Books like The Troubled Deep — picked by fans

I have to confess that I discovered these books after watching the TV series Department Q. As soon as I saw "Based on the books by Jussi Adler-Olsen," I knew I had to read them.

The books differ significantly from the TV show. For one thing, they are set in Copenhagen, not Scotland. But the dark humour and clever plots are still the same. In this, the first of the series, Carl Morck—who is recovering from an incident where two of his colleagues were shot—is made the head of Department Q, looking into cold cases.

His first case is the disappearance of a politician who we know is still alive, but no one—apart from Morck—is looking for him anymore, assuming he fell off a ferry.

A small town bursting with secrets? A loner protagonist who is smart and funny, with a lot to prove? Where do I sign up?

Frankie Elkin is on a one-woman mission to find missing people that everyone else has given up on. She goes to Boston to look for a missing teenager but encounters a fair amount of resistance when she starts asking questions.

This book has a lot of heart and is one of those that demands to be read in one sitting.

Lucy's best friend Savannah was murdered, and Lucy is suspected of having killed her. But Lucy can't remember anything about that night. Convenient? Plenty of people think so, including those closest to her. Is Lucy doing the gaslighting?

This plot is masterfully constructed, and I can’t say much more without spoilers. I loved it, and the gaslighting is out of this world.

I read this while recuperating from an operation, and it was the pick-me-up I needed.

What starts off as a current missing person’s case becomes an investigation into a cold case as it comes to light that the two cases could be linked. The sleuths in this case are retired spies, The Martini Club, and they are such a fun group of characters. It’s the second book of Tess Gerritsen’s to feature this cast of characters, and they have skills to outdo the local police chief, Jo—and occasionally get in her way.

Though marketed for a YA audience, this book easily crosses over to appeal to all readers, as long as they love a good mystery and some quality character growth.

Main character Stevie Bell loves true crime, and she makes it clear right from the start that she’s not interested in wasting her time with much else. Something of a misfit with a healthy dose of impostor’s syndrome, she’s got something to prove and plenty of stumbling blocks that get in the way. But she is fiercely devoted to finding answers, even to the point of recklessness.

Hints at future romance—never her priority, yet persistently unavoidable—along with her passion, intelligence, and disregard for the rules make her a heroine you can happily follow through several books.  

I studied with Joe Heller at City College in New York, earned my MA in Creative Writing under his tutelage.

Catch-22 is his most well-known and celebrated work, of course; nevertheless, I consider his second novel, Something Happened, his deeply unsettling portrait of Bob Slocum, a mid-level executive in a disintegrating marriage and estranged from his children who is navigating the minefield of his corporate life, and the devastating anxiety, soul-numbing alienation and paralyzing dread his journey produces that bears fruit at last in the tragedy he has expected and feared and sought desperately to avoid for so long, to be his true masterpiece.

It provided me with an essential lesson in the use of narrative tension to engage readers on a deeper, more subliminal level and keep them engaged until the very last word.

Structurally, stylistically, even thematically, echoes of Something Happened permeate my own novel: the often… show more.

In this book, you meet a rare person–a female heroine from the Tudor Times. Based on a true story about a woman aboard the Golden Hind, you are taken into the dark world of medieval ships and meet Maria.

As the book unfolded, I was moved to tears by her courage, strength, and ability to navigate a terrible world. I was inspired by her. 

I love this classic novel; it is one of my old favorites.

Nowhere in the genre of young adult literature does there seem to be an author more subversive than Paula Danziger; here (and in the companion novel The Cat Ate My Gymsuit), she directly encourages the young reader to question adult authority and suggests that with protests and education about what rights the law gives (and withholds from) young people, it might be possible to effect change and increase their rights.

I also found it great that the novel shows the protagonist’s parents in raw realism–the father as a hypocritical, cheap, unlikable domestic despot, the mother as a shrinking violet who at first tends to excuse the father and conform to his expectations, but eventually starts questioning her stance when she sees her daughters rebel.

A year or so ago, I read a lot of factual books about India, so I was delighted to find this Golden Age cozy mystery set in a land I was falling in love with through books. This book took me back to a pre-partition India still under British rule, with a realistic glimpse of life under colonialism alongside a hefty–hopefully less realistic–dose of murder and mystery.

I adored how Harini Nagendra created a strong, independent female character who still feels genuine and believable in the time and place in which the book is set–a time when most women were stifled, submissive, and governed by their husbands–and how the observations of colonization feel true to life while remaining both sympathetic and observant to the Indian culture and ways of life.

The setting is vividly portrayed, and the sights and sounds of 1920s India are an absolute delight. The main characters… show more.

This book has one of the most refreshing and terrifying take on the concept of immortality that I’ve ever seen. I love it because of how it tackles policing, what it means to be a decent person, and how power unchecked will inevitably consume all it touches. Also, it’s extremely queer, and the prickly immortals were just too hard not to fall in love with.