I review books for the New York Times, and I remain passionate for period melodrama. (Don’t get me started on my Mad Men obsession!)
I once asked Agnes Nixon, the creator of All My Children and other legendary daytime serials, how she became so good at plotting them. She replied, “I am a very good eavesdropper.”
I suspect O’Hara was, too. His 1959 epic (900 pages!) about a social-climbing, status-mad banker and the fashionable coterie of vipers he navigates to attain success at any cost is dipped in old-money style and privilege masking an ever-rotting core.
It’s packed with the one thing any great beach read needs: people keeping secrets who will do anything to protect them.
I consider myself a disruptor of sorts, both in my life and in the art I make (I’m an actor, too). So I am by nature drawn to novels that bend and reshape (and sometimes ignore altogether) the rules and conventions that are supposed to govern the novelist’s craft and lead me to experience the world—and often the art of writing fiction itself—in ways I have never experienced either before. The novels on my list do just that.
I studied with Joe Heller at City College in New York, earned my MA in Creative Writing under his tutelage.
Catch-22 is his most well-known and celebrated work, of course; nevertheless, I consider his second novel, Something Happened, his deeply unsettling portrait of Bob Slocum, a mid-level executive in a disintegrating marriage and estranged from his children who is navigating the minefield of his corporate life, and the devastating anxiety, soul-numbing alienation and paralyzing dread his journey produces that bears fruit at last in the tragedy he has expected and feared and sought desperately to avoid for so long, to be his true masterpiece.
It provided me with an essential lesson in the use of narrative tension to engage readers on a deeper, more subliminal level and keep them engaged until the very last word.
Structurally, stylistically, even thematically, echoes of Something Happened permeate my own novel: the often…
Bob Slocum was a promising executive. He had an attractive wife, three children, a nice house, and as many mistresses as he desired. His life was settled and ordered; he had conformed and society demanded he be happy - or at least pretend to be, But the pretence was becoming more and more difficult, as Slocum's discontent grew into an overwhelming sense of desolation, frustration and fear. And then something happened. . .
I have written four novels that involve crime in one way or another, but I do not consider myself a crime novelist. I simply find crime stories offer a compelling way to explore universal human experiences. I was a prosecutor when I was younger, so I try to bring a level of fluency in criminal law to my novels, but the usual warning applies: this is fiction, and it is better that a story be authentic than actually true.
In the current media environment, it is hard for us to do the one essential thing that novel readers must do: suspend disbelief—to read something that we know is not true, yet accept it as if it were true. It is a cynical time. We have learned to mistrust what we read.
So what is a novelist to do? Well, one way to win over skeptical readers is by a simple trick, one that I love (as both reader and writer): the novelist appears in his own novel. My novel uses a similar device, beginning with a novelist-narrator who bears a striking resemblance to me. These five novels all use a similar strategy.
The first book, American Pastoral, is one of my favorites. Philip Roth frequently borrowed from his own life in his novels, but to me, this is his most effective blend of fact and fiction. The novel lifts…
Philip Roth's fiction has often explored the human need to demolish, to challenge, to oppose, to pull apart. Now, writing with deep understanding, with enormous power and scope and great storytelling energy, he focuses on the counterforce: the longing for an ordinary life. Seymour 'Swede' Levov - a legendary high school athlete, a devoted family man, a hard worker, the prosperous inheritor of his father's glove factory - comes of age in thriving, triumphant, postwar America. He has a beautiful wife - Miss New Jersey 1949 - and a lively, precocious daughter, Merry. She is the apple of his eye…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
As a creative writer, I think it is important for me to put myself into the bodies and minds of people, unlike myself, and imagine how they move about in the world. In my book, I write about Blind Tom, a person from the nineteenth century who has little in common with me. However, there are some affinities and connections between Tom and myself. Although I am not blind, I suffer from a disability. Also, I like writing about music and musicians. I chose to write about Tom in part because he was a great musician who has never received the proper credit he deserves from musicologists and historians.
I like this novel because it is one of the few that I know of that features a blind musician like the protagonist of my novel. Also, I feel that the author offers fine descriptions of jazz piano and jazz music. This book was published in 1965, a turbulent time in America. The author depicts being black as a disability like blindness. I think William Melvin Kelley was an excellent novelist who deserves greater recognition.
At the age of five, a blind African-American boy is handed over to a brutal state home. Here Ludlow Washington will suffer for eleven years, until his prodigious musical talent provides him an unlikely ticket back into the world.
The property of a band, playing for down-and-outs in a southern dive, Ludlow's pioneering flair will take him to New York and the very top of the jazz scene - where his personal demons will threaten to drag him back down to the bottom.
A Drop of Patience is the story of a gifted and damaged man entirely set apart -…